self-initiated project #56 - sets
Pictures of my sets
fixed set that stays there all the time, no matter the act or scene
set #1: Arthur's Seat
that's it for now, back to work

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self-initiated project #56 - sets
Pictures of my sets
fixed set that stays there all the time, no matter the act or scene
set #1: Arthur's Seat
that's it for now, back to work
self-initiated project #55 - a photoshoot on a bridge
These (amazing) pictures are the result of the photoshoot we did a few days ago. Cynthia is the one who was directing and taking the pictures. She also edited the pictures. The whole point of the pictures wasn't for them to feature the props (which, actually, don't show) or the costumes, but really to tell the narrative of the story and show the whole atmosphere of it. I think Cynthia did beautiful and her pictures really show the dreamy-ness and romantic side of my play.
Thank you a billion guys for your help and getting involved in my project, it means everything to me Location: Albert Bridge + a pub somewhere close to Albert Bridge Photographer: Cynthia Chen-Barbachano Models: Miriam Nebbia and Lasse Kristensen Hair and makeup: Maa non Costumes: designed by me, made by Rita Cassar
self-initiated project #54 - books
Short break from the "Behind the curtains" book just to post a few things. First the book + cover of the play. It was all sent to print a few days ago, this is what the cover looks like:
I must admit, I quite like it and look very much forward to seeing the book printed. Finally, after all the work. Then, here are a few screenshots of the character pages of my "behind the curtains" book:
A few things: - the colour for each character's page is taken from their costumes - the pages will all have an aged-paper background. each page's background will be different, I just need to scan the pages in. More about the photoshoot and Cynthia's amazing work in a second
the perfect bake #37 - kill me now
This project is hell. That's just how it is, plain and complete hell.
After the printer crap situation in Malta, I turned to the LCF print bureau who finally answered my calls today and guess what... they can't freaking do it on time! " I just got back to a big load of work, it will have to wait until the 16th of May" Sorry my French but 16th of May my maasen. So I phoned another company called RA Smarts and they can't do it before the end of May. Yes you can picture me going ballistic at that point. The lady there was helpful though and pointed me to another place called Cameron Gilmartin. And they can do it! But I have to change a few things on my files (format, resolution and change from CMYK to Lab Colour) which, ofc, takes me away from the stuff I should actually be doing right now. We're only 13 days, 22 hours and about 40 minutes away from the hand in and this crap is still not sorted. I might just puke. Sorry about the ranting but it had to be done. More in a minute about the self directed brief.
the perfect bake #37 - what now?
Reg. the perfect bake project,after looking for a printer in London, France and Malta, we finally managed to find somebody who could print on fabric with my tea-towels' size in Malta. The only condition was for me to find fabric that had at least 50% of polyester. I really wasn't happy about that but it was the only way to get the colours to really stick to the fabric for his kind of printing (sublimation printing) and I was also worried the towels wouldn't be so absorbent any more so anyway, my grandfather and I went for a pretty crazy fabric hunt, going back and forth between the printers with some samples to try and to the shops to actually find the perfect fabric. After a few tries we finally found a fabric that seemed to work, the colours looked amazing and the fabric was absorbent. So I bought the 7m of fabric needed and got the files ready for him. (I have changed the towels since btw!)
I sent everything + the labels and thought this part of this project was finally over.... but ofc it wasn't... I got an email back from them telling me there was a problem with the fabric and that it kept creasing so it didn't work and that I should come back with the second best sample and re print on that... F_______!!!! The second best fabric was terrible and the colours didn't even stick, right now, they are a vague tone of each colour, they look like they are at about 20% opacity.... I don't have time to go back on a fabric hunt so I sent an email (and tried to phone about 5 times) the LCF print bureau which is were I printed an earlier sample;
But no answer which is stressing me out. You need to book an appointment before going there but if they don't answer their emails nor pick up the phone it pretty much sucks... Plus, as you can see, it's completely stretched (it's not the picture, it's the actual towel) so I'm a bit weary of printing there... But it has to be done and I'll have to figure out a way to stitch both sides together other than hand doing it which will take forever! (if anybody has a sewing machine and is willing to stitch 15 towels together I'd be eternally grateful + I'll bake you whatever you want!!!!). Anyways, the files are ready and I am not touching them again. This is one project that is the way it is, I've worked on it for so many hours and David pointed out the last really fiddly details last week so I think we're good!
self-initiated project #53 - ////
Ok, so I have been swamped and haven't posted a thing in forever... too bad... I blame it on the portfolio deadline getting to an awful close! Ayways, here's some of the stuff I've been working on: -my typeface:
- finishing the last small things in my book
- started working on the cover
it looks awful as an illustrator file - the cog and the borders are supposed to be embossed AND debossed + the title has to be debossed and gold treated. haven't started working on the back really yet - one of the props, a board that Doctor Madeleine hangs above Jack's bed.
It is to be laser engraved in wood, this is just the cut ready file And I've started getting the research booklets ready for the hand in + started working on the behind the scenes book. More about the perfect bake in a minute!
the perfect bake #36 - what a nice back you have (again)
And here are the last 2 categories! For those I kept some black detailing in the coloured icon as it's really necessary for the understanding of the shape, I'll need to figure out how to make it work with the other 3 categories too. Anyways, here we go: cakes: banana loaf:
chocolate brownie:
vanilla cake:
cookies: chocolate chip cookies:
peanut butter cookies:
white chocolate and macadamia nuts cookies:
the perfect bake #36 - what a nice back you have
"Little" break from my self directed brief to work on the back on my tea towels. I had just one done quickly (after many, many, many tries) so here's the whole series: cupcakes:
chocolate cupcakes
lemon and poppy seeds cupcakes:
vanilla cupcakes:
muffins: apple and cinnamon muffins:
blueberry muffins:
chocolate chip muffins:
frostings: chocolate ganache:
cream cheese frosting:
vanilla frosting:
I'm still finishing the last 2 categories (cookies and cakes), I'll post those as soon as I'm done, but would love your feedback! Cheerio for now :)
self-initiated project #52 - a happy family
DONE!! I can't believe it but I'm done with all of my costumes! woop! woop! I even did Brigitte Heim's and Joe's when I had them in brackets. I also designed an extra costume for Miss Acacia for the last scene of the play, when she's in mourning. Before I share some pictures, here is the "characters" page from the play that gives the reader a short description of all the characters:
Now, here are a few pictures of the happy family :) (sorry about the crappy image quality)
from left to right: Luna, Doctor Madeleine, Anna Joe, Brigitte Heim, Méliès Miss Acacia (in mourning), Arthur, Jack, Miss Acacia And here are a the newest addition to the family, Brigitte Heim:
Joe:
Arthur:
And Miss Acacia in her mourning dress:
Also, here's where I'm at on my to-do list:
reg the costumes, the seamstress is working on Miss Acacia and Jack the props: G. finished the last one yesterday (yaaaay!!! Merci encore mille fois!), so I just need to go get them 3D printed at uni I'm behind with the sets though, which really sucks... I really really want/need to finish them before the beginning of self-directed brief #2 which I'm hoping to do with Joshua so it'll be on Friday next week. I am going to work on my typeface now so I can use it on the board in the props. It's just so scary, I have worked every single day during the break and still have so much to do... and there is so little time left! it's really really scary! Anyways, no time for moaning and panicking, have to get this typeface started!
self-initiated project #51 - work, work, work, work
I've been up since 7.30 am working. I pretty much haven't stopped for more than 15 minutes. Brain is in shambles but there's a lot of good work going on! I've been doing the illustrations for my costumes, here's the family (so far):
Here's Anna whom I actually did twice as I found her to be too princess-ey:
Here's Luna. I had drawn her already quite a while ago (for the mid point assessments actually) but found her to be too modern, so I went back to the drawing board and I'm quite glad I did:
Doctor Madeleine, whom I've been trying to figure out for months now. Her costume was the first one I started working on during the Christmas break but I was never happy with it and kept leaving it aside so I could work on the others. (sorry about the colours,watercolours are still drying)
And Jack, colours don't show well, but I quite like him :)
And here's a sneak peak of the work/living room table... with my stuff taking all the space!
pressure...
nothing to do with work per say but....
pressure is so on right now!
self-initiated project #50 - long time no blog
So, I pretty much haven't posted anything this week, so here's a quick sum up of what I've been up to besides being sick - sketch (that needs colouring) of retractable set #1 - Arthur's Seat
- sketch (that needs colouring) of retractable set #2 - Madeleine's living room
-Méliès' costume coloured:
- proof read my play several times (which I hadn't done before), changed quite a few things play-wise as well as layout wise:
(the title page + all the act pages have some of the cogs on them, they need to be textured, here they are imported straight from illustrator without any texture-work on them)
self-initiated project #49 - a complicated graph
I started working on my sets again yesterday after buying the last of the fabric for Jack's costume. Before I start posting about the sets and everything, I wanted to share this, it's a (very complicated looking) graph that breaks down the whole play. It shows: - the Acts and Scenes - the full list of characters - all the sets/locations So basically, you know which characters appear when and in what location. I have a first hand drafted version, but it looks insanely complicated so I'll spare you the pain and leave you to the cleaner one.
That's it for now, I'll go back to working on set #1: Arthur's Seat (which is required for Act I, Scene 1 - Act II, Scene3 and 7)
self-initiated project #48 - Jack
I just finished designing Jack's costume. Wow. As I think you know now, Jack is my main character, he actually appears in every single scene but the first and last ones. He is quite a complex person; he is shy but out there, romantic, clumsy, scared but reckless and adventurous. He is a dreamer who follows the cuckoo-clock that is his heart. And here's how I picture him:
self-initiated project #47 - a magnifying glass
I forgot to post this yesterday, so here we go. Here are my sketches for Méliès' magnifying glass:
This prop won't (or at least I don't think so) be made for real... I don't know... we'll see... And here's where I am at right now, in the big scheme of things:
Props wise, I still need to design the clocks and the board with the message from Doctor Madeleine. Costume wise, I'm currently working on Jack's costume, and after that I'll need to design Madeleine's. Sets wise, I haven't done anything since the fixed set, that's what I'll be working on the whole of next week. I also want to work on the typeface and finish off the insides of the book before the beginning of term/self-directed brief #2. The book is close to finished now, the only things that are left to work on are the act pages (3 out of 5 actually). The whole identity (logo/poster/tickets) is what I'll be working on during the self-directed brief #2 so I don't need to worry about those quite yet. And, for the portfolio review, I'm going to make a book, kind of like a program but much much more elaborate and detailed than that. I'll have everything in there, both sketches and polished drawings as well as pictures of the real props/model/costumes, along with the photoshoot and some explanation as to the why/what/how/etc of the play and process divided in chapters: - what led me to working on this project, why I decided to work on all aspects, how I worked, etc - about the identity - typeface, sketches + computer rendering + in use - logo - poster - about the characters, who they are, what motivates them, etc etc. it could even be quite fun and have some kind of quiz that will tell you what character of the play you resemble the most, etc then have the costume stuff there - photoshoot - stuff about the set designs, both initial sketches, then pictures of each one of them - same thing about the props - finally, ofc, all the credit and thank yous This should be a fairly big book and take a fair amount of time to put together although all the material will be there and ready. I'll work on this book during self-directed brief #2 too.
self-initiated project #46 - Arthur, an alcoholic tramp
Arthur. I struggled quite a bit to figure him out. Arthur is a homeless, a drunk, an ex-police officer. He is crumpled all over, rough, scruffy and melancholic. But he also loves to sing, he has a musical spine and is very caring. He carries eggs in his pouch and calls them memories. Here are my first sketches:
He ended up looking too confident, too much like a hipster although I kept looking at pictures of vagabonds of the late 1800s for reference. So I tried again, making him less out there, dirtier, less confident, but keeping a bit of his police background with the jacket:
I'm quite happy with this version. It's maybe a bit too worn, I don't know. I might make a few changes when I draw it more precisely on nice paper and colour him. I think the water colouring part will be really key. Also, when I went to the fabric store yesterday, I got samples of what I would make his costume of and kept to very natural colours; army greens and dark brown.
asking for help when you're a perfectionist control freak...
I haven't posted in a few days, but I guess it is a good thing as this way, this post stands out. And I need it to stand out.
Before I say what I need to say,I want to point something out, I am a control freak. Well maybe not all the way there but definitely leaning towards it dangerously. I am scared to rely on people. Not only because I am afraid people will let me down or because I am afraid their standards aren't as high as mine, but also -and maybe mostly- because I don't want to bother people. In addition to that, I'm a perfectionist, so mix these two things together and you can imagine how hard it is for me to rely on others. That being said, it is important to say I didn't decide to do everything myself for this project only because I wanted to do everything myself but because I strongly believe that all aspects of design inform one another and that working on all of them will give unity to the play.
Now, we all now that my project is pretty ambitious, enormous, and requires a huge amount of work to say the least. So, naturally, during my assessment review feedback session thing Joshua told me I should delegate. Great. And how do I do that? I started by asking myself what I could actually delegate without feeling I was dumping the work load on others. What is it that would actually make the project better if I did ask other people for help. In order to answer that question, I started looking at my strengths and weaknesses. Ok, weaknesses... I know I'm crap at photography, I'd love to be good at it, but I'm not. I don't seem to have the patience to learn all the technicalities to take a good picture or I definitely don't have the patience to shoot a picture a billion times to make sure I have one good shot. So I took a leap of faith and asked someone I know is good at it, someone I know loves taking pictures, I asked C. and here's the email I sent her: " I have a million-dollar question for you: would you be the photographer for my self initiated project? I have yet to find my 2 models, make up and hair stylist, but I know you are an amazing photographer so... please??? pretty please??? I'll bake you some banana loaf if you say yes!!! (it'll be after we come back from the break btw) *hopeful smile* thanks C.!!!! *other hopeful smile and sad poppy eyes* " I was expecting a no, I mean, come on, it will be a couple of weeks before the portfolio hand-in, and who would want to waste an afternoon doing something that wouldn't give them anything? But, crazily enough, I got a yes, a very enthusiastic one at it... I couldn't believe it! Then, I had to ask/look for people to model for me now that I knew I could get a photographer for my shoot... and that's another thing... I mean here, it isn't about delegating but asking for a favour, plain and simple. And that is really hard for me. I have a thing with bothering people... I already have trouble asking my uncle to print stuff out for me (true story) so asking complete strangers to do something for me, really? how am I supposed to do that?! Anyways, I posted on the CSM facebook page and, against all odds, I got an email back from M. a very pretty looking dancer (I gather she is a dancer) who is willing to be my Miss Acacia. A girl who had never heard of me before was interested in my project and was ready to spend some time to help me out. How crazy is that? After that started the hunt for a male model to impersonate Jack... Trust me, that was a crazy hunt, I posted my "model wanted" message on the CSM wall several times, asked a few people but only ever got "no"s which I can understand. Again, the shoot is set to be only a couple of weeks before the hand in + being a model isn't an easy thing. I know I would struggle doing it... But yesterday I asked L. and, as crazy busy as he always is, he said yes and, again, sounded genuinely excited about it! I couldn't (still can't) believe it! He'll be perfect for Jack and he is going to look so dapper in his costume, I can tell you that! Talking about costumes. I said I wanted to both design and sew them. I can sew, I've done it a few times (although it was ages ago). But, lets be honest here, I also know I'm not the most brilliant seamstress in the world, I don't have enough experience so it would have taken me ages to put the costumes together. Therefore, once again, I decided to ask for some help to people who know more about it and my grandmother recommended her neighbour who is a great seamstress. I went to talk to her a couple of days ago and she wants to help. Of course, I'll have to pay her for it, but I think having the job done by somebody who knows about it is a much better option than wanting to be cheap about it and wasting hours on end trying to do it myself. I am amazed that people are willing to help and, insanely enough, I trust all these people to do the best they possibly can. But that's not all, someone else also completely blew my mind with their generosity. Let me explain. When I thought about my weaknesses I remembered how much I struggled to make the prototypes of my glasses back in January and just how ugly they turned out so I decided to get them 3D printed. That way, it would take the load off of me and the result would be, for sure, much better than if I had done the prototyping myself. Brilliant idea, isn't it? Yes, I agree... Except for one itsty bitsy tiny problem... you need to turn your 2D drawings into 3D ones to get them printed and I had never used a 3D rendering software before. So you can imagine just how many times I wanted to bang my head against a wall when I tried to use AutoCad then Sketchup a few days ago... I struggled. Struggled big time even to say the least. Up to the point I posted something about it on my facebook and I'm not one of these people who like to complain on facebook for everybody to see. But the incredible thing is that a friend of mine, G., asked what the problem was. You see, G. is an architect/architecture student and knows quite a bit about 3D rendering. I simply told him that AutoCad in its entirety was my problem and that I just couldn't figure out how to draw my glasses. And this is when the crazy amazing think happened: he told me that he'd do it for me. Plain and simple. That he'd render my 8 pairs of glasses during his spare time to help me out. Just like that. He's done 4 so far. One every day and they look unbelievable. I could never have done this myself and am so grateful that he simply offered his help without me even asking for it. I am amazed by his generosity, as well as by C.'s, L.'s and M.'s. I am amazed that I trust them and their capability to do amazing work. I am amazed by the fact that team work and delegating, despite being scary, is a good thing. I am amazed I had never seen that before. So I wanted to thank Joshua for suggesting I should delegate. And thank C., L., M. and G. for being here to help. And I also want to thank J. for listening to me talking about my work all the time and letting me bounce ideas off of him. Because, despite the fact that he isn't helping me in a very straight forward direct way, despite the fact that he isn't part of this project in the same way the others are, he actually is, he is here to listen, help, advice, etc. Thank you to all of you. You are all amazing, unbelievable and I am grateful for all of you.