✰ she's got, she's got a way, and she got, she got awayyyy
goodnight only to chappell roan's bob and the subway!!
art prints of this art (and others) are available in my inprnt shop <3

Product Placement

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❣ Chile in a Photography ❣
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sheepfilms
occasionally subtle
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PUT YOUR BEARD IN MY MOUTH
Sweet Seals For You, Always
One Nice Bug Per Day

roma★

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cherry valley forever

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@blondiesgxrl
✰ she's got, she's got a way, and she got, she got awayyyy
goodnight only to chappell roan's bob and the subway!!
art prints of this art (and others) are available in my inprnt shop <3
MOULIN ROUGE! (2001) dir. Baz Luhrmann
Moulin Rouge! (2001) dir. Baz Luhrmann
Fleetwood Mac | Silver Springs Live (1997)
During a taping of a Fleetwood Mac reunion show later released as The Dance, shit once again got very real. Midway through the bridge of a non-album rarity called “Silver Springs,” Nicks turned and faced her former flame as she sang the song’s rueful bridge: “Time cast a spell on you, but you won’t forget me/ I know I could have loved you but you would not let me.” The pair locked eyes, and Nicks gradually built to a cathartic howl – “I’ll follow you down ’til the sound of my voice will haunt you/ You’ll never get away from the sound of the woman that loves you” indicating that, for her at least, resolution had never really come.
Suddenly, “Silver Springs,” a song written for Rumours but left off the finished album and relegated to B-side status, seemed like the key to the entire messy and enthralling saga of Fleetwood Mac’s most beloved lineup.
Rumours became a theatrical affair, with the exes addressing one another’s faults, their own pain and a storm of other topics related to their respective heartbreaks. “Silver Springs” was Nicks’ tribute to the fairy-tale ending that never was. The title came from Silver Spring, Maryland: While passing through the town on tour, Nicks romanticised the name. “It sounded like a pretty fabulous place to me, it’s a whole symbolic thing of what [Lindsey] could have been to me.”
The track’s primary exposure was as a B side to “Go Your Own Way” Buckingham’s own expression of anger and revenge against Nicks, where he claimed that “packin’ up, shackin’ up is all you wanna do.”
"He knew it wasn’t true. It was just an angry thing that he said,” Nicks told of the “packin’ up, shackin’ up” line. “Every time those words would come onstage, I wanted to go over and kill him. He knew it. He really pushed my buttons through that. It was like, ‘I’ll make you suffer for leaving me.’ And I did.”
Of course, Nicks had the exact same motivation when she wrote “Silver Springs.” She explained the song’s message as “I’m so angry with you. You will listen to me on the radio for the rest of your life, and it will bug you. I hope it bugs you.”
couldn't help but slow down the kiss and improve the lighting so i can watch it on repeat and go insane.
i also cut out the live billy reaction
thank you for ur service 🫡
AGATHA ALL ALONG 1.08 - Follow Me My Friend / To Glory At The End
#the lesbian gaze
AGATHA ALL ALONG 1.05 - Darkest Hour Wake Thy Power
Agatha & Rio | Agatha All Along 1x04
Rio & Agatha in Agatha All Along (2024) - 1.01 Seekest Thou The Road
Ada Monroe’s hair appreciation post — Nicole Kidman in Cold Mountain (2003)
“I want to rest. I want to breathe quietly again.”
— Tennessee Williams
“I’m in love with you. I’m in love with you.”
BETTY & RITA || MULHOLLAND DRIVE (2001) dir. David Lynch
No hay banda! There is no band! Il n'est pas de orquestra! This is all... a tape-recording. No hay banda! And yet we hear a band. If we want to hear a clarinette... listen. Un trombon "à coulisse". Un trombon "con sordina". Sient le son du trombon in sourdine. Hear le son... and mute it... drop it. It's all recorded. No hay banda! It's all a tape. Il n'est pas de orquestra. It is... an illusion!
MULHOLLAND DRIVE (2001) dir. David Lynch
Jean & Sidney "gypsy"
When will it be my turn god
Jean x Sydney
Gypsy - 1x05