Jan De Vliegher (Belgian, b. 1964), Garden 6, 2014. Oil on canvas, 100 x 100 cm.
Xuebing Du
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Jan De Vliegher (Belgian, b. 1964), Garden 6, 2014. Oil on canvas, 100 x 100 cm.
As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty (Jonas Mekas, 2000)
Julie Kent as Odette in Swan Lake.
Henri Lefort - Les Nymphs, etching
Portrait of Eleanor, Countess of Lauderdale by Angelica Kauffmann, c. 1780-81 (detail)
being intuitive is just like... i don’t like this and no i will not elaborate
Gabriela Mistral, tr. by Langston Hughes, from Selected Poems; “Quietness,”
Gail Albert Halaban: Paris Views, courtesy of Edwynn Houk Gallery.
@loveyoufor1000000years @podencos
Robert Bechtle (b. 1932) Untitled, 1959
Françoise Dorléac in Cul-de-sac (1966 film) directed by Roman Polanski
Isadora Duncan, the Biggest Dancer in the World | Ken Russell | 1966
Judith Paris
“The self is not a fixed, organic thing, but a dramatic effect that emerges from a performance. This effect can be believed or disbelieved at will.”
— Jia Tolentino, from “The I in Internet” in Trick Mirror
“Once you start to speak of things that are precious, you are immediately anxious about how people will react to what you have said, and you want to protect these things, to defend them against incomprehension.“”
— Andrei Tarkovsky, from “Scenario and shooting script,” Sculpting in Time, trans. Kitty Hunter-Blair (University of Texas Press, 1987)
Dressed Forest by Jorge Verdasca - youtube