okay but look how she flipped it
like THAT’S MY GIRL YOU TAKE BACK YOUR REPUTATION
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@bandkink
okay but look how she flipped it
like THAT’S MY GIRL YOU TAKE BACK YOUR REPUTATION
I’m sorry, the old Taylor can’t come to the phone right now
Taylor “driving a Maserati down a dead end street” while holding the Grammy she didn’t win for Red is the most iconic thing I have ever witnessed.
list of things in look what you made me do that were fucking amazing:
the TS as the camera hovers above the clouds
‘Here Lies Taylor Swift’s Reputation’ followed by 1989 era zombie Taylor in the Out of the Woods blue dress (her last video of the 1989 era, excluding New Romantics which was tour footage) climbing back up from the dead
The tilted headstones which she ‘fixes’
Nils Sjoberg, the pseudonym Taylor wrote This Is What You Came For under was seen on a gravestone
The $1 note in the bathtub that she won from her recent sexual assault trial whilst bathing in riches, a dig at people who accused her of being money hungry (whether it be the trial or in general)
The numerous references to snakes…. the snake ring, sitting on a throne with snakes around her, swinging in a snake cage… then sipping her tea on the throne
‘Et Tu Brute’ is written on her throne and the on the columns of that shot (used to express surprise and dismay at the treachery of a supposed friend)
The Grammy in her hand when she crashes the car. The car is a maserati. ‘Maserati down a dead-end street…’ I wonder what song that lyric is from? Did you say Red by Taylor Swift? And she’s holding a grammy? RRRRRRrrrrandom access memories? Hmm
As she swings in the snake cage, everyone guards her… a metaphor for how she was treated during that time
Literally wearing a cathead and a ‘Blind for Love’ sweater, she robs a bank titled ‘Stream Co.’, referencing how everyone says she’s money-hungry since when she removed her money from Spotify and the Apple Music letter
The names of all her friends are on her Junior Jewels shirt
The word Squad flashed on screens as all these women are aligned up, wearing similar wear to the Bad Blood music video, referencing how everyone kept categorising her friends as a ‘Squad’ even though she’s never explicitly called it that or intended for it to be that
Coming into the room and having a scribe immediately write stuff down. When people described her as a ‘Diva’
The ‘I Love TS’ croptops the dancers wear…. a reference to a shirt an ex of her wore last year and people dragged her for that
Standing on top of all old versions of her from the You belong with Me video, Shake It Off video, WANEGBT video, Fearless Tour, The Red Tour, Out of the Woods…. as she declares ‘The Old Taylor can’t come to the phone right now… cause she’s dead….’
The ending dialogue, where variations of Taylor appear, throwing back everyone’s joke: ‘Stop making that surprised face, it’s so annoying’, ‘What’s with that bitch? Don’t call me that?, ‘Y’all!’, ‘Stop acting like you’re all nice, you are so fake!’, ‘Oh there she goes, playing the victim again’, ‘HISS!’, ‘What are you doing? Getting receipts! Gonna edit this later!’, ‘Uh, I would very much like to be excluded from this narrative…. SHUT UP!’
We’re getting married today.
And I’m back.
“not a bad day.”
But all the magic I have known I’ve had to make myself.
Shel Silverstein, Where the Sidewalk Ends: The Poems and Drawings of Shel Silverstein (via skamtrinity)