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madatmost

the weight, while we were sleeping

renate ariadne van der togt

teenagedirtstache

hustleinatrap

love

Cat from Kennedy Park in Lima, Peru (via vsco.co)

nultemp

the massive power of trains yet confinement to a single path makes them comparable to angels

historyarchaeologyartefacts

One of the fake heads fashioned from soap, toothpaste, concrete dust, and toilet paper, used as a decoy during the 1962 escape of 3 prisoners from Alcatraz [924 x 922]

Update

#2019

struan-teague-deactivated201812

Struan Teague

Drag me if you want but I feel like a major problem with liberal/Western gender ideology is that it’s so focused on aesthetics. Like “Look at me, I’m defying gender norms by wearing a dress/suit/makeup/whatever.” Like okay but what about defying gender norms via the breakdown of behaviour? What about acknowledging things like male entitlement, aggression, perceived weakness and submissiveness, the expectation of women to perform emotional labour etc. If we don’t actively work to break down oppressive and dangerous gender stereotypes, what is the point? Defying gender norms and identities can’t just be limited to clothing, hair, and makeup

newyorker

The painter Chaim Soutine’s genius peaks in the meat pictures, made after his return to Paris, in 1921. He bought the subjects from slaughterhouses and held on to them for so long that, according to an oft-told tale, their rotting stench drove his neighbors to call the police. He pleaded artistic necessity and—all hail the French—managed a compromise by agreeing to abate the smell with formaldehyde. Unfortunately, the chemical dulled the meat’s colors, which Soutine remedied by regularly dousing the carcasses with fresh blood.

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