WWW.CAWINVENTORY.COM

CAW Inventory catalogues the Contemporary ArtWorks exclusively according to the materials of which these are composed. Info: cawinventory[at]gmail.com SUBMIT YOUR WORK LIKE US ON FACEBOOK HELP & SUPPORT

[cawinventory]

#Repost @domenico_de_chirico with @repostapp ・・・ #michaelesmith #susannehilberrygallery #susannehilberry (presso SUSANNE HILBERRY GALLERY)

[cawinventory]

#coryscozzari #almanacinn #roses (presso Turin, Italy)

[we-find-wildness]

#evaandfrancomattes BEFNOED (2014-2015) #onyoutube #kunsthauslangenthal (at Kunsthaus Langenthal)

[eccontemporary]

James Viscardi, Rucksack, 2014, cotton, pleather, 157 x 101 cm http://jamesviscardi.com/ http://www.thesundaypainter.co.uk/ http://www.lastresortgallery.com/ http://www.suzannegeiss.com/

[contemporary-art-blog]

Tom Burr, A Conversation, 2013 

[contemporary-art-blog]

Valentin Carron, Ciao Muddy Plain,2014

[contemporary-art-blog]

[contemporary-art-blog]

Philippe Parreno, Fraught Times: For Eleven Months of the Year it’s an Artwork and in December it’s Christmas

[artberlincontemporary]

#kasiafudakowski #abcberlin #loweryourambitions — by kimbulow // http://ift.tt/1W7IDJJ

[contemporary-art-blog]

Ann Veronica Janssens

[plantsincontemporaryart]

[exasperated-viewer-on-air]

Lia Cecchin - Già dimenticata (Already forgotten), 2012

dead houseplants

dim. var.

“Già dimenticata” (Already forgotten) takes form from an intimate action, which consists in the gesture to vandalize and destroy some dead houseplants. The artist’s space within the show will be devoted to give a proper farewell to their remains.

[attiliaff]

Megan Rooney

Old weather, 2015 ( detail )

[cawinventory]

Ayesha Jatoi, 'Ten keys,' , Sabrina Amrani

[cawinventory]

Brad Downey, 'Key-Chain-Totem,' 2015, Ruttkowski;68

[cawinventory]

Brad Downey, 'Breaking and Entering,' 2014, Ruttkowski;68

[nearlya]

Paul Chan

[worldssmallesttrampoline]

Fiona Banner

1909-2011, 2010

97 Jane’s All the World’s Aircraft books, 22 x 35 x 375 cm

1909 – 2011 is a four metre stack of Jane’s All the World’s Aircraft books, the iconic compendium for the aeronautical industry. Collecting is a recurrent theme in Banner’s work, and she has compiled this collection over a period of twenty years. Jane’s All the World’s Aircraft represents a shared knowledge, beyond political and national boundaries. As a collection it embodies the history of manned flight and the development of an unwieldy military industry. Now as a very grounded, yet slightly implausible tower, the books have been transformed, through the simplest of means, from a library, list and collection into a piece of sculpture.