princebrin:
Its easier, in the long run, to just watch Cian with the rapt attention that they often inspire in him. The steady set of their shoulders, the curious gleam in their eyes, the caution with which they approach the house. He trails after them, draws his fingers along surfaces absentmindedly, collecting dust. There were maids once, who cleaned. An alien concept. Servants who came and went through living rooms and drawing rooms and libraries, dining rooms and kitchens.
“Plenty of bedrooms, upstairs. For the people who want them.” He says, more explanations, talking just to fill the space. “I figured –– there are some people too scared for the real world, too uncomfortable in court.” A shrug of his shoulders, absentminded.
The doors to the drawing room stand open still, calling Brin to the precipice of entry, eyes flicking around the room. Skirting over the portrait of the old man himself, unwilling to linger on it in the dim light. He lets himself float over to the old piano, carefully lifts the lid, absently strokes a key.
“It won’t hurt anyone, anyway. To clear it out and have it ready.” He shoots Cian a smile, sure it looks as whole and complete as it ought to in the low light of the room. “Ailis will like it, I’m sure. Make it her little war kingdom.”
A breath, necessary in the slow warm air, eyes focused on the things in the room that are vital and alive and so bright, all potential and adoration. “So –– be as indiscriminate as you like, I suppose. We can just…shove anything that looks like it might get in the way into storage somewhere.”
It has only been a few short months, but Cian has become well-studied in the art of reading Brín’s ever-changing moods, reading his actions and the elisions between them, knowing when there’s something he’s not saying and the difference between when it’s something he wants you to guess and something he desperately doesn’t. This is the latter, Cian knows, as Brín pointedly avoids looking at the portrait on the wall of this room, keeps his eyes cast towards anything else, fixes himself with his back to it at the piano and goes on smiling and pretending that everything’s alright.
It’s so, so clear that everything isn’t alright. That whatever this house is, wherever Brín got it, whatever memories live here for him, they hurt.
They aren’t sure, still, if they should press on that bruise or not. If they should play along with the ruse. He won’t lie, if they ask; he can’t. But that doesn’t make Cian want to know any less.
‘Okay,’ they reply, taking a look around the room. It’s decorated in the way that people who want to show off how much money they have decorate: not a lot of stuff, but every piece looks like it costs more than Cian’s entire grant. Not just the piano but a velvet fainting couch with ornate wooden carvings, a chest of drawers with dozens of drawers. They open a few of the drawers absently—a stack of what look like visiting cards takes up one of them, a half dozen candles fill another. One is full of graphite sketches on fine paper, various flowers on the top few. They take them out, to get a closer look—
And find Brín’s face staring back at them from one of the pages, rendered carefully in loving detail, smudged only slightly and unmistakably him.












