L’ennui, qui dévore les autres hommes au milieu même des délices, est inconnu à ceux qui savent s’occuper par quelque lecture.
Heureux ceux qui aiment à lire.
Fénelon
TVSTRANGERTHINGS
occasionally subtle
EXPECTATIONS
Fai_Ryy
🩵 avery cochrane 🩵
NASA
"I'm Dorothy Gale from Kansas"
Misplaced Lens Cap
The Stonewall Inn
YOU ARE THE REASON
2025 on Tumblr: Trends That Defined the Year
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tumblr dot com
Noah Kahan
official daine visual archive

pixel skylines

oozey mess

bliss lane
Claire Keane
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@auto-suggestion
L’ennui, qui dévore les autres hommes au milieu même des délices, est inconnu à ceux qui savent s’occuper par quelque lecture.
Heureux ceux qui aiment à lire.
Fénelon
Utah, Casey Jex Smith
Théodule Ribot
Théodule Ribot (1823-1891) “Still Life with Pumpkin, Plums, Cherries, Figs and Jug” (c. 1860) Oil on canvas Realism Located in the Bilbao Fine Arts Museum, Bilbao, Spain
Mary Magdalene as a Hermit (detail), Francesco Hayez, 1833.
Katinka Bock Avalanche Pivô, São Paulo August 31 – November 9, 2019
Katinka Bock Avalanche Pivô, São Paulo August 31 – November 9, 2019
Domenico Gnoli, L’inverno (Couple au lit) 1967. Collezione Privata. Courtesy Luxembourg & Dayan
Claire Laude, When Water Comes Together With Other Water, La racine brulée, 2015
Alberto Giacometti, Schwebende Kugel, 1930.
Berlinde De Bruyckere
S.M.A.K., Ghent October 18, 2014 – February 15, 2015
In her art, Aleksandra Waliszewska, a painter od Apocalypse, explores non-contemporary sources. In recent years, the artist has repeatedly returned to the themes of oppression, torture, sexual subjugation and bestiality, both in the sense of hybrid species and bloodthirsty behaviour. The victims – less frequently than the perpetrators – are women, at the mercy of humanoid beasts and sadistic men. Waliszewska’s monumental opus is a morality tale for our time, one splintered into thousands of chapters, which, as the artist ironically put it, talking to Maurizio Cattelan, is a ‘warning against evil before the time of joy and sweetness comes’.
Justin Morin
How to drape Marietta Fortune from David Lynch’s Wild at Heart movie, 2020Printed silk drapery on chromed steel tube82 7/10 × 78 7/10 × 7 9/10 in210 × 200 × 20 cm
Katharina Grosse Untitled, 2020 Watercolour on paper Courtesy KÖNIG GALERIE.
Gustave Moreau - Study for Lady Macbeth. 1851
Shimabuku For Octopuses, Monkeys and People Le Crédac, Ivry-sur-Seine September 14 – December 16, 2018
Regina Giménez