‘Marienkind / Mary’s Child’ by the Brothers Grimm, illustrated by Heinrich Lefler. Part of a fairy tale calender published 1905 by Berger & Wirth, Leipzig. Source
todays bird
sheepfilms

JVL
2025 on Tumblr: Trends That Defined the Year

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Love Begins
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official daine visual archive
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@theartofmadeline
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"I'm Dorothy Gale from Kansas"
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Discoholic 🪩
Sweet Seals For You, Always

Product Placement
almost home
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‘Marienkind / Mary’s Child’ by the Brothers Grimm, illustrated by Heinrich Lefler. Part of a fairy tale calender published 1905 by Berger & Wirth, Leipzig. Source
A. Reinheimer
Illustrations for Fliegende Blätter, Munich, circa 1901
More pretty stained glass windows
Arthur Silver (designer) for Liberty & Co. Ltd.
Peacock feathers, furnishing fabric
1887
When you counsel someone, you should appear to be reminding him of something he had forgotten, not of the light he was unable to see.
Baltasar Gracian, writer and philosopher (1601–1658)
It’s these kind of building details that give our subconscious refuge in the knowledge that another human being was here and crafted these things for our benefit. And it is this type of fractal detail that soothes the sympathetic nervous system, down-regulating stress hormones and facilitating homeostasis. Buildings shaping us after we have shaped them! . . #chicago #chicagoarchitecture #chicagoarchitect #neuroscience #detail #details #architecture #architecturaldetail #ornament #architecturalornament #marquettebuilding #terracotta #traditional #traditionalarchitecture (at Chicago, Illinois) https://www.instagram.com/p/Bq-uB8BlIrF/?utm_source=ig_tumblr_share&igshid=faih03puusg4
1939 Duesenberg Coupe Simone Midnight Ghost.The car was made by the american car body designer Emmet Armand.
Hippo in gold sunrise by sergeyivanov_61 http://ift.tt/XYzzxI
Art by Sasha Vinogradova
1939 Duesenberg Coupe Simone Midnight Ghost.The car was made by the american car body designer Emmet Armand.
Isohama, Ibaraki, 1949 Kawase Hasui
The Gilded ,Nature-Inspired Porcelain Sculptures of Jennifer McCurdy
Ceramic artist Jennifer McCurdy lives on the island of Martha’s Vineyard. She has been working with porcelain for over thirty years. For the last few years, she has been working with structural questions. How thin can the high fire porcelain be before it collapses in the fire? How much can it be cut away and still maintain structural integrity? How can the structural form be integrated with the visual, as in nature? How can the movement of the potter’s wheel and the fire of the kiln be reflected in the finished piece, which is rock-hard and permanent? Website
Tree House by Robert Harvey Oshatz
“The world is not in your books and maps. It’s out there.”
Zyklops Mk 2 - Airlords