Arran Gregory

- SCULPCHA - All work featured © 2019 Arran Gregory  

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Anubis, 2022. By Arran Gregory.  103 x 60 x 30cm, Recycled PetG, acrylic mirror tile.  Ed /14 (+1artist proof).

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I’ve been wondering, does anybody still want to live forever?

Found guarding the Pharaoh’s body was a shrine to Anubis, the jackal deity of the afterlife. In ancient Egyptian religion, Anubis determined whether souls should be allowed to pass on into the next realm.

Morbid as this may seem but as we now move on from the pandemic, I see my latest work as more of a reflection towards the wonder of life and existence. To focus on mortality is to appreciate life itself and to see things as they really are. Today is not promised to us - how lucky and fortunate we are to be alive.

Whilst this realisation grows on me, I can’t help wonder what the ‘afterlife’ will come to mean in the future. How will our perception of this change as we evolve? We are already living enhanced lives thanks to science and medicine and have harnessed technology to allow us to extend our lifespans. Most ancient Egyptians were unlikely to live beyond 40 years of age and, for example, King Tutankhamen died at the age of 18. This can be compared to today’s life expectancy of 83 (female) and 79 (male).

The question that remains on my mind is; in developing technology to allow us to extend life, have we created the life that we want to extend?

For me, this piece is a reminder of our mortality in order to encourage the creation of good in today’s world.

Anubis, by Arran Gregory, 2022. 103 x 60 x 30cm, Recycled PetG, acrylic mirror tile. Ed /14 (+1artist proof) @arrangregory 

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Warrior drawing

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Excited for this Thursday (17th Jan). Join me from 6pm at Blok London for an exhibition of new sculptural works and paintings.

RSVP:

https://www.eventbrite.co.uk/e/arran-gregory-opening-night-blok-shoreditch-tickets-54587332180

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Wavey Geo. Enamel paint on canvas. 195 x 145 cm. 2018 by Arran Gregory

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Brightness Contrast Geo crop. Airbrush painting on canvas. 93 x 143cm. 2018 by Arran Gregory

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Inverted Geo Neko, Airbrush painting on canvas. 2018.

93 x 143cm

This is a painting of a face reflecting in a black mirror. 

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My Crystal Leopard. In collaboration with Swarovski.

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My Crystal Bear. In collaboration with Swarovski.

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My Crystal Wolf. In collaboration with Swarovski.  Really pleased.

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Mirror Amur Leopard 1/20 By Arran Gregory. 2015 Fibreglass, mirror, steel 73 x 34 x 227cm 

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You are a digital hunter gatherer

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‘GEO NEKO’ (‘Neko’ taken from the Japanese ‘Maneki Neko’ meaning ‘Beckoning cat’). This kinetic sculpture is depicted waving infinitely into a black mirror mounted on a stepped plinth. Geo Neko is a re appropriation of the familiar Maneki Neko, a personification of the internet, a character or mascot embodying the collective conscious of our social-media obsessed culture.

Geo Neko Fibreglass, Wood, Glass & Geared motor H174 × W60 × D92cm (x2) 

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White GeoNeko The first waving prototype of 'GeoNeko'. Inside his body is a 3D printed pendulum mechanism, a set of skateboard bearings and my Dad's old weights for momentum. The sculpture has since been updated with a geared motor so that it would wave continuously for recent exhibition '16:9' with Instrmnt

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Solo show at Instrmnt space in Glasgow. Showing a new kinetic sculpture alongside a series of enamel and airbrush paintings. 

I will be introducing a new character ‘Geo Neko’.

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Arran Gregory Hunt exhibition 2015.

Photo credits Michelle Beatty