Probably Shitposting

@crabbybun

Amy or Red | An Adult™ | Queer af & inclusive of all identities | Idgaf what pronouns you use for me | chronically & mentally ill | This page is for himbos/bimbos, coquettes/faunlets, Barbies, Kens, Alans, Midges, punks, goths, maximalists, weirdos, freaks, and the insane | If you’re the kind of person that would prefer I was more ‘normal’ you can just DNI | If you want more details, you can check the pinned post | I’m desperately trying to be a soft, pink angel but all I do is smoke weed, watch wrestling, and loudly state my opinions | I reblog anything that holds my attention for 0.5 seconds, hence the blog title | RE: tagging – I don’t do that; this blog has no organizational system | My most used tags are: #weed, my og smoking content under #crabby smokes, and #toke tags from moots | Don’t bother sending me anon hate; I ignore my inbox a lot and it will simply never get answered | If you put your name to something particularly vile it will just get reported

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Extended bio & DNI

So I have a carrd; if you want any further details on myself, my opinions, or interaction with me, you can find it here.

#tp #personal #gpoy

theinternetarchive

'les garconnes,' group of parisian lesbians photographed by jacques henri lartigue, french, 1928.

fashion-runways

MET GALA "Costume Art" Exhibition 2026 pls help me get out of debt donating to: ko-fi.com/fashionrunways or dinahlance-shop.fourthwall.com The idea, curator Andrew Bolton said, is “to reflect on your own lived experience, hopefully to create a connection, empathy, compassion towards each other.” Not only does this interactive element transform a visit to the museum into a small voyage of self discovery, but it is a bodily experience that cannot be replicated digitally. This at a time when humans are being replaced by machines and AI anxiety is pervasive. “The whole show is structured around a typology of bodies, and these are bodies that you see across the museum when you encounter artworks,” Bolton explained. “The simple thesis for the show really is the fact that the dressed body is the connecting thread throughout the entire museum.” What you won’t see anywhere else at the Met are mannequins of diverse body types modeled after named individuals, like those commissioned for “Costume Art.” And this is transformative in many ways. As the scholar Llewellyn Negrin notes in her catalog introduction, not only do mannequins project a beauty standard, but their “dimensions often dictate the sizes of the garments shown, and the garments’ sizes correspond to the idealized proportions of the preferred mannequins, resulting in a mutually reinforcing process that perpetuates the privileging of culturally esteemed body types.”

littlehorrorshop

Clara Bow in Get Your Man (1927)

littlehorrorshop

Clara Bow in Get Your Man (1927)

Jayne Mansfield, c.1950s

Rita Hayworth, c.1941

Catherine Deneuve, 1960s

divinevivienleigh

Vivien Leigh photographed by Angus McBean for The Happy Hypocrite, 1936

“There was an enchantment on her face, and in her face.” – John Brophy

Marilyn Monroe and Canadian-born American photographer Douglas Kirkland (1934 - 2022) drink from martini glasses during a break in a photo shoot, Hollywood, Los Angeles, California, Nov. 1961

Brigitte Bardot on the set of A Woman Like Satan, Spain, 1959

Hedy Lamarr, 1940s

Elizabeth Taylor, c.1954

Sophia Loren by Gary Bernstein, Geneva, 1995

Anita Ekberg, 1960s

Humphrey Bogart and Lauren Bacall, Dark Passage, 1947

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