Berlinde de Bruyckere. ‘Elie’. 2009. “Gosh! Is It Alive?” / “Gys! Er den levende?”. Wax, epoxy, cushion, life size.
@ Galleria continua.
NASA
PUT YOUR BEARD IN MY MOUTH
Misplaced Lens Cap

JVL
🪼
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PR's Tumblrdome
The Bowery Presents
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ojovivo
2025 on Tumblr: Trends That Defined the Year
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Origami Around
will byers stan first human second
official daine visual archive

❣ Chile in a Photography ❣
I'd rather be in outer space 🛸

seen from United States
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@cedarxwing
Berlinde de Bruyckere. ‘Elie’. 2009. “Gosh! Is It Alive?” / “Gys! Er den levende?”. Wax, epoxy, cushion, life size.
@ Galleria continua.
now let’s see him getting triggered during sex
Folio from a Dispersed Nuzhatnama, Early 15th Century
Alberto Zardo
Satan, The Divine Comedy
Detail from The Garden of Earthly Delights by Hieronymus Bosch, 1490-1510.
SECRETARY + the orchid dir. Steven Shainberg
Amazing
hannibal | 1.08 fromage
OBSESSION (2026) dir. Curry Barker
A Masque for the Four Seasons - Walter Crane
“Writing is, rather, entering an immense cemetery where every tomb is waiting to be profaned. Writing is getting comfortable with everything that has already been written—great literature and commercial literature, if useful, the novel-essay and the screenplay—and in turn becoming, within the limits of one’s own dizzying, crowded individuality, something written. Writing is seizing everything that has already been written and gradually learning to spend that enormous fortune. (…) Thus in order to devote ourselves to literary work must we subscribe to the great scroll of writing? Yes. Writing inevitably has to reckon with other writing, and it’s from the terrain of the already written that the sentence might jump out that sets in motion a small admirable book or the great book that displays a trajectory and constructs a unique world of words, characters, and conflicts.”
— ELENA FERRANTE, from In the Margins: On the Pleasures of Reading and Writing, trans. Ann Goldstein.
Marx Reichlich - The Last Judgment
Crash (1996) | Dir. David Cronenberg
Hannibal | 1x03 Potage
"The sculpture in the image is “Das Schicksal” (Fate), created in 1905 by Hugo Lederer. The sculpture portrays fate as a ruthless woman dragging two vulnerable bodies by their hair.
The work is currently located in Ohlsdorf Cemetery in Hamburg, Germany."
from @dustseasons on instagram .
remember that guy that had a single auditory hallucination that told him he had a brain tumor and the exact location and then he went to the doctor and it was fucking right
William Ian Miller, The Anatomy of Disgust