Bernard Perroud Art

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Jibbali roundhouse (strit) blends into the landscape. Scanned from the book The Craft Heritage of Oman; 2003; Neil Richardson & Marcia Dorr. Via A pile of profiles.

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Bernard Perroud. Kiss on the beach. August 2022.

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Bernard Perroud. Droped V-String. x3.

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Bernard Perroud. Droped V-String.

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Henri Matisse. Bather. Cavalière, summer 1909. Oil on canvas. 92.7 x 74 cm.

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Alexander Shishkin-Hokusai, Storming. Fragment #2. 2017. Ink on plywood and wooden support. 19 × 33 9/10 × 8 9/10 in | 48.2 × 86 × 22.5 cm.

The Fight Against Dirt (8 parts). 2018. Plywood, acrylic, dimensions vary.

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Wilhelm M. Busch

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Bernard Perroud. Welcomed intrusion.

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Terracotta figure of a naked woman holding up her hands in front of her and slightly to both sides, palms up, her elbows tucked in by her sides. Her hair is drawn back and bound in a ribbon and she wears large earrings. Painted on her body are a necklace and flowers, perhaps representing tattoos. These tattoos may indicate that she is a foreign slave, perhaps a Thracian. The woman may be an elderly hetaira.

Greek. 350BC-290BC. Painted terracotta. 19 cm. high.

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Louise Bourgeois’ “Tits” (1967) from Les Papesses at the Collection Lambert in Avignon.

[sweetestart]

Drummer magazine (January 1983)

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Seated Woman of Çatalhöyük. Turkey. c.6000 BC. Clay. 12 cm high.

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This is my gay light

[snowce]

[workman]

snowce:

Cédric Delsaux, Pancarte Hôtel Neige, Zone de repli

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Olivia Jeffries (b. Norwich, UK) - My Secret Self/You Can’t Always Be Friendly, There Just Isn’t The Time, 2009     Pencil, Gouache on Found Paper, Pierced

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Bernard Perroud. Single X in the Atacama desert. (picture from Mauro Garcia Fatte, Colors (San Pedro de Atacama, Chile, 2014)

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Bernard Perroud. Sculpture that I made some years ago.