Audit Report

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YOUWILLNOTWIN.pdf

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zine version

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Elena Ferrante (see also: Joy Williams) 

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"I want to stare at a thing until it dissolves / into light and breath"

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"Choose not to be complicit in a system that abuses adjuncts."

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Meth Barzoni strikes again. These poems are the best.

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Hey if I directed another play would you do the sound ?

Definitely, yes.

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Cf. Friedrich Nietzsche, “Why I Am So Clever”

"My formula for greatness in a human being is amor fati: that one wants nothing to be different, not forward, not backward, not in all eternity. Not merely bear what is necessary, still less conceal it—all idealism is mendaciousness in the face of what is necessary—but love it."

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http://nyti.ms/17PVNkD

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Cf. Slavoj Žižek, "From Reality to the Real" "That is to say, the realization of desire does not consist in its being 'fulfilled', 'fully satisfied', it coincides rather with the reproduction of desire as such, with its circular movement."

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Henri Matisse’s Rare 1935 Etchings for James Joyce’s ULYSSES

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A 22-karat creative cross-pollination. Bloomsday may have come and gone — the world’s foremost holiday of talking about books you haven’t read, but a rare gem calls for extending the Joyce-related celebrations a little while longer. In 1935, American publisher George Macey offered the great Henri Matisse $5,000 to create as many etchings as this budget would afford for a special illustrated edition of Ulysses. After Open Culture flagged the book last week, I gathered up my year’s worth of lunch money and was able to grab one of the last copies available online — a glorious leather-bound tome with 22-karat gold accents, gilt edges, moire fabric endsheets, and a satin page marker. The Matisse drawings inside it, of course, are the most priceless of its offerings — the best thing since Salvador Dalí’s little-known Alice in Wonderland illustrations. Enjoy.

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Cf. Michel Foucault, “The Great Confinement”

"In fact, the relation between the practice of confinement and the insistence on work is not defined by economic conditions; far from it. A moral perception sustains and animates it."

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As surreally stunning as it promises to be: Salvador Dalí's little-known 1947 illustrations for the essays of Montaigne.