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@commanderryanthaydor
Hi
Wednesday night 🍸🍸
What's up tonight fuckers?
Peregrïn’s quest for home.
Keep reading
Peregrïn’s quest for home.
Keep reading
Reblog if you RP NSFW
I’m curious, and remember that doesn’t just mean smut. It also means gore, violence, abuse and stuff around those lines
i dont get offended at white people jokes even though im white because:
i can recognize white people as a whole have systemically oppressed POC in america, which is where i live
most people when they make white people jokes only mean the shitty white people and i am not a shitty white person
im not a pissbaby
my white friends that have reblogged this give me life
4. Sometimes I am a shitty white person and the jokes remind me to FUCKIN STOP
If ur white and like this post I fux with u
^absolutely
5. It’s hard to be offended when white people jokes involve bland food/tourist dads in socks and sandals/white girls in yoga pants obsessed with pumpkin spice/suburban PTA moms and other harmless and mostly true stereotypes while jokes about POC involve them being called thugs/criminals/slurs/uneducated/illegal immigrants.
i fucks with u heavy if ur white and you reblog this
6. They’re usually really fucking funny and don’t perpetuate stereotypes that will ever affect me economically, politically, or cause me any true harm, let alone create risks that “justify” my murder and/or death
Waits for my white mutuals to reblog😌
yesyesyesyes
Helpful things for action writers to remember
Sticking a landing will royally fuck up your joints and possibly shatter your ankles, depending on how high you’re jumping/falling from. There’s a very good reason free-runners dive and roll.
Hand-to-hand fights usually only last a matter of seconds, sometimes a few minutes. It’s exhausting work and unless you have a lot of training and history with hand-to-hand combat, you’re going to tire out really fast.
Arrows are very effective and you can’t just yank them out without doing a lot of damage. Most of the time the head of the arrow will break off inside the body if you try pulling it out, and arrows are built to pierce deep. An arrow wound demands medical attention.
Throwing your opponent across the room is really not all that smart. You’re giving them the chance to get up and run away. Unless you’re trying to put distance between you so you can shoot them or something, don’t throw them.
Everyone has something called a “flinch response” when they fight. This is pretty much the brain’s way of telling you “get the fuck out of here or we’re gonna die.” Experienced fighters have trained to suppress this. Think about how long your character has been fighting. A character in a fist fight for the first time is going to take a few hits before their survival instinct kicks in and they start hitting back. A character in a fist fight for the eighth time that week is going to respond a little differently.
ADRENALINE WORKS AGAINST YOU WHEN YOU FIGHT. THIS IS IMPORTANT. A lot of times people think that adrenaline will kick in and give you some badass fighting skills, but it’s actually the opposite. Adrenaline is what tires you out in a battle and it also affects the fighter’s efficacy - meaning it makes them shaky and inaccurate, and overall they lose about 60% of their fighting skill because their brain is focusing on not dying. Adrenaline keeps you alive, it doesn’t give you the skill to pull off a perfect roundhouse kick to the opponent’s face.
Swords WILL bend or break if you hit something hard enough. They also dull easily and take a lot of maintenance. In reality, someone who fights with a sword would have to have to repair or replace it constantly.
Fights get messy. There’s blood and sweat everywhere, and that will make it hard to hold your weapon or get a good grip on someone.
A serious battle also smells horrible. There’s lots of sweat, but also the smell of urine and feces. After someone dies, their bowels and bladder empty. There might also be some questionable things on the ground which can be very psychologically traumatizing. Remember to think about all of the character’s senses when they’re in a fight. Everything WILL affect them in some way.
If your sword is sharpened down to a fine edge, the rest of the blade can’t go through the cut you make. You’ll just end up putting a tiny, shallow scratch in the surface of whatever you strike, and you could probably break your sword.
ARCHERS ARE STRONG TOO. Have you ever drawn a bow? It takes a lot of strength, especially when you’re shooting a bow with a higher draw weight. Draw weight basically means “the amount of force you have to use to pull this sucker back enough to fire it.” To give you an idea of how that works, here’s a helpful link to tell you about finding bow sizes and draw weights for your characters. (CLICK ME)
If an archer has to use a bow they’re not used to, it will probably throw them off a little until they’ve done a few practice shots with it and figured out its draw weight and stability.
People bleed. If they get punched in the face, they’ll probably get a bloody nose. If they get stabbed or cut somehow, they’ll bleed accordingly. And if they’ve been fighting for a while, they’ve got a LOT of blood rushing around to provide them with oxygen. They’re going to bleed a lot.
Here’s a link to a chart to show you how much blood a person can lose without dying. (CLICK ME)
If you want a more in-depth medical chart, try this one. (CLICK ME)
Hopefully this helps someone out there. If you reblog, feel free to add more tips for writers or correct anything I’ve gotten wrong here.
@geostigmata
How to write a kiss
Rebloggable version, as requested by davrosbro. :)
Oooh! Yes! I love kisses. Kisses are where it all starts ;).
Okay, first, remember that kiss is much, much more than just lips. It is lips, but also tongues, teeth, eyes, faces, hands, noses, bodies, heartbeats, breath, voice- and most importantly, a kiss is emotions. A kiss without emotion is just wet mushy lips stuck together. Ew. Gross. The most important part of a kiss isn’t the how, but the who- because of the emotions between the two people.
Okay so:
lips- Lips can slide, glide over each other smoothly, or they can be chapped and rough and dry and get stuck on each other. They can match, top-to-top and bottom-to-bottom, or they can overlap, with one person’s top or bottom lip captured between the other person’s lips (yummy). If there is lipstick or chapstick there is lipstick or chapstick flavor, otherwise, lips don’t have a taste (can you taste yours?). Lips also can smack- the sound of two of them coming together or pulling apart, because they’re wet and warm and soft.
tongue- Tongues are always wet, and always warm. They’re very versatile. They can trace over lips, teeth, or another tongue. They can be smooth and graceful or teasing and flicking. When tongues are involved, there is drool. It’s only sexy when you like the person you’re kissing, or else it’s kinda gross. :P
teeth- teeth can clack together awkwardly, or teeth can bite down sensually. A person biting their own lip is cute, a person biting another’s lips is sexy. A person biting gently is sensual, a person biting roughly is sexual.
eyes- Eyes can be wide open with surprise, half-lidded with desire, fully closed with pleasure. Eyes can gaze lovingly, lustfully, wistfully, hungrily, seductively- it all depends upon the emotions of your characters. Have them do whatever you like, but don’t leave them out- give them at least a mention!
faces- Faces are what the lips are attached to. Noses bump, cheeks flush, ears turn red, foreheads either wrinkle or relax. Kisses can leave lips, quite easily, and become kisses on chins, cheeks, noses, foreheads, ears, necks, throats. Kisses on noses or foreheads are cute and adorable, kisses on cheeks are sweet, kisses on chins, ears, and throats are very sexual. And a kiss on the lips can be all of those! <3
hands- Hands are super-important. In order to describe a kiss, usually you want to also describe the hands. Where are they? Does one character have on on the back of the other’s head or back, holding them close? Are they on someone’s shoulders pulling them near, or pushing them away? Fingers brushing someone’s cheek or palms grabbing someone’s ass convey two very different kinds of situations, even if the kiss itself is exactly the same.
noses- Noses are annoying. They easily get in the way, especially for first kisses! People have to tilt their head to one side or the other, and if they don’t, noses bump. I’d only mention noses if a kiss is supposed to be awkward or uncertain or nervous.
bodies- bodies are either close together, or far away. Someone can be surrounded comfortingly by someone’s arms, or terrifyingly trapped by them. Bodies are warm or hot, they are calm or nervous, relaxed or tense. Body language says a lot. Is your character pulling away, or moving closer?
heartbeat- Hearts can beat fast or slow, and that’s about all they can do- but there are lots of reasons why they do! A heart can beat fast with fear or excitement or nervousness; a heart can pound with lust or race with terror or sing with joy. Hearts can glow, cower, or shatter. When you really want to drive the emotions of a character home, mention the heart.
breath- To me, the most consuming part of a kiss is the breath. The air that someone else has just breathed going deep into your lungs is very intimate. Lips and tongues don’t have a taste, but breath does. Each person’s breath tastes different, smells different, and surrounds a person differently than anyone else’s breath. Breath can be warm and sweet, breath can be hot and sexy, breath can be hot and frightening. It is something that is very present and should not be left out. A lot of writers leave breath out. And it’s so important; it’s the most intimate part of a kiss. Someone else is breathing into your lungs, and it’s either heaven or it’s hell.
voice- Voice conveys much, even without words. A voice can groan, whimper, gasp, moan, catch, whine, scream, sigh. Voice can convey emotion powerfully, and while some kisses are silent, usually they’re not.
emotion- Emotion is the most important- and the thing you try not to say. You want to describe it, through all of the things above, so that it’s perfectly clear what your characters are feeling, without you ever using the “feelings words”. If they’re in love, their bodies will lean close, their eyes will smile, their voices will giggle softly. If they’re nervous, their palms will sweat, their noses will bump, their voices will shudder. If they’re afraid, their muscles will be tense, their faces will grimace, their lips will not open. Emotion is the color that you keep inside your mind as you write; it’s the base line that drives the description behind everything else you say.
Wow, that was a lot! Gosh I hope it wasn’t too much! Keep in mind not every kiss has all these things- this is just a list of things to consider when writing a kiss, and based on how long of a kiss you want to make. Keep in mind that typing “they kissed for a long time”…that’s six words, it takes half a second to read, so that’s a short kiss! If you want a long kiss, you need long sentences that make the reader linger.
So maybe to start off, pick three things on the list to describe in your first kiss. Don’t try to do it all- that would be too much for even the most epic kiss. Just pick what’s most important to this particular scene, to these particular characters, and describe those parts along with the lips, and you’ve got yourself an awesome, emotional kiss. <3
Well this is incredibly relevant for me today, thank you.
Relevant af
Fear the Scourge!
So I’m trying to use this nifty blend tool that’s more sharp and textured than the usual one, and it works well with the rest of my brushes (If you are using Manga Studio or Clip, get yourself those Frenden brushes!)
Also a hint of sharpen in PS is like that dab of blush, it makes it pop.
Hello Sara (no last name so far)! We’ll be seeing more of you as well!
i love the champion of the light
i like how everytime i see this edgelord dk he is in a fight or something
right now he is pointing a gun at a child’s head in front of the cathedral
I hope its a RUNEGUN
HOWLING BULLET
Ohmygodi’mtumblrfamous!
OOC - Grumble
In which you try to ask somebody from a guild you do not RP with to leave you and your guildmates alone and he basically says ‘fuck you no have a nice day’ and uses the Stromharrow argument of ‘RP is RP’ to justify himself.
What part of “I do not want to play with you” do you not understand? Nevermind the metagaming and even WITH the metegaming you STILL got facts wrong.
I’m sorry if telling the truth is being a cunt. I’ve always been blunt. When you guys can learn how to RP then you get to bitch about it. IC consequences have to be taken no matter how much you hate it. That’s how things work.
Sir…if you want to talk about the consequences…perhaps you should remember the time where you broke a rule on a server event and was caught RPing raping a child and had to be ejected out of the event that clearly said ‘NO RAPE’…and your guild basically said we the organizers can’t do that, and you want to be a part of it, and we can’t make you go away and we had to accept it (for the record you did end up staying for the event because we literally couldn’t do anything).
IC Consequences I accept easily. I have a record of it by pure stories. But you don’t seem to understand what the word actually means and is just sort of trying to use it to argue…something.
Clearly you weren’t inbetween that interaction. First off I made one post between two consenting adults in which I was dating at the time. I did not see the events rules nor was I told nor did I ask. I was there for the minor RP/PVP that happened in which Thandys wanted to RP/ERP. Her toon was not a child nor was it ANYWHERE said that she was a child. The closest thing was that she was a young blood elf. I understand you’re trying to throw the attention elsewhere but you have no ammo. After that one mistell she posted to Fingers I dropped everything I had with her due to personal reasons. But my guild didn’t do anything. I was dropped and left.
OOC - Grumble
In which you try to ask somebody from a guild you do not RP with to leave you and your guildmates alone and he basically says ‘fuck you no have a nice day’ and uses the Stromharrow argument of ‘RP is RP’ to justify himself.
What part of “I do not want to play with you” do you not understand? Nevermind the metagaming and even WITH the metegaming you STILL got facts wrong.
Nice life story. I don’t care. Sounds like RP is your life since rp’d for nearly half you life. If you want to bring IC drama WHY NOT entertain it. It’s amazing and makes for great RP. You are bullying and oppressing me, please stop Cyberbullying me.
OOC - Grumble
In which you try to ask somebody from a guild you do not RP with to leave you and your guildmates alone and he basically says ‘fuck you no have a nice day’ and uses the Stromharrow argument of ‘RP is RP’ to justify himself.
What part of “I do not want to play with you” do you not understand? Nevermind the metagaming and even WITH the metegaming you STILL got facts wrong.
I’m sorry if telling the truth is being a cunt. I’ve always been blunt. When you guys can learn how to RP then you get to bitch about it. IC consequences have to be taken no matter how much you hate it. That’s how things work.
OOC - Grumble
In which you try to ask somebody from a guild you do not RP with to leave you and your guildmates alone and he basically says ‘fuck you no have a nice day’ and uses the Stromharrow argument of ‘RP is RP’ to justify himself.
What part of “I do not want to play with you” do you not understand? Nevermind the metagaming and even WITH the metegaming you STILL got facts wrong.
It’s okay you’ll learn how to RP one day and take IC consequences. Until then keep being complete fucking retards.