Begin Again. @browneyedglrls - Tumblr Blog

wildspringday

kelela via instagram

moxyphinx

"You make me want things I thought would never be mine." "Stay" from LEMPICKA the musical

himblebo

“We are the vessels of our histories.”

“We are taught that we are an absence and mistake this for a longing to be found.”

“How did I wind up here? Forgotten worlds inside me?”

“And one thing more: that for gay people, history is a place where the body carries its own story. (…) These times leave their mark both on the body and the imagination, but it is the body that has been most often cheated out of its own historical language, the body that so often appears as the ahistorical force that we simply carry with us until, for those of us born healthy, it tumbles us to the earth of restricted movement. But my body made my history—all my histories.”

the queer body as living archive

A dear friend / Why We Have a Body, Claire Chaffee / Lempicka, Carson Kreitzer/ A Restricted Country, Joan Nestle

xanaxfarts

The bags of various flickr users

achillesinhighheels

OutKast photographed by Rishad Mistri for

Flaunt Magazine’s November Issue, 2000

vecb-art

painted over this piece from may 🌈 prints coming soon :)

bears--bears--bears

(Source)

mylifemyphilosophy-blog

Visit Original Link

J*Davey- Division of My Joy

dozydawn

pearllhearts

#TK*TK #f

the1920sinpictures

1920-30 c. Some Art Deco-style lettering. From Art Deco, Avant Garde and Modernism, FB.

#f

distantvoices

Lara Menezes by Collier Schorr for T: The New York Times Style Magazine August 2024

Raphael Hirsch (Fashion Editor/Stylist), Claire Grech (Hair Stylist), Anne Sophie Costa (Makeup Artist), Max Bellhouse (Set Designer), Nicola Kast (Casting Director), Jenny Longworth (Manicurist)

#People #f

ringoarchive

Sheena Ringo for ROCKIN'ON JAPAN, November 1999 issue.

#Jmusic #f

5centsapound

More excerpts from the extremely beautiful “Subjective Atlas of Palestine“ project. View the full publication via link.

About: The Dutch designer Annelys de Vet invited Palestinian artists, photographers and designers to map their country as they see it. Given their closeness to the subject, this has resulted in unconventional, very human impressions of the landscape and the architecture, the cuisine, the music and the poetry of thought and expression. The drawings, photographs, maps and narratives made for this atlas reveal individual life experiences, from preparing chickpeas to a manual on water pipe smoking, from historic dress to modern music. Pages containing humorous and caustic newspaper cartoons and invented Palestinian currency followed by colourful cultural diaries and moving letters from prisoners. All in all, the contributions give an entirely different angle on a nation in occupied territory. In this subjective atlas it is the Palestinians themselves who show the disarming reverse side of the black-and-white image generally resorted to by the media.