jana

more active on insta: bitch1ncamaro

[pricklytriangle]

Phil Ochs singlehandedly pushes random car out of the way, saves day, then proceeds to excitedly talk about purchasing building before singing about the end of the world and finally walking away.

From the documentary Phil Ochs: There But For Fortune (2010)

[manyother]

Groucho Marx and Marlene Dietrich, circa 1932

[marypickfords]

The Libertine (Pasquale Festa Campanile, 1968)

[kokoona-deactivated20160520]

Images from We Are Still Here, a Photographic Account of the American Indian Movement 

[forever70s]

photos by Dick Bancroft

[theunmarkedtombstone]

HAROLD AND MAUDE dir. Hal Ashby

[exhaustmanifold]

Wings (1927) featuring Clara Bow, Charles "Buddy" Rogers and Richard Arlen.

[reaking-havoc]

[unscriptd-deactivated20260317]

Apartment Dwellers on New Year's Eve (1948) John Falter

[san-hun-po]

They are my nice eggs in this trying time :)

[gatabella]

Marlene Dietrich, 1935

Home movie footage filmed by Gilbert Roland at the home of Dolores del Rio and Cedric Gibbons

[ladybegood]

The Marx Brothers photographed by Cecil Beaton, 1932

[bigsquig]

I'm trying to spend less time on sketching in order to speed up. It affects the quality, but… It doesn't seem so bad.

[richardanko]

The Band’s third album, Stage Fright, was released 55 years ago today on August 17th, 1970.

“No matter what you call it, it all comes down to a thing that success and the stage does to you. ‘Shine a light on ‘em and see if they can handle it.’ That’s where the Stage Fright concept came from, of just feeling we were standing naked in the midst of this monster that we were creating and then the beast became uncontrollable. On the one hand, it was fascinating to see this happening to you before your eyes and, on the other hand, it was incredibly scary.” — Robbie Robertson interviewed by Rob Bowman, from the liner notes for the 2000 remastered album release.

“In retrospect, Stage Fright deserved to do better, both in terms of sales and critical appreciation. Much of the album, while darker in theme and representing a bit of an aesthetic shift sonically, is ultimately on par with the best music The Band ever recorded.” — Rob Bowman, from the liner notes for the 2000 remastered album release.

📷: norman seeff for the album photo sessions (first photo used as picture insert for the original release). bob cato designed the album cover.

[ladybegood]

Anne Bancroft photographed by Bob Willoughby on the set of The Graduate (1967)

[bugshroom]

Antique Czech Glass Charms

(c. 1890s-1930s)

[swinglargo]

La revanche du chat (1908), director unknown

[neshamama]

janet nungnik, "best friends," 2005, wool felt, embroidery floss & caribou hide on wool duffel