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Roleplay before this point is not out of date. I am either joining a group again or going independent. Fresh start after this post.
Baby, It's Cold Outside || Crowley & Abaddon
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Baby, It's Cold Outside || Crowley & Abaddon
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Baby, It's Cold Outside || Crowley & Abaddon
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Baby, It's Cold Outside || Crowley & Abaddon
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Baby, It's Cold Outside || Crowley & Abaddon
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I Might Like You Better If We Slept Together || Crowley & Gabriel
The bar is just as lively as people have proclaimed it to be, with flashy, colorful swirling light fixtures and pop music on a lit dance floor, tall tables with curved legs and a barely visible wall paper that looked like it had polka dots of various sizes. The bar top itself was a wonder with a wavy-looking wood finish and even the cup coaster had little games on them. It seemed there wasn’t a straight decoration to be found in the bar.
Just as Crowley receives his drink, Icona Pop’s I Don’t Care (I Love it) song blasts through the giant speakers at the back corners of the bar and the crowd of dancers cheers and start swinging to the beat of the alternative, self-empowering song of Swedish punk-pop music.
Directly in the middle of the bunch however was one particular individual that just seemed to stand out from the rest. His clothes of the occasion were sharp and dashing, a red button up top accenting a white vest with gold buttons and black slacks. The only thing not matching among his attire were a pair of black sneaker that gave just the faintest squeak when he turned about on the dance floor. His smile was bright and playful though as he swept at least three women off their feet in a grand, impressive gesture of dancing expertise, leaving them just a little speechless but nonetheless woo’d by his charm.
When the song finishes though, he chuckles a little breathlessly and bows before going to the bar and going himself another drink and taking a short break.
Crowley is sitting at the bar as Gabriel approaches, completely unaware of his closeness now. He is also unaware of the fact that another member of his family has joined him here. He's sipping at his drink and just barely glancing over when he catches sight of Gabriel, and smiles just a little at him. Not bad looking, definitely interesting, going by the way the women on the dance floor were looking at him.
He shrugs to himself and decides, well, why the Hell not. The worst that could happen is, he could be shot down. That wasn't so bad, it's not like he's never been rejected before. He signals the bartender and when the bartender comes back with the drink for Gabriel, he lets him know that the man down the bar paid for it for him.
Crowley is looking over as the drink is delivered to see if it's been accepted.
I F*cking Hate You || Crowley and Dean
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Not An Imposition || Crowley & Loki
Loki hastily carded fingers through his hair, ultimately tying it back in a loop when it wouldn’t behave, the bun resting on the back of his neck in a wrap of curls. He shook out his jacket and checked his hands for dirt, hoping his face was clean as well.
He looked less destitute beside the man so finely dressed, standing amongst other louts but that didn’t make him feel better either.
He didn’t see how his stance caused him to stand out, how tall he was, how straight his shoulders were and how he kept his head high, regal through practice even now.
All Loki really understood at this moment was his starvation and how desperate it had become when presented with the smell of food.
Crowley gets up to the front and orders them a pizza, just a basic one with a few toppings on it, and then two sodas. Once he pays he takes the cups and turns to hand one over to Loki.
When he does, something about the man he's treating to dinner catches his eye. There was a-- how could he describe it to himself, something unusual there, something almost noble, despite whatever hardship he might have been through. He's only consciously realizing it now, but he starts to ponder on what it is, and how likely it might be that this is what had inspired him to invite him for dinner in the first place.
His eyebrows raise slightly in surprise as he offers the cup to Loki. "You, er. Nice posture."
Baby, It's Cold Outside || Crowley & Abaddon
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Baby, It's Cold Outside || Crowley & Abaddon
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Baby, It's Cold Outside || Crowley & Abaddon
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Atrocity Exhibition || Crowley, Steve, Tony
When Steve had received the message from Fury, he’d been far from surprised, expecting the call for some time now. The headlines had been almost impossible to avoid, the papers hot on the story of the murders that had been occurring all over Brooklyn. The issue had hardly slipped under Steve’s radar and he’d found himself wondering just why it had taken SHIELD so long to get involved.
Guess he was about to find out.
Nodding sharply at the security waiting outside, he didn’t even knock as he entered, jaw set tight and shield slung securely across his back. Fury was sat at his desk, flipping through numerous files that Steve was sure were a dry read. The captain had quickly grown to realise that people nowadays liked to talk fancy words rather than put those words into practice.
Hands slung in the loops of his belt, he stopped before the desk, eyebrow raised at the Director.
“Nick.”
Tony growled at Jarvis as the AI awoke him for a message from SHIELD. He tried throwing a pillow up at the ceiling only to receive another snarky response that sparked into a ten minute war of wits until finally Jarvis was able to slip in the message to Tony.
Suddenly, his interest was piqued. He looked over the message a few times before pulling up all the recent articles on the murders. He remembered hearing about them on the news, but now he was on the hunt for details now. Working with the projected articles he quickly went through his morning routine and jumped into his suitcase suit.
Flying over New York he had Jarvis steal SHIELD’s file on the murders, giving him some gruesome reading material for the short flight. He couldn’t say he was looking forward to following a trail of dead bodies, but he was certainly happy to track the sick bastard down. And with that determination, he touched down in front of the SHIELD Headquarters. The suit opened up and folded down back into the briefcase shape.
Minutes later he was striding into the officer with his normal casual air as he took the seat in front of the desk without greeting, instead jumping right into business for once. “So Nicky bear, you want us to play a game of Clue?”
“Yes, Tony-Wony. I want you to play the best God damn game of Clue this city has ever seen.” His voice is as brusque as ever and he leans over his desk toward them, emphatically waving the newspaper at them. Then his eye rolls over onto Steve and he gives him a nod. “Steve. Happily for you two, we have information on a couple of sites that aren't being released to the media. I want you to get out there and see what you can find out. I have two here you can go check out first, one of them's at the intersection of Canal and Varick, down in the subway tube. It's actually, and this is interesting, it's the very first scene that was reported, but they managed to keep it out of the media so they could investigate it a little better without harassment. That's actually why the 4, 5, and 6 were down a few weeks ago, see, the station closest to it is the one on 96th street on the east side of the park.” He gestures at a map on the desk. The subway station in question is at the corner of 96th and Park Avenue.
“We've had those lines closed again for you to take a look around there, for the rest of today. The site is a few yards down the line from the station, go there and head straight south in the tube line and you'll find it. If you hit the station at 86th you've gone too far.” He pushes the map across the table at them.
“The other lead is a card the cops discovered at the other unpublished scene, which is marked over there,” he gestures at another point on the map in Harlem, at the corner of Madison and 123rd St, almost inside of the park there. “It's an address card for a bar called Naked for Satan, and it could possibly turn something up, who knows.” He points at a third location on the map, which is marked in downtown Manhattan near the corner of Bleecker and Sullivan, maybe half a block west, in an area known for oyster bars and restaurants.
He looks back at them, waiting for any questions they might have.
Baby, It's Cold Outside || Crowley & Abaddon
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Baby, It's Cold Outside || Crowley & Abaddon
She laughs a little as he scoops her up, her arms slung casually around his neck. She’s been wanting this all day—- just the two of them, with no need to care about anything except what they want. When they reach the bedroom, she wants to tell him about how expensive and new and perfect everything is, but she doesn’t have time to speak because she finds herself on the bed with his mouth on her skin.
"Well you’re not wasting any time, are you?" She asks, amused. With one hand she tears his shirt right down the middle; she’s past caring about how much he loves his suits at this moment. She runs her other hand through his hair as he kisses her, gently but firmly pulling him closer so she can kiss from his jawline to his mouth again.
Crowley does not appear particularly upset about the destruction of his clothing. In fact he just looks more excited now.
"I have you here now, why on Earth would I dawdle?"
Crowley kisses her for a good few minutes before he slides off the bed and kneels beside it, pulling her hips along with him. He starts pulling at the fabric of her clothing until it's all out of his way and then
Baby, It's Cold Outside || Crowley & Abaddon
A smirk crosses Abaddon’s painted lips when she hears Crowley’s soft little noise, like she’s proud of herself. When she feels his hands moving all over her and his teeth on her lips, she can’t help but chuckle softly. He was greedy, but she likes that about him. It always felt good to be wanted by someone, especially someone who she wanted so badly. She bites his lower lip in return, harder than he had, and pulled back just long enough so it seemed she might stop kissing him. Then her mouth was hungrily stealing kisses from him again, never quite satisfied enough to stop just yet.
"Let’s go and wreck the bedroom," she eventually whispers into his mouth with her forehead pressed against his, her lipstick well and truly ruined.
Crowley's lips are a little stained with lipstick too and he smiles, pushing his arms out to collect her into them and carry her back into the bedroom. He doesn't even glance at the decor-- his eyes are firmly planted on her face.
Then, with a growl, he pushes her roughly onto the bed and climbs on top of her, attacking her neck with kisses and bites. He sucks at some parts of her shoulders, and now that they're here he's not even a little down to waste any time. His hands are fast and grabby and he lavishes her skin with attention.
No Dreams || Bucky & Crowley
It is, indeed, a button, and the bookshelf slides around like a revolving door, showing him a passageway on the other side. However, at the same time that the doorway opens, the corpse behind Bucky lets out a long and hoarse sounding groan before beginning to stagger to its feet. Its eyes are sunken into the sockets and the cheeks are hollow as though he is looking at a skeleton with just a little gray skin stretched taut and leathery over the bones of the face, and the eyes are like little iron coins set into the back of the skull. Carved into the chest of the skeleton is the word HUNTERS with some blood smeared around the cuts.
It staggers toward Bucky, making another and louder groaning sound. As it stands a very interesting looking journal covered in runes and symbols falls out of its pocket.
this thread is finished under the cut.
Bucky might have jumped at the groan if i wasn’t for training to expect the unexpected. He turns on his heels and looks at the thing, a sneer riddled across his face. He can feel himself reverting, his strength growing as he aims the knife and throws it. It makes contact with the wall, grazing the side of the zombie corpse on the way through. He curses under his breath. A knife in the opposite wall meant back tracking and if there was one thing he knew it was to never need to back track. However staring at the corpse gives him the opportunity to watch as the journal falls from the pocket. He makes a beeline, rolling to the ground to grab it and force a swift quick through the corpse at the same time. The doorway is still open so he heads for his knife, taking a moment to breath and catch up with his surroundings.
Narrator The zombie freezes in its tracks when it's hit with the blade. Its jaw hangs off the side of its face and its arms are outstretched slightly in a stepping motion, one leg stuck out. Bucky acquires one (1) Interesting Journal which goes into his inventory. The room Bucky enters is strange looking. It is a long hall, and like the one he just left it is constructed of rough stone, and several paintings hang on the walls. All of them appear to be fine lords and ladies, except their faces are mutilated and horns spurt from their heads, large curling ram's horns. Their eyes glitter strangely at him. The light is dim, as the only light is still the orb behind him, although there are unlight candles in large stands placed strategically around the room. On the far end of the room is a large statue of a man with a goat for a head raising two fingers up, next to a pillar depicting an inverted pentagram. On the ground is a large circle full of strange symbols, and in the center is what appears to be an altar with differently colored candles and objects on it.
Narrator
https://24.media.tumblr.com/d17ce99078effa3fcfd43c...
Bucky ducks away as he pushes the knife back into it's holster, wandering into the new room. It's strange, to say the least. He doesn't like the strange and out of the ordinary that he's now being forced to grow accustomed to. He starts to take in his surroundings. The pictures on the wall seem like they might jump out at him, their eyes shining and something in him says to stay away. Normally when he has that sense he knows it's best to listen to it. He nearly trips over the table as he steps into the circle, staring down at the objects and shifting them about. He picks up the candles, feeling the coolness of the wax dried on their shells. He looks about as he holds them --- did that statue turn it's head?
Narrator On the altar are various other objects. There is a knife-looking object, and a small green branch cut from a tree with the leaves and other branches cut off. In the center is a bowl with ashes and the remains of blood, and next to the bowl is an amethyst crystal covered in blood. Underneath on the table is a fabric with another, squiggly looking symbol drawn on it, which the bowl is in the center of. The room is cold and silent now. The statue is frozen in front of him.
Bucky puts the candle down and moves to the knife, running his fingers over the dulled blade. How long ad these things been sitting here? He keeps moving his hands, reaching for the bowls to lift them, tipping his face down to take in a large whiff of blood. He immediately puts the crystal down, backing away slowly. He feels a chill run down his spine but what can he do? He looked to the bookcase and contemplates going back to it, but then he looks back toward the paintings.
Narrator The paintings are all staring right at him. Watching him interact with the altar. Watching him prowl around their sanctuary. They do not move, but an air of offense filters through the room, as though they are protesting his entrance on their home. The air is still and cold, with no drafts coming through the room. If anyone here was alive, Bucky could easily hear their heart beating.
Bucky knows he should leave the room, the eyes peering in on him as if trying to reach through to his soul. He can feel them trying to grab at him and it feels like the prods he once experienced in the underground rooms HYDRA kept him in when they experimented. He wasn't fully human though. He knows that. Maybe that's why he's still alive. Why is he alive? Why is he here? He backs away more until his back hits the wall. He looks up and see the painting lingering just above his head.
Narrator The painting above his head is of what was once a stunningly beautiful woman in a pale pink dress, with a face covered in red scratches and seeping pus-filled sores. Two horns burst from her head and curl regally behind her and she looks down on Bucky with red-rimmed angry eyes. There is a nameplate underneath her on the frame, a sort of brassy thing, but the inscription is strange. The writing is illegible, and it appears spiky and black with odd marks.
Bucky is certain all the paintings had once been facing forward, but this ones eyes were pointed right at him. He shivers, the coolness of the room and the chill from the painting getting to him. She must have been beautiful in her time, the woman pictured above, but all he can see is the blood and the scratches and the death written all over her just like the death that covers his conscience. He pushes away from the wall, sure now that his best option is to get the hell out of the room.
Narrator Across from her is a painting of a similarly beautiful woman, this one dressed in black and with flaming red hair. The name plate on the bottom is similarly in an unknown language, and Bucky does not recognize her, but he will later if and when he ever sees Abaddon, for it is a painting of her, with great columns of fire and blood behind her terrible gaze. Next to her is a panting of Lucifer, who has a cold gaze which contrasts sharply with hers, and a little sly smile that clings about his lips. These two paintings are raised up into a place of honor above the others, and they are also slightly larger.
Bucky moves away from the painting, eyes drawn to the two paintings across the way. A woman with red blazing hair sneered down at him, her body and face much more beautiful than the one before. He's certain he knows her, but he can't remember how or why --- a common occurance. He turns and sees the sly grin of the man next to her and it isn't a face he's ever seen but it is one that seems to make him shiver more. Now he knows he shouldn't be in here. Quickly he turns and bolts for the bookcase, itching to get out of the room more than ever.
Narrator On the other side of the bookcase is the zombie, frozen still, along with the other objects that were in the room. It appears as it did before.
Bucky runs out, closing the bookcase behind him and leaning back against it. Memories start to flood his mind as he slowly falls down against the shelves. Woken from an icy sleep to be thrown into a dark room. A woman staring back at him but there's something so very different about her. She says she's a demon. An angel. It doesn't matter they can't control her and his knives do nothing expect make her laugh. She nearly blows the entire base to bits but he watches her blaze away in glory. It's all he'll see of angels or demons and once he's relayed the information to HYDRA his memory is wiped and he's shoved into his icy grave. He doesn't realize how tight he is clinging to his pants as he hears the fabric rip beneath his grip. Abaddon. Karma really is a bitch.
Narrator The room is still and quiet as he falls down. The books shift and move as he touches them. The zombie will awaken again in fifteen minutes.
Bucky doesn't know how much time passes but suddenly he looks up and he sees the corpse beginning to move. "Говно!" He rolls away as it moves toward him, pulling his knife back out of his pocket and swiping at its legs. He doesn't risk staying in here any longer --- there's got to be another room or at least a way out of there. He stands and starts to move, more of a sprint than a walk now, searching for a new door.
Narrator The zombie just barely wakes up and finds himself with an intruder in the mistress' dungeon. The mistress will not be happy. He must kill the intruder. Then he's hit with the knife. Oh, fuck all. He refreezes and goes back into his slumber. There are no other doors except for the big magically blockaded one leading from the prison cell to another unknown.
Bucky twirls the knife and sends it flying as he moves back into the original prison cell, knowing that going back to where he came from is never a good plan but backtracking couldn't kill him any more than remaining in the rooms before him. The knife bounces off the blocked door, cursing under his breath as he crouches down to pick the knife back up. He can smell the stick of death and it's beginning to fuck with his head. He moves to the door but all he feels is something pushing him back away from it and he curses under his breath. "Ты должен быть чертовски издеваешься." You have got to be fucking kidding me.