Commencing Too Many Sidequests

Enby, She/They, I talk about Asahi Genbu and company (for the most part) 👍

[centertheatre]

“Get on your feet, Bless! You’re not the kind of guy who gives up here!”

A blog introduction! (strawpage)

Heya, I’m Center, I talk about things and very occasionally draw! On the topic of identification, I am a non-binary lesbian and go by she/they.

You can call me by my blog title, username, or any shortening of the above, I really don’t mind. This here is my main blog. Primarily Project Sekai as of now, Asahi Genbu in particular, but I do have sideblogs dedicated to other interests (they’re listed here as well!).

In the sekai regard, I’m a big fan of the Tenmas, Leo/need, More More Jump, Wonderlands x Showtime, and (evidently) the side cast, among other things.

On the topic of other blogs:

My reblog sideblog is @sentashiata

My Roblox-dedicated sideblog is @cactussacrifice

My spontaneous interest sideblog is @secondingthisplace

I was the mod for @daily-proseka-side-cast, and I currently run @inferno-blazing for the Project DANPEN AU.

For other information, I recommend you look through my strawpage! :)

Tags? My text posts are under #rambles, and my art would be under #centerart.

That’s all I think I’ve got to say, have fun, and feel free to ask me anything :D!

(Last updated: June, 2026)

[centertheatre]

I find the apparent differences between the Tenmas and Hinomoris’ reactions to having respective SEKAIs both really goofy and really sweet.

On one end, Shizuku is always and forever ecstatic when it comes to sharing things with Shiho, and particularly so when it comes to being able to relate to her. They don’t tend to consider their experiences which happen to overlap, but very much do bond over those when they do. “I’m glad we share something like this” is evidently going to be both of their takeaways here.

On the other, Tsukasa and Saki have always and forever been sharing things with each other, including their experiences, which very much overlap and allow them to understand and relate to one another. So, the fact that they’ve both experienced having something as extraordinary as a SEKAI and never brought it up? It’s less something to be giddy about more than it is something to get petty about. “We’ve shared so much with one another and understand each other in entirety, and you think your SEKAI would be incomprehensible to me?”.

[centertheatre]

Happy pride month! Considering I’d drawn solely Asahi last year, I’ve decided to add my headcanons for the runner-up favourite side character to the mix this time :).

[centertheatre]

Hello there! If I may, could I ask you about any Asahi HCs you have that you haven't shared on your blog yet? Love reading through your blog btw, all your posts are so interesting! (if you see a similar ask on another website, no you didn't /j)

Pfft, heya (similar ask on another website.. haven’t chanced across that yet), and thank you for the compliment :)! I’m not too sure if I haven’t mentioned any of these at any given time, but here goes.

-> Asahi is the friend Sakurako had mentioned in TTPATSE/Tsukasa’s 3rd focus. Yes, I did technically make a post about this, but it is one of my favourite headcanons of all time, I really like how it can be read as vague foreshadowing for the workshop arc (and, of course, while not very relevant, Sakurako referring to them androgynously does make me happy about the possibility of an enbyspec read of Asahi).

-> Asahi was let in on Sakurako’s rejected proposal from ArcLand a good two months after it happened (I feel this happened during hee prior work with the Rainbow Stage, hencewhy she made that rejection). I imagine Asahi in present-day doesn’t tend to consider it much, but is understanding for the most part, considering how much that venue does mean to her (and still does), but he did tend to consider what having her on-deck would be like rather often (prior to Wonderlands coming into the picture).

-> Asahi is very flexible with any means of referring to him, so long as it’s familiar and/or informal (which is pretty unfortunate, considering his high-standing in the realm of acting does prompt a lot of people to keep using things like ‘Genbu’).

-> Yes, Asahi has seen APNT (A Pianist Name Torpe/Tsukasa’s 2nd focus play), that first night show just has too much merit to warrant him dubbing it Wonderlands’ best as the majority tend to.

-> While Asahi tends to receive tragic roles (mostly to showcase him sharing Tsukasa’s acting type), I feel his type of play is a feel-good or wholly light-hearted one. Wonderlands’ earlier plays for certain appeal to him more than, say, Happy Phoenix or Two Androids.

-> He doesn’t like writing lengthy descriptions. Both in his writing (as in, his children’s books) and his notes, physical descriptions are always very limited (and in regard to the latter, he opts to sketch things when he can).

[centertheatre]

https://www.tumblr.com/centertheatre/816646446833172480/hi-there-im-in-a-really-tough-spot-right-now-my

solemnlycrimsonfang / Jackline Ngeja is a documented scammer. they’ve been caught running this scam under multiple identities for years.

https://www.tumblr.com/12percentspider/745338979697704960/for-future-reference-re-help-i-have-asthma-at

https://www.tumblr.com/staticespace/752980076501565440/if-you-receive-an-ask-or-see-a-post-for-medical

here is an archive of one of their many previous tumblr blogs linking to a paypal account under the name Luciamkira: https://archive.ph/OxGxS

here they are linking to a ko-fi account under the name Mash ko and a paypal account under the name eUnice'margwel’: https://archive.ph/9sWXX

they have also used the paypal name Bitita Nyaata: https://archive.ph/nDcP9

and Sereria Boke: https://archive.ph/Y89ij

and Najma maol: https://archive.ph/eUNLL

and Nchagwa Mwita: https://archive.ph/0wFeQ

here is an archive of another tumblr account, tautlyeclecticenchanter, running a completely different scam but linking to this same exact Jackline Ngeja paypal account that solemnlycrimsonfang is using: https://archive.ph/PBlJx

are you able to delete their scam from your blog, or clearly label it as a scam so it doesn't spread to others? remember you can use the tumblr search box to search the username/paypal account name/text used by people asking for money to check if they’ve been proven to be a scammer

Oh, noted! My bad!

To anyone who had changed across the (now taken down) ask answer, do give this a read, and please avoid donating to the asker in question.

[centertheatre]

Whatever is planned for Asahi’s side-arc, what I feel is for certain is that he won’t be getting what he yearns for as of current (or at least how it is now, verbatim).

To get the Center Theatre to operate as the unit he yearns for is to push them off the flat/slope-esque sect of the mountain they’ve managed to reach (with their goal at the summit) and expect them to just start from the bottom with no qualms, work towards their goal from the ground-up again and thus be forced to treat one another as growing actors again. That, or the illogical route of retconning what is established about them and having them sit Asahi down and tell him that sure, they can drop their faith in him or just straight-up act against it through treating him like Wonderlands does.

And to boot him out of Arcland is to virtually just ship him off and out of the narrative, remove the Curtain Call conflict setup in entirety, which is both a very bland route to take for Asahi himself (and contradictory, his goal holds a lot of weight! It is foundational to Asahi’s character! He simply isn’t the kind to abandon all the progress he has made for the sake of resolving this), and one that cuts out a major dilemma on Rui’s part.

Asahi will either cease his yearning, somehow, or he will continue to, and considering how he ties into Rui’s story and the proposal plot making its entry during the graduation arc bound to happen for the game, the open possibility for the latter is likely intentional.

[centertheatre]

Yuuki’s belief in people is so stout, I love it. She’s evidently confident in peoples’ love and passion for things, and particularly in Mizuki’s. Yuuki herself has been described to be quite headstrong when it comes to things of the sort as well (and particularly the design field) and it seems to bleed into her perceptions of others’ experiences, she lacks doubt in herself as she does in the people around her and what they express. And especially Mizuki, of course.

[centertheatre]

I find empty Miku’s gratitude for chances experience things 25ji enjoy or are passionate about really endearing. It’s just so evident that she likes to see them happy and wants to more, as well as understand where those feelings come from. It’s just very sweet to me.

[centertheatre]

Item: A Half-blank Notebook Rarity: ⏶ Common

What video game do you most regret not finishing?

Feed your dashboard by answering my question, blogger.

Roblox’s Bad Things. It looks so promising (but I just haven’t found the time nor motivation to play it in entirety).. Genshin Impact’s latest archon quest definitely comes in second.

[centertheatre]

Happy April Fool’s from leftroom on tumblr. I like the left room.

[centertheatre]

Emu Otori encounters another parallel character.. Woah! Honestly though, while I do get people finding this repetitive or filler of some kind (I think I’ve seen emu7 treated as such?), I really like the way the writers are introducing like-minded people for Emu to work with! She’s both finding her way around managing and helping others out with it, you can’t tell me that isn’t a sweet direction to take with a character like Emu.

[centertheatre]

Okay, this just speaks for itself, look at her go!

I did forget to mention this prior, but this definitely also ties into Emu’s first arc. She lacked support until Wonderlands had collectively stepped in and chose to support her dreams of making Phoenix Wonderland a place that brings others joy, no wonder she wants to be the support for those with her same goals and her same (similar?) roadblocks.

[centertheatre]

Emu Otori encounters another parallel character.. Woah! Honestly though, while I do get people finding this repetitive or filler of some kind (I think I’ve heard about this event treated as such?), I really like the way the writers are introducing like-minded people for Emu to work with! She’s both finding her way around managing and helping others out with it, you can’t tell me that isn’t a sweet direction to take with a character like Emu.

[centertheatre]

wowowowo ur so cool!! asahi peak

Whaa, thank you! :’)

And agreed, he really is.

[centertheatre]

Oh geez. As concerning as Asahi being straight-up gone is, I think what’s even more so is the fact that he seemed avoidant prior. Asahi is generally rather upfront (at least, he was when it came to his previous conflicts, refer to: Curtain Call, both his readiness to come out about his proposal and about his background), it’s so uncanny and very very worrying.

[centertheatre]

Started on Emu’s seventh, I love that after over a year of working at theme parks and theme park-adjacent sites, Wonderlands have finally given in and let themselves spend one day doing theme park things.

[centertheatre]

The prospect of Rui talking to Asahi in the upcoming focus, Sakaki factored out of the equation, does sound like a wholesome scene in the making that’d tie up a lot of ends for Asahi when you first think of it — And, well, it is in a sense, but keeping the conflict from Nene’s sixth in mind, I think it just wouldn’t end up killing it.

He does yearn for interdependence in his troupe, both in regard to their friendship and their work. He wants people that can both understand him and treat him as an equal, people who can push him and consider him a friend at the same time. He sees that in Wonderlands’ dynamic, and to some extent, his dynamic with them (consider: his proposal to Rui, the fact that he wants not just a bond with him but to work with him after learning of his perspectives on acting and watching him direct).

If Rui is the one to talk him through, guide him through this arc, do something, he will push Asahi. He, someone with a relative understanding of Asahi as a person and how he goes about his goals and conflicts, will push him. He will do exactly what Asahi yearns to have done with his troupe that he has seen done among Wonderlands.

This will happen, and the Center Theatre will go about things like normal, and Wonderlands will go about things like normal, and Asahi will end up sorer about this than in Nene’s sixth because he still yearns, and he will start what he wants out of his troupe again, and if he could have people who push him like that again, and the proposal, again.

[centertheatre]

Oh my god.