the way ray thinks about jan is fascinating. like he drags her in as reassurance for something (rather than someone, because even by his own omission, jan isn't really a person to him) that will come by the end but she's both this saintlike figure, larger than life, and a sex object that gives him a finish line (haha), except he's in this hypermasculine environment and he keeps finding himself fixated on other boys, wondering about their experiences, about their sex lives. and it's a stephen king special for your protag to be so horny on main he can barely see straight, but ray repeatedly wrenches jan to the forefront of his mind whenever it starts to wander in a way that reads like jan is also symbolic of repression. which. obviously. she's the comforts of home away from war and all that jazz and she symbolizes the 2.5 kids and white picket fence and the american dream and all that. but ray having that same fixation on pete and stebbins adds a whole other element to it!!
pete is almost definitely mlm, both in the book and the movie, and he's ray's shield-brother and his partner and the thingperson helping hold him afloat, as well as representing dissatisfaction with the system. book!ray has a patriotism and level of faith in the government and the major that pete in either iteration doesn't. jan is this lofty far-off figurehead; pete is here. something something atheists in foxholes, insert holes gay joke, homosociality and hypermasculinity.
AND? JIMMY?
ray being also stuck on jimmy and how when they were young they had like. not really a sexual experience but it was also not-not a sexual experience, and they were threatened with public shaming and their fathers so bad it fucks ray up years later, and ray now has that twisted up with his concepts of sex and jan. the second his mind starts to stray to sex, it starts to stray to jimmy, and then he kind of half-desperately pulls the idea of jan back close like a shield. common stephen "we talk about women in objectifying and sexualizing manners because we are not allowed to smooch the homies in a way that we think makes us look excessively masculine and heterosexual and relatable to teenage boys but in actuality makes everyone look at us funny and wonder if we ever had an intimate relationship to musical theater" king L
in conclusion raymond davis garraty huge fruit thanks for coming to my ted talk










