Frequency, 2023 — 46 photographs 72 pages 8.75 x 10.5 in Soft Cover Smyth Sew Swiss binding with exposed spine Printed in Canada Limited edition https://cristianordonez.com/shop/
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Frequency, 2023 — 46 photographs 72 pages 8.75 x 10.5 in Soft Cover Smyth Sew Swiss binding with exposed spine Printed in Canada Limited edition https://cristianordonez.com/shop/
Cerro Centinela. Atacama, 2022
DISPLACE Limited edition of 8 copies + 1AP 10 x 13 inches, 52 Pages Newsprint, French Fold + Gate folds Repurposed Chipboard Cover Side Sewn Binding + Elastic Published by Another Earth Text by Stefan Novakovic, Architecture Critic Print supported by Gas Company Inc. Part of the exhibition "Display" at Project 107 Gallery in Toronto, Canada. It reinforces my interest in book form, using the materials and medium to express themes of fragility, vulnerability and memory present in heritage buildings around the city. Many of these buildings are being demolished for newer condominiums to support gentrification, a common occurrence throughout the last decade. The book and exhibition uses recycled materials, repurposing them for their construction. All photographs were made using large format negatives and printed on newsprint, taken within the same building where the exhibition is located, between 2021 and 2022. The building is yet another scheduled to be demolished in Toronto over the next couple of months. The use of these mediums represent both the preciousness of the location and the fragility of its current state and future.
Displace, 2021-2023 Part of solo show Displace, Project 107 Gallery, Toronto, ON Canada. January 4 to 8, 2023 This building is slated to be demolished. The first development notice went up in 2014, outlining a plan to replace the site with a high-rise condominium complex. In the eight years since, the plans have evolved and the demolition — ever pending — has been delayed. Perhaps indefinitely. Perhaps for a few months. In the meantime, memories remain. The walls, windows, rugs, floors, light switches and layers of paint bear the palimpsest of a century. These are the scenes captured in photography. In the early 20th century, this site was an industrial setting, where electrical appliances were manufactured. By the 1990s, artist studios and small, independent businesses carved out a new territory, and were eventually joined by offices and a data centre, with car dealerships and apartment towers as their neighbours. Walls were covered in stucco, floorplans were redrawn, windows and floors were replaced, but the bones remain. According to the City of Toronto’s Planning department, “This site was not deemed to have any historical value.” It is a calculus that erases the cultural life behind the bricks — the affordable, creative spaces that breathe life into the building and the city beyond. At 7 Labatt and across Toronto, this heritage, history and culture is disappearing into oblivion. But for now, the building remembers. In a space where erasure is on the horizon, the sense of fragility is palpable. In lieu of a traditional gallery setting, where works of fine art are framed and displayed on white walls, the exhibition takes an unconventional form, recognizing the vulnerability of its site — and subject — via an ephemeral medium. These fleeting, vulnerable images are displayed in different scales and settings, creating a dialogue with the building and its uncertain future. There is no permanence through photography, no immortality through art. In a few days, this will all be gone forever. Text by Stefan Novakovic, Architecture Critic
Frequency, 2020-2022 Part of solo show Frecuencia, Galería Animal, Santiago de Chile. October 6 to November 5, 2022 Supported by: Ontario Art Council Canada Council for the Arts Exhibition photographs by: Felipe Ugalde
Trama, 2019-2022. Part of "The People United" (group show) at Sur Gallery in Toronto, curated by Tamara Toledo. Supported by: Ontario Art Council
"The act of poetry, (the act of photography)." Sergio Larrain From his book 'Valparaíso', Aperture, 2017
Hans-Christian Schink Tierra del Fuego. 2/04/2010, 7:22 pm – 8:22 pm, S 54°35.873‘ W 067°22.541’ From his project 'One Hour'.
Geert Goiris Arica, 2012. From his book 'World Without Us', Roma Publications.
Les livres du vécu et Les pages résonnantes Rencontres de la photographie en Gaspésie Curated by Louis Perreault Honoured to be included on this group exhibition of Canadian based artists working with photobooks at the Rencontres de la photographie en Gaspésie, Québec, next to a great selection of photographers I admire. 4 publications included: Notes (On Trial) 01, 02 and 03, self published in2021; and On Trial, published by acb-press in 2022. Exhibition opened on August 5 and continues until September 5, 2022.
On Trial, 2022 Text from Rohan / acb-press: — Although only residing in the USA for a short period, Toronto-based Chilean Photographer Cristian Ordóñez has spent a large-period of the previous decade revisiting the lower states creating works that explore the notion of memory, personal relationship, and encounters with the territory. On Trial observes and plays witness to these encounters, a body of work that presents the social, economic, and geographic survey of the landscape traveled by Ordóñez. A survey, engaging with all things natural and foreign on even ground, seeking to question not only the observer but the role of the object within the frame. Forthcoming previous published works, Notes 01, 02, and 03, the new chapter continues to visualise his approach and interest in the photographic process as a medium to explore the territory, own cultural diversity, and the connection between place and ethnicity. On Trial contains a selection of 20 photographs edited by Rohan Hutchinson, and accompanied with text by Ordóñez. Designed to co-exist with previous and forthcoming published works, the body and cover of the publication exist in the same form, contextualising the in-transit approach of the photographic content, along with the journey of its publishing. — Orders via acb-press or my website. DM for questions.
Taiyo Onorato & Nico Krebs. From their book 'The Great Unreal'. Edition Patrick Frey, 2019 https://www.editionpatrickfrey.com/en/books/great-unreal-taiyo-onorato-nico-krebs-2
Rudolf Holtappel, Hüttenwerk Oberhausen [Steel mill, Oberhausen], 1964.
Violeta Parra, playing the harp. 1965
From On Trial, published by acb-press 2019-2022 https://cristianordonez.com/works/on-trial/
Q&A with The Heavy Collective, featuring work from my recent publication called On Trial, published by acb-press Have spent several hours reading through THC website over the last few years. A pleasure and fun to collaborate on this. Thanks Jack!. http://theheavycollective.com/2022/06/23/qa-cristian-ordonez-on-trial/
Michael Schmidt, 1983 https://www.archivmichaelschmidt.de/