Jan De Vliegher (Belgian, b. 1964), Garden 6, 2014. Oil on canvas, 100 x 100 cm.
todays bird
official daine visual archive
Misplaced Lens Cap

❣ Chile in a Photography ❣
RMH
𓃗

if i look back, i am lost

titsay

Love Begins
noise dept.

Discoholic 🪩

PR's Tumblrdome
No title available

No title available
★
almost home
EXPECTATIONS
h
art blog(derogatory)
No title available

seen from United States
seen from United States

seen from France
seen from France
seen from Russia

seen from Germany
seen from Brazil

seen from Brazil
seen from Brazil
seen from Brazil

seen from Germany
seen from Brazil
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
@c-igarettes-and-coffee
Jan De Vliegher (Belgian, b. 1964), Garden 6, 2014. Oil on canvas, 100 x 100 cm.
As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty (Jonas Mekas, 2000)
Julie Kent as Odette in Swan Lake.
Henri Lefort - Les Nymphs, etching
Portrait of Eleanor, Countess of Lauderdale by Angelica Kauffmann, c. 1780-81 (detail)
being intuitive is just like... i don’t like this and no i will not elaborate
Gabriela Mistral, tr. by Langston Hughes, from Selected Poems; “Quietness,”
Gail Albert Halaban: Paris Views, courtesy of Edwynn Houk Gallery.
@loveyoufor1000000years @podencos
Robert Bechtle (b. 1932) Untitled, 1959
Françoise Dorléac in Cul-de-sac (1966 film) directed by Roman Polanski
Isadora Duncan, the Biggest Dancer in the World | Ken Russell | 1966
Judith Paris
“The self is not a fixed, organic thing, but a dramatic effect that emerges from a performance. This effect can be believed or disbelieved at will.”
— Jia Tolentino, from “The I in Internet” in Trick Mirror
“Once you start to speak of things that are precious, you are immediately anxious about how people will react to what you have said, and you want to protect these things, to defend them against incomprehension.“”
— Andrei Tarkovsky, from “Scenario and shooting script,” Sculpting in Time, trans. Kitty Hunter-Blair (University of Texas Press, 1987)
Dressed Forest by Jorge Verdasca - youtube