RMH
"I'm Dorothy Gale from Kansas"

❣ Chile in a Photography ❣
Xuebing Du
Misplaced Lens Cap
Today's Document
YOU ARE THE REASON

oozey mess
Cosimo Galluzzi
Three Goblin Art
Keni
No title available
tumblr dot com
Alisa U Zemlji Chuda

Kaledo Art
Not today Justin

izzy's playlists!
Jules of Nature
occasionally subtle
Stranger Things

seen from Germany
seen from United States
seen from United States
seen from United States
seen from United States
seen from Romania
seen from United States
seen from United States
seen from Peru
seen from France
seen from United States
seen from Netherlands

seen from Singapore

seen from United Kingdom

seen from Malaysia

seen from United States
seen from Australia
seen from Türkiye
seen from United States
seen from Netherlands
@bowieloreena
mermaid 1996 (dir. aleksandr petrov)
Clusters in the Air, an unrealized architectural concept by Arata Isozaki, 1960–62
Seguir leyendo
A British soldier ‘shakes hands’ with a kitten on a snowy bank in Neulette, Pas-de-Calais. 17th December 1917. © IWM (Q 6400) (Colourised by Doug UK).
Fave photos of David..
Andy Warhol Polaroid of David Bowie, 1971.
oh sweet sweet sounds of 80s synthesizers, alleviate me
Interior view of a Gypsy owned horse-drawn caravan from the year 1860.
Photo shoot and contact sheet for Sound and Vision promo
© Tony McGee, 1989
“All of the shoots that I did with David over the many years we worked together were shot on film. When shooting in black and white the printer would supply you with a contact sheet made from the negative, showing you each photograph taken on that roll of film in the frame order they were shot.
These “Contact Sheets” would then be sent to David who would personally sign off on the images by placing stars on the image of his choice - more stars indicated more highly favoured choices. These are the original contact sheets, personally edited by David using his favoured gold star editing process.”
Signed on the back by Tony McGee.
Michael Maier - Draco Caudam Suam Devorans (Dragon devouring it’s own Tail), “Atalanta Fugiens”, 1618. The Ouroboros is an ancient symbol depicting a serpent or dragon eating its own tail. Originating in Ancient Egyptian iconography, the Ouroboros enters western tradition via Greek magical tradition and is adopted as a symbol in Gnosticism and Hermeticism, and most notably in alchemy. Via medieval alchemical tradition, the symbol enters Renaissance magic and modern symbolism, often taken to symbolize self-reflexivity, introspection, the eternal return or cyclicality, especially in the sense of something constantly re-creating itself. It also represents the infinite cycle of nature’s endless creation and destruction, life and death.
Martin Springett
“Geliebte Rituale” Jessica Stam photographed by Donna Trope for Vogue Germany, March 2003.
Henrietta Harris
The caged birds
Handcut collage
Bolshoi ballerina Olga Smirnova and child, plus cats.