foto Çami

COPYRIGHT AND IMAGE USAGE STATEMENT I claim no ownership of (m)any of the images found on this website, and believe that all images posted to this website are pursuant to Fair Use for educational and criticism purposes. This website is strictly non-profit. I will remove any image wrongly (re)used here, upon receiving notice, whereby, nonetheless, accordingly, adamant, respectfully

[nobrashfestivity]

Arshile Gorky Nighttime, Enigma and Nostalgia, 1932 Ink on paper Anonymous gift, In Memory of Robert Howard, 1968.26 © The Arshile Gorky Foundation / Artists Rights Society (ARS), New York

[nobrashfestivity]

Käthe Kollwitz, Pietà, 1903

[artfromthefuture]

Bradley Walker Tomlin

Number 3, 1948

[miamaimania]

“Fire in a Limo” (2018) ☼ Dexter Dalwood ◆ Oil on canvas

[thunderstruck9]

Valerio Adami (Italian, b. 1935), La Scuola di ballo [The ballet school], c.1970. Pencil on paper mounted on panel, 55 x 41 cm.

[blessedrestlessness]

[thunderstruck9]

Kyle Dunn (American, b. 1990), Sunflower at Night, 2020. Acrylic on wood panel, 40 x 30 in.

[woundgallery]

Anselm Kiefer, Am Rhein, 1968-91, photograph on treated lead in a glazed steel frame, 95 1/8 x 51 15/16 in. (241.62 x 131.92 cm)

[thunderstruck9]

Anselm Kiefer (German, 1945)

[thepoetryofmaterialthings]

(via M Le magazine du Monde (@m_magazine) • Instagram photos and videos)

[inritus]

Chicago, 1950s. Photographed by Yasuhiro Ishimoto.

[tanyushenka]

GEN LUIS (1904-1989) Djerba (Tunisie)

[tobiasforms]

[ce-sac-contient]

Qiu Deshu - Fissuring-Landscape (Dawn Light), 2010

Ink and colour on rice paper mounted on canvas (197 x 397 cm)

[ce-sac-contient]

Emma Webster - Primavera, 2019

Oil on linen (244.5 x 198 cm)

[philamuseum]

Suzanne Duchamp was a French painter, collagist, sculptor, and draughtsman whose work was significant to the development of Paris Dada. Because Duchamp was a woman in the predominantly male Dada movement, she was rarely considered an artist in her own right—she constantly lived in the shadow of her famous older brothers or she was referred to as “the wife of” fellow artist Jean Crotti, who she depicts in this work. In true Dada fashion, “Arietta” (an arietta is a short aria, or song) is arranged like a puzzle that remains impervious to logical explanation. Even the title, which is emphasized in bold letters on the picture surface, uses nonsense language to foil our desire for literal meanings. “Arietta of Oblivion of the Dazed Chapel,” 1920, by Suzanne Duchamp © Artists Rights Society (ARS), New York http://ow.ly/uu6S30sg5Qu

[thunderstruck9]

Łukasz Stokłosa (Polish, b. 1986), Neue Palais [New Palace], 2014. Oil on canvas, 40 x 50 cm.

[lupitovi]

Francis Picabia - Voilà Elle