no one asked but my Letterboxd is here for anyone who’s interested
Misplaced Lens Cap
Game of Thrones Daily
official daine visual archive

Andulka

bliss lane
Noah Kahan

pixel skylines
Sade Olutola

Product Placement

Kiana Khansmith
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blake kathryn
Claire Keane
"I'm Dorothy Gale from Kansas"
𓃗
icyghini twinkie
cherry valley forever
he wasn't even looking at me and he found me
🩵 avery cochrane 🩵
we're not kids anymore.
seen from Maldives

seen from Sweden
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seen from Malaysia

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seen from China
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seen from South Africa

seen from United States
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seen from Malaysia
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@comradebread
no one asked but my Letterboxd is here for anyone who’s interested
Sonatine (1993), dir. Takeshi Kitano
Medea (1969), dir. Pier Paolo Pasolini
Death in Venice (Luchino Visconti, 1971)
in the middle of watching pursuit of jade but everytime zhang linghe is onscreen I'm just reminded of the tgcf live action that never aired
He likes killing. You’re next.
Violent Cop (1989) // dir. Takeshi Kitano
Joan Crawford as Joan “Montana” Prescott
MONTANA MOON (1930) Directed by Malcolm St. Clair Costume design by Adrian
Sooooo................
"On gümüş kemer, Osmanlı ve Vilayetleri, 19. yüzyıl sonu/20. yüzyıl başı"
uni is actually beating my ass atm, I haven't watched a single film all month
Tetsurō Tamba faces off against Tatsuya Nakadai in the classic jidaigeki film Harakiri (Seppuku) (1962).
Nyaueth Riam & Vaughan Ollier in Clio Peppiatt AW22 shot by David Vail
Marcel Proust’s notebooks (1908–22).
Pages from the working notebooks, the “Cahiers,” are written in fluid, all but illegible script, suggesting that Proust wrote quickly and easily. He wrote in lined notebooks, with double-lined red margins, where you sometimes find the absent-minded doodling of the author; at other times, he seems to be elaborating on the things he has set down. On one notebook page, he’s drawn a kind of surrealist collage of portraits (Proust looks to have been a capable, imaginative draftsman) that blend into one another, and which may offer clues to the way he conceived of his novel: an amalgam of people he knew in life, dismantled and reassembled to form the characters of his fiction. Next to the collage, he has drawn a female face, which, the gallery note tells us, represents the genesis of Albertine. One wonders if it’s true. If so, it’s all the more enchanting to behold. On another page, he has written the heading “Swann et le Monde,” followed by the words “Swann cependant n’avait pas complètement abandonné le monde” (“Nevertheless, Swann hadn’t completely abandoned the world”), which offer a different kind of palpable thrill.
Happy heavenly birthday to the legendary Sir Dirk Bogarde.🎈