Country Home of Bibhu
Lovely article in AD India
Three Goblin Art
Jules of Nature
h
hello vonnie
taylor price
No title available

Discoholic 🪩

Kiana Khansmith
Stranger Things
art blog(derogatory)
Aqua Utopia|海の底で記憶を紡ぐ

⁂
Keni
i don't do bad sauce passes
TVSTRANGERTHINGS
wallacepolsom
No title available
🪼

blake kathryn

祝日 / Permanent Vacation

seen from United Kingdom

seen from Jordan

seen from Malaysia

seen from United States
seen from Germany
seen from United States
seen from United Kingdom
seen from United States
seen from Türkiye
seen from United Kingdom

seen from Türkiye

seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from Ireland
seen from United States
seen from United States
@bibhumohapatra
Country Home of Bibhu
Lovely article in AD India
Country Home of Bibhu
Lovely article in AD India
Somewhere Over
Oil on Canvas
24 x 36 inches
€2,000
Nice painting
STYLE.COM
FEBRUARY 12, 2014NEW YORK
By Lauren Sherman
Friends inspire Bibhu Mohapatra, yet they're not the typical muses. For instance, this Fall he looked to the landscapes in photographer Manoj Jadhav's work, but also to his acupuncturist, who recently returned from a falconry trip to Mongolia and Tibet. In turn, traditional striped Tibetan garments reminded the designer of DNA bar code, which he transformed into a digital print. It's a winding way to go about things, but the end result was anything but convoluted. Mohapatra made it his mission this season to further define his voice, tweaking silhouettes that have sold well at retail to emphasize consistency without going stale. It's a smart approach for a fairly commercial designer; "I built the collection based on information," Mohapatra said at his studio a few days before the show, in the midst of model fittings. The end result was a mix of evening and day that was quite pretty but also more focused than past collections. The DNA bar code motif—which could have gone terribly wrong—was a success, best when painted in metallic gold and silver on a series of ivory numbers, particularly a short, full-skirted cocktail dress that came in at a V at the waist. It was sort of a faux wrap, and it worked really well to freshen up the silhouette. That V showed up again on a black tuxedo dress, woven for a quilted effect. The sunset-print evening gowns, while pretty, might've been a bit too literal for evening. That print worked better as the lining of a fur coat. (Fur is a big seller for the designer, so he has teamed up with Blackglama to increase production.) Mohapatra's other subtle nod to Tibet was in the scarves. He slung them elegantly around models' necks and tied them at the back. They gave the collection cohesion, but also a certain polish. Mohapatra is a very emotional designer—he speaks a lot of spirituality and values when referring to his work—but his analytical side served him well this season. It was a collection of hits that will further establish where he fits in the fashion world.
see al
RESORT COLLECTION by BIBHU MOHAPATRA
SPRING 2014 COLLECTION BY BIBHU MOHAPATRA