Sssussudio

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Liza Lacroix Untitled oil on canvas 69 X 57.5 2017 

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(via madame-vuillard-at-her-sewing-maching_edouard-vuillard__86652.1556887020.jpg (1280×829))

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The Brian Jonestown Massacre-Anemone (Live)

The Brian Jonestown Massacre performing Anemone

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Aria Dean Life World - 032c

After graduating from Oberlin College – our shared alma mater – in 2015, Dean worked briefly at the Los Angeles Museum of Contemporary Art before being appointed to assistant curator of Net Art and Digital Culture at Rhizome the following year. Her first curatorial endeavor for the online platform was 2017’s New Black Portraitures, which considered black representational politics through the prism of digital culture, expanding on the potential and the pitfalls black life online. In late 2019, Rhizome promoted her to editor and curator, a position in which she aims to “use technology as a lens, or a very light gloss, through which to approach contemporary art and culture.” “Any art,” says Dean, “if it’s engaging with the world–– it’s engaging with technology.”

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John Singer Sargent’s brilliance as a painter should be obvious to anyone with eyes. And yet a perennial caveat inevitably surfaces in much of the discussion that accompanies exhibitions of his work.

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