“We need not talk at all, our eyes would whisper for us, and your hand fast in mine, we would not ask for language.”
— Emily Dickinson, from a letter to Susan Huntington Gilbert

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“We need not talk at all, our eyes would whisper for us, and your hand fast in mine, we would not ask for language.”
— Emily Dickinson, from a letter to Susan Huntington Gilbert
Insomnia, Paul (copyright) Davis
Possession (1981) - Andrzej Żuławski
What makes Joy Division so Schopenhauerian is the disjunction between Curtis's detachment and the urgency of the music, its implacable drive standing in for the dumb insatiability of the life-Will, the Beckettian “I must go on” not experienced by the depressive as some redemptive positivity, but as the ultimate horror, the life-Will paradoxically assuming all the loathsome properties of the undead (whatever you do, you can't extinguish it, it keeps coming back). Perhaps it is this disjunction which goes to explain the strong correlation between depression and aesthetics. Identified with the dead yet still amongst the living, the melancholic cannot live, but equally cannot achieve either quiescence or quiet: they must speak about their predicament. As Leader points out, “A melancholic subject is in two places at once, two different spaces that cannot be superimposed. But how can this agony be communicated? One of the features of melancholia over the ages has been its association with artistic creation and writing. Indeed, in some periods, discussions of melancholia have emphasized the creative aspect far more than its depressive elements.”
—Mark Fisher, An Abyss That Laughs at Creation
Offret, Andrei Tarkovski, 1986
Lake of Fire / The Meat Puppets
"I begged God to save me and he shoved more torment down my throat to keep me quiet. There is no moving on, only running away." - unknown
˚ ༘♡ ⋆。˚ 𝚋𝚢 ℒ𝑜𝑣𝑒
Sensations (1975)
Hiroshi Teshigahara - The Face of Another (1966)
Revolutionary
Elaborately Constructed Shops and Homes Translate Tokyo’s Distinct Architecture into Miniature Models
Malcolm T. Liepke