SEUNGHAN â
âand you?â the music resumes and he pulls her closer this time, his touches certain as it was, all those years ago. âdo you always go around bewitching strangers at parties? or did you save that specially for me?â
She senses the shift in him as sure as if something inside herâs shifted too. Of course she would, because heâs him and sheâs her. Like the back of her hand, the back of her eyelids, she knows him. Her body is a tuning fork sounding out his specific frequency. Sheâs spent so long trying to sing another song only for her to find it the moment sheâs in his hands.
There are things that never leave you no matter how hard you try. She knows this now. That doesnât make this hurt any less.
Memory pales in comparison to the reality of him: the certainty in his touch, the tenderness as if he thought her too precious, something he wanted to protect. The feeling in his eyes that she wonât name. Here, the reality of the man sheâd let into her heart like it had been an open door, like sheâd been welcoming him home. And here, the reality of the aftermath: the hole inside her. Four walls and no roof; an empty, cold room.
Collateral damage. She has to remember that thatâs all sheâd ever been. How easy it was to forget that the moment his hands were on her waist. How easy it would be to soften into him, to look up at him and say his name. But still, the room; the hole; the memory. All these things that wonât let her forget.
The way heâs looking at her is almost unbearable. Call her a coward, but she has to look away.
âDonât be silly. Iâd hardly say youâre special.â Itâs as much steel as she can forge in the moment, but she hopes it cuts him a little. A small taste of the knife heâd slid into her that day, the one sheâd kept in her stomach all this time, waiting. âMaybe you were just the first person who asked for a dance.â
Her words divide and her body follows. The grip on his shoulder loosens, the air between them cools. The illusion of intimacy, of openness, is shuttered behind her sidelong gaze. But she canât look up at him â wonât â for fear of falling back under his spell.
Itâs all too much.
âI should go.â The hour; the heat; the fact that she actually does have a man waiting for her out there. Any excuse to untangle herself from the situation. She steps back, uncaring that theyâre only halfway through the dance. Her arms fold across her chest as she stands rigid, at attention. When scared, make yourself tall. âMy dateâs probably waiting to take me home.â
Now that â that she hopes stings.














