The Red Shoes, 1948
Sweet Seals For You, Always
Noah Kahan
Xuebing Du
Today's Document
Sade Olutola
Aqua Utopia|海の底で記憶を紡ぐ

ellievsbear
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pixel skylines
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Jar Jar Binks Fan Club
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TVSTRANGERTHINGS
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occasionally subtle
"I'm Dorothy Gale from Kansas"
One Nice Bug Per Day
seen from United States
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@caracteres
The Red Shoes, 1948
Ballet in Horror Pt. II: Mirrors, reflections, and doppelgängers
Possession (1981) | Us (2019) | Black Swan (2010) | Perfect Blue (1997) | Suspiria (1977) | The Red Shoes (1948)
Repression, obsession, perfection, abuse, self & identity, gender...
One of the most underrated elements of POSSESSION (1981) is how the use of ballet in the film actually relates to its many themes— which are themes that can be traced across other films that depict ballerinas (or other types of performers in the case of Perfect Blue—it just fit too well to not include)
Read my article Blood-stained Satin: A Reflection on the Aesthetics of Ballet in Horror on Beauty of Horror
The Red Shoes (1948, Emeric Pressburger & Michael Powell)
Buffy characters + banned tags
(In which Faith is everything tumblr hates)
HORROR IN FILM PART I — SUSPIRIA
Gary Weinhart – Mr Wonderful Sire, with Rihanna // First Body – Two People // Oberon, Titania and Puck with Fairies Dancing (edited) – William Blake (1786) // Yohji Yamamoto A/W2009 // Accursed Possession – Cultus Profano // Fourth Wall – Brooke Shaden // Unknown // Cosmovitral // Source.
Outer Range s01e07 | Billy Tillerson & Autumn Rivers (3/4)
The leftovers (2014–2017)
Better Call Saul (2013-)/ The Leftovers (2014-2017) / The Americans (2013-2018) / The Sopranos (1999-2007)
La Notte (1961) dir. Michelangelo Antonioni
Eclipse Day is here, my North American friends! Be like Sally, the smartest of the Drapers, and don’t stare directly into the sun.
raise your hand if you’ve ever felt personally victimized by elliott smith
this woman Knows Things
The Fly (1986), dir. David Cronenberg
That, I suppose, is how humans beings are made.
The Temple of the Golden Pavilion, Yukio Mishima
Blue Velvet (David Lynch, 1986).