somaya critchlow
i don't do bad sauce passes
ojovivo

Kaledo Art
d e v o n
"I'm Dorothy Gale from Kansas"

roma★
2025 on Tumblr: Trends That Defined the Year
Monterey Bay Aquarium
dirt enthusiast
AnasAbdin
Sade Olutola
Mike Driver
YOU ARE THE REASON
styofa doing anything

JVL

Janaina Medeiros
wallacepolsom
sheepfilms

tannertan36
Peter Solarz
seen from Australia

seen from India
seen from Canada
seen from United Kingdom
seen from Bolivia
seen from Russia
seen from Germany

seen from United States

seen from Peru
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from Peru
seen from United Kingdom

seen from Malaysia
@bv-julia
somaya critchlow
richard siken, i had a dream about you / marya hornbacher, wasted / henri de toulouse-lautrec, in bed the kiss / iain thomas, i wrote this for you / ron hicks, spending more time / ada limón, the end of poetry / marie howe, before the beginning / nikki giovanni, introspection / peter wever, embrace / shauna barbosa, gps
“If someone asked me “What are the signs of love?” I would have said without hesitation, It’s the familiarity and the removal of cost, And to find yourself not having to lie, and the embarrassment removed between you two, and see yourself acting in your nature without trying to be something else so she likes you, And that you two keep silent and the silence gets delicious, And that one of you two talk and listening gets delicious.”
— Mustafa Mahmoud
there is so much hurt and sadness inside of me and i have no idea how to control it anymore
Manhattan apartment of Alexander Skarsgård
THENORDROOM.COM - INSTA - PINTEREST - NEWSLETTER
I want this world. I want to walk into the ocean and feel it trying to drag me along like I’m nothing but a broken bit of scratched glass, and I want to resist it. I want to go staggering and flailing my way through the bars and back rooms, through the gleaming hotels and weedy lots of abandoned sunflowers and the parks where dogs are let off their leashes in spite of the signs, where they sniff each other and roll together in the grass, I want to lie down somewhere and suffer for love until it nearly kills me, and then I want to get up again. ― Kim Addonizio
sur les flots,
23 x 23 cm,
pastels
“I think you lost all interest in this world. You were disappointed and discouraged, and lost interest in everything. So you abandoned your physical body. You went to a world apart and you’re living a different kind of life there. In a world inside you.”
— Haruki Murakami, 1Q84
remember when you were 10 and you would hang out with your friends in order to Look At The Computer together like you went to their house and experienced the information superhighway together. and then leave
How fucking old are you people?
normal amount
roja dove
Jen Mazza (American, b. 1972, Washington DC, USA) - Peripety 1-7 from Peripety Project, Paintings: Oil on Linen (Info with each pic)
Paris Is Burning (Jennie Livingston, 1990)
“[PARIS IS BURNING] is a city film, in which the locale enables a practice that nevertheless cannot be undertaken entirely in the open, and so remains an underground cultural phenomenon. The film exposes an unacknowledged side of New York, a city that stands for the urban melting-pot, a notion that is rigorously questioned by the representation of those who are excluded. At the same time, New York City represents a destination for those who run away from home trying to find an alternative to the traditional family when it is experienced as oppressive.” (Barbara Mennel, Cities and Cinema)
️THE BUILT ENVIRONMENT IN MEDIA (🧱) PARIS IS BURNING (1990), dir. Jennie Livingston — and spaces for the ball subculture in New York City