Edouard Manet

Fan account of Edouard Manet, a French painter and a pivotal figure in the transition from Realism to Impressionism.

[artist-kmakovsky]

The Toilet of Venus, Konstantin Makovsky

Medium: oil,canvas

[artist-daumier]

Jacques Lefevre (1773-1856), Banker, Deputy, Regent of the Banque de France, Honore Daumier

[artist-manet]

The Tragedian Actor, 1866, Édouar Manet

Medium: oil,canvas

[artist-manet]

Swallows, plate 8 from Le Fleuve, Édouard Manet, 1874, Art Institute of Chicago: Prints and Drawings

Gift of Robert M. Light in memory of Harold Joachim Size: 36 × 52 mm (image); plate: 42 × 58 mm (plate); 278 × 240 mm (sheet) Medium: Etching, drypoint and aquatint in black on ivory laid paper

https://www.artic.edu/artworks/191528/

[artist-manet]

Madame Manet in conservatory, 1879, Édouar Manet

Medium: oil,canvas

[artist-manet]

Edgar Allan Poe, Edouard Manet, c. 1875, Smithsonian: National Portrait Gallery

Size: Image: 10 × 9.5 cm (3 15/16 × 3 3/4") Medium: Drypoint

https://npg.si.edu/object/npg_NPG.82.120

[artist-manet]

Portrait of Berthe Morisot, Édouar Manet

Medium: oil,canvas

[artist-henri-martin]

View of the Lot of Saint Cirq Lapopie, 1913, Henri Martin

Medium: oil,canvas

[artist-manet]

The Dead Christ with Angels, Edouard Manet, 1866-1867, Cleveland Museum of Art: Prints

Similar to a painting the artist exhibited at the Salon of 1864, The Dead Christ with Angels is Manet's largest etching and exists in only a few impressions. The print accurately translates the realism of Christ's fleshy body, an effect that prompted critics of the painting to complain that the figure was vulgar. As with lithography, Manet used etching in a new, expressive manner, and varied marks were used to delineate the subject. While short lines conform to the muscular body's curves, a dense network of parallel lines describes the feathers of the angels' wings. In the lighted areas at the top of the image, there are also a few bold, crudely crosshatched lines. Size: Image: 32.9 x 38 cm (12 15/16 x 14 15/16 in.); Plate: 39.4 x 32.9 cm (15 1/2 x 12 15/16 in.) Medium: etching and aquatint

https://clevelandart.org/art/1961.151

[art-rousseau]

Mountain stream in Auvergne, 1830, Theodore Rousseau

Medium: oil,paper

[artist-manet]

At the Café (unpublished plate), Édouard Manet, 1874, Art Institute of Chicago: Prints and Drawings

Gift of Mr. and Mrs. Edward McCormick Blair and Stanley Field Fund Size: 270 × 339 mm (image); 325 × 482 mm (sheet) Medium: Gillotage in black on ivory China paper

https://www.artic.edu/artworks/109689/

[artist-manet]

At the Café, 1878, Édouar Manet

Medium: oil,canvas

[artist-manet]

Philippe IV, Edouard Manet, 1862, Harvard Art Museums: Prints

Harvard Art Museums/Fogg Museum, Duplicate Sales Fund Size: 35.1 x 23.8 cm (13 13/16 x 9 3/8 in.)

https://www.harvardartmuseums.org/collections/object/272337

[artist-manet]

Odalisque, Édouard Manet, 1868, Art Institute of Chicago: Prints and Drawings

Gift of Robert M. Light Size: 122 × 192 mm (image); 129 × 200 mm (plate); 279 × 347 mm (sheet) Medium: Etching and aquatint in warm black on buff wove paper

https://www.artic.edu/artworks/103113/

[artist-laura-knight]

Hop-Picking No.1, 1946, Laura Knight

[artist-bazille]

Study of Flowers, 1866, Frederic Bazille

Medium: oil,canvas

[artist-manet]

Exotic Flower (Woman in a Mantilla), Édouard Manet, 1868, Art Institute of Chicago: Prints and Drawings

The Charles Deering Collection Size: 162 × 106 mm (image); 174 × 116 mm (plate/primary support); 387 × 274 mm (secondary support) Medium: Etching and aquatint in brown on ivory chine, laid down on ivory wove paper (chine collé)

https://www.artic.edu/artworks/46785/