what was i made for?
“ophelia” by john everett millais but it’s barbie and for the sake of this concept let’s pretend that there is in fact water in barbieland
ojovivo

Love Begins

#extradirty

Product Placement
he wasn't even looking at me and he found me

Kaledo Art

shark vs the universe
One Nice Bug Per Day
trying on a metaphor

祝日 / Permanent Vacation
Xuebing Du
KIROKAZE
taylor price

Janaina Medeiros
Lint Roller? I Barely Know Her
wallacepolsom

blake kathryn

No title available
NASA

⁂
seen from United States

seen from Malaysia
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seen from United States
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seen from United States

seen from Australia
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seen from Argentina
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seen from Saudi Arabia
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seen from Argentina
@bridesister
what was i made for?
“ophelia” by john everett millais but it’s barbie and for the sake of this concept let’s pretend that there is in fact water in barbieland
Solar Office - Mathieu Cherkit , 2018.
French, b. 1982-
Oil on canvas, 81 x 100 cm.
Portrait of E.C. Ricart, 1917, Joan Miro
Medium: oil,canvas
“I don’t love evenings anymore. Once I used to love evenings so much. I don’t want to recollect anything.”
— Cahit Külebi, tr. by Önder Otçu, from “The Denizens of the Arcade Hristaki,” featured in Eda: An Anthology of Contemporary Turkish Poetry
Portrait of a Lady on Fire (2019)
Giulia Bernardelli on Instagram
Follow So Super Awesome on Instagram
The schoolmaster, 1954, Rene Magritte
Size: 65x90 cm Medium: oil, canvas
Gypsy with a Cigarette, Edouard Manet
Size: 92x73 cm Medium: oil on canvas
American Vogue Illustration - Tod Draz 1950s
American 1917-2002
““Why should I give a fuck about what anything costs? I’m here to live, not to calculate.””
— pg. 278 - Tropic of Capricorn
The Meeting, 1900, Maurice Denis
Size: 37x32 cm Medium: oil on canvas
guys I hope you know that the zodiac stuff is for fun, right: do. not. literally. lock. a sagittarius. inside. their room jfc
Eugène Jansson (Swedish, 1862-1915), Afton [Evening], 1894. Oil on canvas, 104 x 77.5 cm.
Details from three paintings that represent pivotal moments in Caravaggio’s artistic maturity, which you can see in the flesh at @thegetty‘s new exhibit, Caravaggio: Masterpieces from the Galleria Borghese (11/21/17 - 02/18/18).
This cracked me up.
(Source.)
“David with the Head of Goliath” (detail), c.1650, Guercino.