assessment 3- Time
noise dept.
2025 on Tumblr: Trends That Defined the Year
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YOU ARE THE REASON
untitled
hello vonnie

Andulka
"I'm Dorothy Gale from Kansas"

gracie abrams
Today's Document

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oozey mess
$LAYYYTER

pixel skylines
Sade Olutola
Noah Kahan
Xuebing Du

PR's Tumblrdome
taylor price

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assessment 3- Time
Final Clock!
Elizabethan era
Collecting Images for Elizabethan clock!
assessment 3
Final Work ‘Rendezvous’
4 A4 photographs
Concept Statement
‘ Gender is not a binary – it is a spectrum’-
My artwork focuses on gender binary, and how the dissolution of the two ‘opposites’ allows for new understandings of the individual and how mankind interacts. The gender binary is the classification of sex and gender into two distinct, opposite and disconnected forms of feminine and masculine. As one of the core principles of genderism, it can describe a social boundary that discourages people from crossing or mixing gender roles, or from identifying with three or more forms of gender expression altogether. In this binary model, gender, sex and sexuality are assumed by default, for example, a person born male would be assumed masculine in appearance, character traits and behaviour, including a heterosexual attraction to people assigned female at birth.
Because of these preconceived outlines many individuals do not feel free to express their true beliefs and feel pressured to act in a certain way. Time and time again gender roles have proved to be an ancient and arbitrary concept that should not restrict the way someone acts or feels. Inspired by Kumi Yamashita’s body of work ‘Light and Shadow’, that explored her longing for a land that embraced all humanity and ideologies. She uses shadow to define the curvature of the face and the distinction of important features that make up the human body, without defining the shadows gender or race. Kumi stated in an interview that her fascination with shadows came to symbolize another dimension of life, perhaps something even more real than its holder. This concept is extremely worth delving into, as perhaps the only way for progression in a world where gender binary is overly dominated by science and ancient morals. The new dimension? Hold this thought.
The critique of binary oppositions is an important part of many social revolutions that have further influenced an abundance of artists and artworks, such as third wave feminism, postcolonial theory, and post –anarchism. This concept is important to think about when analysing the relationship between binaries, as they can then be critiqued for their flaws and deconstructed to create new concepts and insights.
In my work ‘rendezvous’ I have explored the breaking down of symbols that are seen in society to segregate man and woman, and have further pushed this concept to create a photograph that entails the true nature of being a human. Not man, nor woman, but human. In a single life, any individual will go through countless phases of their life that will inspire and provoke their future self. Sex should not determine the way an individual goes through this self-exploration process. The staggering outlines of side portraits entailing people in my life that have challenged the gender binary, capture the extremely difficult process of self discovery, even more so in this categorised world. However, the colourful, vibrant and bright surroundings of the shadow bring to life the bliss that comes with self discovery, a life that only you entail and a life that it truly yours. Perhaps this life is a new dimension, I guess as individuals we must keep breaking down the gender binary to find out.
Bibliography
16, D. (2015, March 5). Interview with artist kumi yamashita. Retrieved September 20, 2016, from art, http://www.designboom.com/art/kumi-yamashita-interview-03-05-2015/
Killermann, S. (2015, March 17). Breaking through the binary: Gender explained using continuums | it’s pronounced Metrosexual. Retrieved September 20, 2016, from http://itspronouncedmetrosexual.com/2011/11/breaking-through-the-binary-gender-explained-using-continuums/
Liberation®, P. (2012, July 3). Shadowlands: Kumi Yamashita shows us the wonders of cast light and form. Retrieved September 20, 2016, from http://www.itsnicethat.com/articles/kumi-yamashita
R-C, R. (2016, January 6). “Gender is not a binary, it’s a spectrum”: Some problems. Retrieved September 20, 2016, from https://rebeccarc.com/2016/01/06/gender-is-not-a-binary/
Binary opposition (2016). . In Wikipedia. Retrieved from https://en.wikipedia.org/wiki/Binary_opposition
Barns, J. Interview with artist Kumi Yamashita. Retrieved September 20, 2016, from https://lockerdome.com/6553689557045825/7472339977771284
Further Experimentation
I have used photoshop to create some pretty crazy images that challenge identity and self. My topic of interest is binaries and how challenging them may lead to interesting paths and opportunities.
I love the vibrancy in these images, however, I feel as though they are a bit Cliche’ and therefore would love to mess around with them further to really emphasise the dissolution of gender roles.
Artist of Inspiration
I have explored this artwork previously in this course, however, this time, I am exploring completely different aesthetic and literal meanings.
Artwork: Kumi Yamashita, Fragments, 2009
Fragments consists of resin tiles which cast the shadow profiles of 40 New Mexican residents of different backgrounds and ethnicities, people Kumi met while travelling throughout New Mexico in 2008. It is both testament and celebration of the people whose names may never make it into the history books or history museums, but who definitely make up the rich fabric of life in a pueblo, city, county, and state. I have drawn so much inspiration from this work as it truly represents human spirit without the exploration into man, woman, race or belief. There are no binaries present in this artwork. Each shadow tells a completely different story that can be traced back centuries, which I find mesmerising. These shadows are so rich in history and knowledge.
There are a few more works by Kumi that I will mention as i further develop these experiments.
Initial Experiments
These initial experiments are inspired by my 1st assessment where the distinction between man and women are dissolved. The breaking down of binaries allows for so much vibrancy and individuality, this is what truly inspired these experiments.
I have chosen to work with cellophane to create the shadows of the faces behind each colour. I chose red and green as both colours are gender neutral and are not associated with any one race or gender.
As these are initial experiments they are quite rough, i intend on exploring this experiment further and researching artists/designers that work with face shapes and interesting transparent materials.
Context and Time (Studio)
Inspired by Justin Trendall, One Is Art, 2014, screenprint on fabric.
For the week 6 studio, context and time, we created a map of our hobbies to create linkages between each other, with each colour represented an individual.
We spread the lines away to signify that each person is constantly moving and finding new characteristics about themselves as time progresses.
Love the way our group 6 studio work turned out, super interesting
Activity 1; Making out of $5.
Here we wrapped a tree in alfoil during the fire drill to try and “save” the tree. Little did we know, was that once the alfoil was removed the water that had covered the tree was still there. It was as if the alfoil preserved the water, again saving the tree.
Value; Preservation of nature.
Reflection Week 8 Class
Following this weeks class, where we looked at value, my group created a flatlay of a mixture of valuable items (jewellery/phones/wallets) to be contrasted with items that weren’t so valuable (literal trash) - a statement of the use of materials and choices we make in what is kept/discarded. I thought about this in relation to my assignment and thought about the value we have with technology. They have been valuable analogously, allowing the advancement of quality of life, and yet have “glitched”/altered the human life negatively. To reflect this view, I drew on the readings of Fredereric Wertham who proposes that the messages contained in media/technology are directly correlated to poor choices the audience makes. He makes this assumption based off the idea of a passive audience- one who blindly accepts information without critically analysing its contents. Source: Schirato, Tony, Angi Buettner, Thierry Jutel, & Geoff Stahl, 2010, Understanding Media Studies, Oxford/New York: Oxford University Press, CHAPTER FIVE: ‘Media audiences, pp. 92-109
Andy Warhol
Graphic Investigation, visual qualities:
Pop Art
Vibrant
Repetition
abstract
colourful
Loud
Andy Warhol was Obsessed with celebrity life, consumer culture, and mechanical reproduction. I am interested in the production of these world class artworks as they push the boundaries in a mesmerising way.
I am most interested in the repetition of his works, as it is quite loud and in your face, this is what i would like to replicate in my final work.
Warhol utilises screen-printing to create these works, a process I have not yet thought of working with. I could push my work even further with this technique.
Marylin Diptych, 1962, Acrylic on canvas
Diamond Dust Shoes (Random), 1980
Campbell's Soup Cans, 1928-1987
ass 2 class notes
Experiments
Reflections/what is most engaging for you? why?
Keywords:
Relationships (human)
eg. Body composition, body language, gesture
Use keywords as search terms in relevant portals
Eg e-flux, frieze, UNSW library etc
Focus on different artists
Use that information when you return to making objects
Initial binary group work Week 3
I find it interesting to go back to group work that was created in the studio when reflecting on an assessment. This studio incorporated many materials and contrasted binaries.
Concept statement
Binaries refer to a pair of related terms or concepts that are opposite in meaning. When brainstorming ideas for this assignment I decided basically to just go with it and let the practice lead me, as we have been doing in studios.
The critique of binary oppositions is an important part of many social revolutions that have further influenced an abundance of artists and artworks, such as third wave feminism, postcolonial theory, and post –anarchism. This concept is important to think about when analysing the relationship between binaries, as they can then be critiqued for their flaws and deconstructed to create new concepts and insights.
My composition (poster) is a diptych poster combined of 2 A3 sheets. I have attempted to highlight the distinct symbols that are seen in society to segregate man and woman. The gradual fading of the symbols into a vibrant motion image aims to prove that the dissolution of these symbols, notions and structures allows human beings to be exactly whom they choose, instead of being placed into the gender roles and expectations that surround birth and sex.
To be effective, this poster is to be interpreted by the viewer, however with the notion of deconstruction in mind, to create new insights and concepts, not to synthesize the terms in opposition but to mark their difference, decidability, and eternal interplay.
BINARY
The political critique of binary opposites is an important part of many social changes, such as third wave feminism, postcolonial theory and post -anarchism. The critique of these perceived binaries between man/woman, civilized/uncivilized, and white/black have perpetuated and legitimized Western power structures favoring "civilized white men."
In the last fifteen years it has become routine for many social and/or historical analyses to address the variables of gender, class, sexuality, race and ethnicity. Within each of these categories there is usually an unequal binary opposition: bourgeoisie/working class man; white/people of colour; men/women; heterosexual/homosexual
Deconstruction assumes all binary oppositions need to be analyzed and criticized in all their manifestations.
To be effective, deconstruction creates new notions or concepts, not to synthesize the terms in opposition but to mark their difference, undecidability, and eternal interplay.
--PHYSICAL BINARIES--
life/death
moon/sun
democracy/dictatorship
young/old
night/day
male/female
From the day we are born we’re assigned a gender, and so, defined and delineated by society. Male or female?
--PSYCHOLOGICAL BINARIES--
love/loss
ignorance/wisdom
positivity/negativity
freedom/surveillance
sane/insane
like/dislike
“But there is no energy unless there is a tension of opposites; hence it is necessary to discover the opposite to the attitude of the conscious mind.” ― C.G. Jung, The Essential Jung: Selected Writings
Week 1 studio
SEMESTER 2