Every time I draw Jesse her hair gets curlier and you can't even tell it's her since I put her in a different outfit.
(From a WIP)

❣ Chile in a Photography ❣
occasionally subtle
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Kiana Khansmith
NASA
Alisa U Zemlji Chuda
Not today Justin
i don't do bad sauce passes
almost home
Cosmic Funnies
Xuebing Du
Misplaced Lens Cap

izzy's playlists!
noise dept.
I'd rather be in outer space 🛸

blake kathryn

Product Placement
Show & Tell
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Three Goblin Art

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@clemntea
Every time I draw Jesse her hair gets curlier and you can't even tell it's her since I put her in a different outfit.
(From a WIP)
I drew this like a year ago and I never got to actually finish it but like I can't go back to actually continuing it so whatever
Lukas: "Minecraft!"
Jesse: "StoryMode!
Lukas: "Minecraft!!"
Jesse: "StoryMode!!!"
Axel: "Wait, why are they both shouting each other's last names...?"
Olivia: "They're figting about which last name to use when they get married"
I post here once per sometimes about a new mcsm related thought and I feel like I'm in a constant state of noticing she's holding a plate of corn in this scene
Some game vs netflix scene comparisons
Just a follow up to my previous post because I'm not normal about this game (left side is from the game, right is the netflix version)
Here's a shot from the begining of the story. We see the old Order marching up the stairs towards something. The game emphasizes on the subjects, which is why the room looks dark. Even without seeing the End portal frames, by visual queues like the orange and purple glow that are seperated by a dark block, we can tell that they're walking towards an End portal. Netflix shot made the room a bit too visible, the viewer can now see the details on the cobblestone walls and the End portal frame blocks are also visible. The strong light source from the lava makes the viewers eyes drawn to it instead, making the object of interest change. The lava glow from the original shot does not take the attention away from the characters since we can see them all clearly.
(more examples below cut)
Now that I'm looking at the side by side comparison for the MCSM Netflix game (RIP) and the original one again after gainging a few more wrinkles on my brain, I just realized that the "better lighting" made the visuals feel... soulless?? Dead??? Boring??????
Like take the wither storm, for example. I think the reason why the wither storm was so SO scary was because you could barely see it. It's main goal is to destroy the world into nothingness and it ALSO resembles nothingness as you can barely tell the structure of the damn thing. It's a dark flying void, but you know that it's MASSIVE, not to mention the giant glowing teeth and eyes that are in contrast to its body.
The Netflix version made the wither storm too visible, thus making it feel less of a threat than the original did. There's a lot of other scenes that lost its dramatic effect after being retouched, but that's for another day.
To get the "Lukas leaves the group in bad terms" route, does anyone know if the mean dialogues are also necessary? Or does it also work as long as we do the main stuff, ya know, let him leave the shelter, keep the wither sickness a secret, etc.
This lingo was NOT supposed to reach them
I used to wonder why Jesse's gang hated Lukas even though he didn't do anything, though it's literally because he didn't do anything.
He doesn't call out Aiden on his shitty behavior at the beginning of the story and just dismissed it as just a mild case of trying to get under your skin.
He's like that one friend who swears up and down they're woke while dating a racist guy.
I used to think that The Lego Movie was titled "Lego: The Movie" so now I'm thinking what if mcsm was called "Minecraft: The Story" instead
So mad I never finished drawing this cause I think I lowkey ate with Maya here (also there's Aiden ig)
lukesse shippers when they pretend or smth
I love Jesse, but ngl pork is one of my favorite foods
Lukesse from my gag Shoujo Manga AU cause I've been watching anime instead of making the most of my break
My name is Aisha. I am a mother of eight children and a wife to a man who was forced to leave us due to the war. I am now alone, trying to survive with my children and my daughter, who gave birth to a baby boy who will never know his father — a man killed by the Israeli army before he could even hold his son.
We are living under siege, surrounded by destruction, fear, and hunger. We have no safe shelter, no income, and no hope left — except for the dream of escaping to safety and reuniting with my husband, who is waiting for us outside Gaza, desperate and alone.
But the journey to safety is far beyond my means. Every step toward freedom comes with a heavy cost I cannot afford. I am asking you — from the depths of a mother’s broken heart — to help us. Any donation, no matter how small, can make a difference. It could save lives. It could reunite a family. It could give my children a future.
Please, be our light in this darkness. Be the reason we survive.
I am Elizabeth, and I am fundraising on behalf of Aisha and her family from Gaza. Here is her message:"My name is Aisha Rabah, I am 42 years
✅️Vetted by @gazavetters, my number verified on the list is ( #358 )✅️
The investigation and examination were also investigated by Bilal Salah
at the endercon
DAYUM they're such a cuties patooties😭
hey everyone how are we feeling about the latest chapter