Brexite me !!! (animated scratchpainting, 2020)
taylor price
Xuebing Du

titsay

#extradirty
RMH

gracie abrams

No title available
Game of Thrones Daily
PUT YOUR BEARD IN MY MOUTH
trying on a metaphor
Jules of Nature
cherry valley forever
d e v o n
No title available
will byers stan first human second
One Nice Bug Per Day
Aqua Utopia|海の底で記憶を紡ぐ

bliss lane
almost home
EXPECTATIONS
seen from France
seen from Türkiye
seen from United States
seen from United States

seen from France
seen from Germany
seen from Venezuela

seen from Canada
seen from Malaysia

seen from United Kingdom
seen from United States
seen from Malta

seen from Malaysia

seen from Singapore
seen from United States
seen from United Kingdom

seen from United Kingdom
seen from Malaysia

seen from T1

seen from United States
@boodylane
Brexite me !!! (animated scratchpainting, 2020)
“The Merry Go Round” (with added characters - 2015)
Brexite me !!! (2019-2020)
scratch painting technique on paper (31x31cm/ 12x12inches)
Breathe (2011)
scratch painting technique on paper (20x20cm/ 8x8inches)
From Syria With Love (2018)
scratch painting technique on paper (40x40cm/ 16x16inches)
JAMAICA DO BRASIL ! The Exhibition "Jamaica, Jamaica !" is now in São Paulo, Brazil. From march 15 to august 26 2018 to the "Sesc 24 de Maio" Centre. My “Trenchtown Rocking” sculptures set is exposed there.
Du 15 mars au 26 août 2018, l’exposition Jamaica, Jamaica !, créée au printemps 2017 par la Cité de la Musique - Philharmonie de Paris, s’installe à São Paulo (Brésil) ! Pour sa première itinérance, l’exposition a choisi le Sesc 24 de Maio, l’un des plus importants centres socio-culturels du réseau Serviço Social do Comércio (Sesc) regroupant musée, ateliers, espaces de sport ou médicaux, entièrement rénové, dans le centre historique de la ville. Lors de cette escale au Sesc de São Paulo, Jamaica Jamaica ! raconte également les liens étroits qui lient le Brésil à l’histoire des musiques jamaïcaines, via trois des régions emblématiques de ces fusions : les états de Maranhão, Bahia et São Paulo.
on the picture, Sébastien Carayol exhibition’s curator
https://universes.art/specials/sesc-sp/jamaica-jamaica/
https://www.sescsp.org.br/programacao/148599_JAMAICA+JAMAICA
https://philharmoniedeparis.fr/fr/magazine/breves/jamaica-do-brasil
The Lady had Soul - Miss Sharon Jones (1956-2016) r.i.p Modeling clay figure especially made in 2007 as a gift from Bol de Funk Festival (Marseille, France)
Listen to "Soul of a Woman" with the mighty “Dap-Kings” http://sharonjonesandthedapkings.com/
Trenchtown Rocking sculptures (2017)
Photos taken in Paris during the exhibition "Jamaica Jamaica ! From Mento to Trenchtown to deejays" at La Cité de la Musique/ Philharmonie de Paris, France. April 4 to august 13, 2017.
Photos prises lors de l'exposition "Jamaica Jamaica ! de Marley aux deejays" à la Cité de la Musique/ Philharmonie de Paris. Du 04 avril au 13 août 2017.
Often blurring the lines between distinctions—spiritual or nonreligious, rural or urban, a soundtrack for Rastafarian wisemen or rude boys from the ghetto—Jamaican music is anything but one-dimensional. Often placed under the heading “World Music”, it is so popular around the globe that it could be called the “World’s Music”.
The Jamaica Jamaica! exhibition seeks to acknowledge this history, reconsidered through the prism of the postcolonial conflicts and encounters that led to a unique and universal movement—a virtual “sound clash” between Bob Marley, Peter Tosh, Lee Perry, King Tubby, Studio One, the Alpha Boys School, Haile Selassie I, Marcus Garvey, etc., through musical styles as varied as burro, revival, mento, ski, rocksteady, reggae, dub and dancehall.
Jamaica Jamaica! brings together rare memorabilia, photographs, visual art, audio recordings and footage unearthed from private collections and museums in Jamaica, the United States and Great Britain. Also providing a platform for young Jamaican artists, the exhibition is a loudspeaker for the voice of a people—a powerful wail that has been ringing out internationally for decades through its music.
Commissaire d'exposition/ Exhibition’s curator: Sébastien Carayol
http://philharmoniedeparis.fr/en/jamaica-jamaica-exhibition
Trenchtown Rocking sculptures (2017)
Modeling clay sculptures (Bob Marley, Peter Tosh, Bunny Wailer & Trenchtown tenement yard scenery). All set and accessories handmade by me (wood, metal, cardboard and other stuff!) Stage created for the exhibition "Jamaica Jamaica ! From Mento to Trenchtown to deejays" at La Cité de la Musique/ Philharmonie de Paris, France. April 4 to august 13, 2017.
Bob Marley, Peter Tosh & Bunny Wailer répètent dans leur yard de Trenchtown. Sculptures en pâte à modeler - Décor et accessoires réalisés mes soins (divers matériaux). Cette pièce a été crée spécialement pour l'exposition "Jamaica Jamaica ! de Marley aux deejays" qui a lieu du 04 avril au 13 août 2017 à la Cité de la Musique/ Philharmonie de Paris.
Commissaire d'exposition/ Exhibition’s curator : Sébastien Carayol
a little making of...
Rita Marley sculpture (2017)
Modeling clay figure, part of the “Trenchtown Rocking” piece created for the exhibition "Jamaica Jamaica ! From Mento to Trenchtown to deejays" at La Cité de la Musique/ Philharmonie de Paris, France. April 4 to august 13, 2017.
untitled (2013)
scratch painting technique on paper (33x33cm/ 12x12inches)
”Night” (2011)
scratch painting technique on paper (20x20cm/ 8x8inches)
“Public Enemy” sculpture (2007)
10 years ago ! Chuck D & Flavor Flav in full effect !
"DJ Shadow" sculpture (2009) "What's the word ? Diggin' in the crates" Modeling clay and a lot of other things
"untitled" (2011) scratch painting technique on paper (20x20cm/ 8x8inches)
"DOOM" (2011) Portrait of the incredible MC MF Doom. Scratch painting technique on paper (21x21cm).
Wax Poetics issue 18 (august/ september 2006). Cover i create for this special "Parliament/ Funkadelic" issue. One of the best document you can find about P-Funk. I made characters, set, spaceship, accessories (even the diaper of Gary "Starchild" Shider) and take picture. Special thanks to editor in chief Andre Torres and creative director Kevin DeBernardi for such a great collaboration.