terra nullius

[aqqindex]

Ettore Sottsass, Marco Zanini and Tony Smart, Grace Design Showroom, Dallas, 1984

[memphis-milano]

Sabine Getty and Memphis design inspiration. http://www.wallpaper.com/watches-and-jewellery/why-jeweller-sabine-getty-is-not-putting-away-childish-things-studio-visit-london

[memphis-milano]

Blue phone is by Swatch, middle phone by Olivetti and phone at right is the Sottsass “Enorme” from’86.

[garadinervi]

From: Sol LeWitt, Squares with Sides and Corners Torn Off, John Weber Gallery, New York, 1977

[amare-habeo]

Jean-Michel Folon (Belgian, 1934-2005)

The Space, 1985

engraving, 51 x 65 cm

[hotdoorknobs]

Masao Saito’s Food Illustrations

[ebonyfemdom-deactivated20150612]

[avtavr]

[arantxacerecedo]

[monochromaticwhite]

White as snow, pale blog x

[ummhello]

[mcgovern-wallawalla]

GLASS | BLOCK

A postmodern gem or a design postmortem? My walls are up, guarded and hesitant to make the case for a glass block revival. The timing is right, but I’m yet to be convinced. Call me a square if you want, but then over to AnOtherMag to weigh in. Does the glass block wall deserve a comeback? 

[conceptcollective]

wwtrclr

[ds4df]

[underthescopeminerals]

[terrainmaps]

Rutile // Lengenbach Quarry, Fald, Binn Valley, Wallis, Switzerland

[aviron3]

Seapunk getaways at Delfiniti 🐬∞ in Ixtapa, Mexico

[noechointhevoid-deactivated2015]

[orgone-energy]