I’m not going to stop being a mother, I’m not going to stop teaching and I won’t stop writing.
Los adioses/ The Eternal Feminine (México, 2017) - directed by Natalia Beristáin | written by María Renée Prudencio
Xuebing Du
noise dept.
Cosmic Funnies

@theartofmadeline

shark vs the universe
trying on a metaphor

pixel skylines

ellievsbear
AnasAbdin

roma★
hello vonnie

izzy's playlists!

祝日 / Permanent Vacation
we're not kids anymore.
styofa doing anything
Cosimo Galluzzi
Keni
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No title available
will byers stan first human second

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@cine-mexicano
I’m not going to stop being a mother, I’m not going to stop teaching and I won’t stop writing.
Los adioses/ The Eternal Feminine (México, 2017) - directed by Natalia Beristáin | written by María Renée Prudencio
“No image from this year quicker imprinted itself on my heart than that of Yalitza Aparicio’s Cleo sitting upright in a hotel room bed with a coy Mona Lisa smile arched across her mouth, taking closely-guarded pleasure in her suitor’s stark-naked martial arts presentation in the beginning of Alfonso Cuarón’s ROMA. This new love will soon turn against Cleo, but for now, she is just content to bask in its raw and immediate intimacy, as are we.” — Matthew Eng
All hail the trailblazing Yalitza Aparicio, an Oscar nominee for her brilliant and powerful acting debut in Alfonso Cuarón’s ROMA! She is now the first Indigenous woman to be nominated for an Academy Award for Best Actress.
30 Memorable Moments from Great Performances of 2018
(Source: TribecaFilm.com)
Congratulations Roma on being nominated for 10 Academy Awards!
Cuarón still made Oscar history despite not becoming the most-nominated person in a single year.
La pasión según Berenice (1975) Dir. Jaime Humberto Hermosillo
Tívoli (1975)
Alberto Isaac
México
Un monstruo de mil cabezas (Rodrigo Plá) (2015)
The eccentric Mexican actress famously commissioned Cartier to create stunning animal-inspired jewels, which inspire the new collection.
brb voy a hacer crowdfunding para el brazalete
Todo lo demás/ Everything else (Mexico - USA - France, 2016) - dir. Natalia Almada
Doña Flor has worked in the same government office all her life. To others, she is an invisible, lifeless bureaucrat. Inspired by Hannah Arendt’s idea that bureaucracy is one of the worst forms of violence, Everything Else explores the interior life of doña Flor as she attempts to resurface from invisibility
Elvira Quintana in Muñecos infernales (1961)
Cerulia (2017) - dir. Sofía Carrillo
Cerulia starts a journey to say goodbye to her childhood house, but the memories and her grandaprent’s presence won’t let her leave.
El ángel exterminador (1962) · Luis Buñuel
Canoa: memoria de un hecho vergonzoso (1976, Felipe Cazals)
El niño y la niebla
8 Premios Ariel | Drama | 111 minutos | 1954
Dirección: Roberto Gavaldón
Guión: Edmundo Báez, Roberto Gavaldón, Rodolfo Usigli
Fotografía: Gabriel Figueroa
Reparto: Dolores del Río, Alejandro Ciangherotti Jr., Pedro López Lagar
La Mujer murciélago, Rene Cardona (1968)
Cinematography: Agustín Jiménez | Mexico