"One Larger Entity"
Found paper images on 1/4" plywood.
Sizes variable
by Calvin Whitehurst
calvinjwhitehurst.com
almost home

JVL
"I'm Dorothy Gale from Kansas"

Kiana Khansmith
trying on a metaphor

pixel skylines
Mike Driver
he wasn't even looking at me and he found me

No title available

izzy's playlists!
occasionally subtle

★
YOU ARE THE REASON

祝日 / Permanent Vacation
No title available
2025 on Tumblr: Trends That Defined the Year
Sade Olutola
No title available
Stranger Things
Peter Solarz

seen from Sweden
seen from Netherlands
seen from Malaysia
seen from Türkiye
seen from United States

seen from Denmark

seen from Brazil
seen from United States
seen from Kenya
seen from United States

seen from Kenya
seen from United States
seen from Venezuela
seen from United States

seen from United States

seen from United States
seen from United States
seen from United States

seen from United States

seen from United States
@calvinwhitehurst
"One Larger Entity"
Found paper images on 1/4" plywood.
Sizes variable
by Calvin Whitehurst
calvinjwhitehurst.com
Paul of Tarus' Chromosomes
Found paper images
7" by 5.25"
Calvin Whitehurst
calvinjwhitehurst.com
David Whittaker
Reminds me a little of Gregory Euclide
(CNN) -- Former President George W. Bush is proving to be a bona fide painter, gifting big time celebrities with portraits, and now garnering mixed praise -- just like real artists! -- from critics like New York Magazine's Jerry Saltz.
Art criticism can go so much farther than this and it already has in the past. How can one of the most popular art critics, Jerry Saltz, be so lazy? If you write art criticism can't you look beyond your computer screen? Who cares if a shitty ex-president makes even shittier paintings. There are plenty of REAL artists working their asses off out there just to get ignored because a retired president decided to become a Sunday painter. Saltz's assumptions about Bush's work are shallow and unresearched. He also never explains why we should care that Bush paints either, he just says "I like it" and "The New York art community would embrace him." without any type of rationale. Why Jerry, why would anyone give half a shit about dogs or celebrity portraits by someone that happened to used to be president? I suppose you might as well just go to a thrift store and find paintings by anonymous artists and wonder about their origins too. You could pretend like they're really important too because its so much easier to analyze artwork by people that you'll never meet than to actually write about artists that take this lifestyle seriously. A retired president doesn't care about the contemporary art world when he picks up a paint brush. I think its time you consider retirement yourself Jerry Saltz because you're wasting everybody's time here. Essentially you've become a hobbyist art critic.
-Calvin Whitehurst
calvinjwhitehurst.com
The House is Alive and Everyone's Home
7" by 5.25"
Found paper image collage
by Calvin Whitehurst
http://calvinjwhitehurst.com/
Jack Goldstein - The Jump (1976)
William Lamson - Solarium (2012) - Steel, glass, sugar and citrus trees
Artist’s statement:
“Like a mountain chapel or Thoreau’s one-room cabin, Solarium references a tradition of isolated outposts designed for reflection. Each of the 162 panels is made of sugar cooked to different temperatures and then sealed between two panes of window glass.
The space functions as both an experimental greenhouse, growing three species of miniature citrus trees, and a meditative environment. In warm months, a 5 x 8-ft panel on each side of the house opens up to allow viewers to enter and exit the house from all directions. In addition to creating a pavilion like environment, this design references the architecture of a plant leaf, where the stomata opens and closes to help regulate the plants temperature. Set within the open the landscape, the house functions as a hybrid sanctuary at once evoking a plant conservatory, a chapel, and zen garden.”
Jutta Koether at Campoli Presti
From the series Ghosts, 2013 Jonathan Zawada
Geisha’s in traditionele kleding. Japan, 1931