he owed the crowd his head

[europeansculpture]

Hede BÜHL (*1940) - Wächter, 1975

[theories-of]

Cezary Poniatowski 

[daavydaave]

Huma Bhabha

Friend, 2015

[walkerartcenter]

From the exhibition Adiós Utopia: Dreams and Deceptions in Cuban Art Since 1950, currently on view here at the Walker Art Center: José Bedia Al límite posible (To the Possible Limit) 1996 Acrylic and conte crayon on canvas, with found objects 95.75 x 171.5 inches Photo: Dylan Nelson, ©Walker Art Center

[kingstitt]

“Gee, I don’t think I feel angry at art really. I was mystified by the minimalism thing. I couldn’t figure out why anybody would want less to look at until finally, maybe eight years ago, when it was all over with, it occurred to me that less to look at means more attention is on the viewer.” Peter Saul

[maybethereissomething]

Kristina Lovaas, The Party’s Over, 2021

[mimeticspace]

Paul Hardy

[mentaltimetraveller]

Ryan Estep, Scale 6, 2017, Canvas, Fiberglass and Pigment, 125 × 145 × 18.5 cm

[justalittletumblweed-deactivate]

[visionary-rumors]

Clinton King 

Moths drinking the tears of sleeping birds. 

2021, oil on linen, 47x60 in.

[psikonauti]

Lucien Clergue

Vaccarès, Camargue, 1963

[thesupermarket]

[gentilfarfalletta]

Nick Van Woert

[picard-schreckensberger]

Sky Stairs

Hannsjörg Voth

1980-1987

Morocco⁣

[arpeggia]

Sam Durant - What’s Underneath Must Be Released and Examined to Be Understood, 1998, mirrors, earth, fog machine, and mixed media, 32" x 44.5" x 64.5"

[theegregore]

Nicholas Riis

[theegregore]

Loney Abrams & Johnny Stanish at 315 Gallery in New York City

[theegregore]

Leontios Toumpouris at Thkio Ppalies in Nicosia