Dealing with time in your writing
This is going to be quite an eclectic post, but Iâve received a few questions relating to time in creative writing. So, I thought Iâd just make a post to address a few things.
1. Keeping track of narrated time
You as a writer need to keep track of the time that passes in your story and what happens when. Inconsistencies and incontinuities will pop up if you donât have a good knowledge of your WIPâs time-line.
The easiest way to do this is to keep track via a visual time-line. If you outline, you can use that to make a rough time-line ahead of time. If youâre a pantser, then you can fill in the time-line as you go along.
Use this time-line to keep track of holidays, seasons, lunar cycles, healing time, travel time etc.
This is especially crucial for parallel storylines, where you might want to draw separate time-lines that you can hold up next to each other to ensure that everything matches up.
In certain instances it might also be necessary for the reader to keep track of the passing of time. You can either ensure this subtly within the writing (by sprinkling in little references to the season/date/time) or expressly by getting creative. Maybe each chapter starts with the date or the phase of the moon. Maybe your book is divided into seasons etc. If you do something like this, though, you have to be sure that the information plays a crucial role in your story.
2. Time-lapses between scenes
Time will inevitably pass in-between your scenes. But how do you communicate that time to your readers?
Firstly, you have to ask whether itâs relevant. If all your character did in the in-between time was brush her teeth and put on a nightgown, you donât have to tell the reader that. You can use a simple sentence at the start of the next scene to familiarize your reader with the time of that scene e. g. âThe next morningâ or âAfter a night of tossing and turningâ. This way the reader knows that time passed, but that nothing particularly important happened during that time.
If there are important points that you donât want to dedicate an entire scene to, you can use the technique of telling. This should be used with circumspection, but can be a great way of relaying lots of information in a few sentences. E. g. âThat morning after breakfast she had decided to head to the library to continue her research. Sheâd combed through shelves upon shelves of manuscripts only to end up back at square one.â Then, you can truly start the scene with the character sitting in the library, despondent. This way, the reader gets a quick catch-up as to where the story is at that moment, but you donât have to spend too many words on it. You can also use this technique for deeply emotional events that the character may not want to spend a lot of time talking about e. g. âLorna did not wake up that afternoon. She would never wake up again. And all Nancy had done all evening was weep.â
Comment if you guys want me to do a post about showing vs telling.
I love flashbacks, but they have to be done well and they have to be necessary.
Flashbacks are a great way of telling a long, complex story in less words. Itâs also a very valuable tool for revealing plot twists and character backstory.
Ensure that your flashbacks are adequately separated from the rest of your scenes. I donât mean that they have to exist in a separate chapter (although this is an option), but at least use a different formatting style so that itâs clear to the reader when theyâre dealing with a flashback.
Make it as easy as possible for the reader. Achronology can be disorienting and confusing. So, if youâre working with different timelines, make sure the reader knows which timeline theyâre reading at the moment. You can do this by clearly indicating the time of the flashback at the beginning or woven into the writing of the scene.
Remember that these flashbacks should be relevant to your story/character arc. Donât just throw in flashbacks for the hell of it. These scenes should reveal something important about the character or the plot.
4. How do the characters tell the time?
This is a bit of a weird one, but it should be taken into account nonetheless.
If you write contemporary fiction or historical fiction set in recent(ish) history, you donât have to worry about this. However, those of us writing in made-up worlds or ancient/futuristic times have to think about this shit.
Have wathes/clocks been invented? Do your characters have micro chips in their brains that have them knowing the time automatically? Do they use a sundial? Are there calendars (and do they differ from the contemporary one) etc.
If your characters live in a Stone Age world, but they know when itâs 13:45, youâre gonna have to explain how the hell they know that.
Keep historical accuracy in mind if youâre not writing your own world e. g. if youâre writing a book set in Ancient Rome, you should do some research to figure out how they told time.
5. Consistency in time periods
This cannot be stressed enough. Keep healing time, travel time, seasonal changes etc consistent and realistic.
If youâre writing something set in the real world, you should research how long it takes to heal from certain wounds or how long it takes to travel between places etc.
Even if you made up your own world, own creatures and own laws of physics, you should keep the times consistent throughout the work.
Thatâs all I have for you on time. I hope that this very random post can be helpful.
Reblog if you found these tips useful. Comment with your own questions/ideas around time in writing. Follow me for similar content.
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