Incredible and gorgeous 17th century Ottoman tent from the Dresden State Art Collections.

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Incredible and gorgeous 17th century Ottoman tent from the Dresden State Art Collections.
The Goblin magazine, Canada, April 1929
By juliedillon // Support the artist
WOW I LOVE THIS
Bandon Beach, Oregon by Clay Banks
It was April when you came The first time to me, And my first look in your eyes Was like my first look at the sea.
We have been together Four Aprils now Watching for the green On the swaying willow bough;
Yet whenever I turn To your gray eyes over me, It is as though I looked For the first time at the sea.
Gray Eyes by Sara Teasdale
ANNIE STEGG
https://www.instagram.com/anniestegg
What moon will gather up your sorrow of lime and oleander?
Federico Garcia Lorca, Collected Poems (via liquidlightandrunningtrees)
MUSE IN BLACK
https://www.deviantart.com/museinblack
What shall I say about poetry? What shall I say about those clouds or about the sky? Look; look at them; look at it! And nothing more. Don’t you understand that a poet can’t say anything about poetry? Leave that to the critics and professors. For neither you, nor I, nor any poet knows what poetry is.
Federico Garcia Lorca (via causeries-litteraires)
Werner Bischof :: Dancer Anjali Hora Preparing for a Performance, Bombay, India, 1951 - via kvetchlandia
My mind is a wishbone drying. I hold it taut & pull to break.
Emily Skaja, from “How to Mend a Faucet Dripping Thread,” Brute (via lifeinpoetry)
Les Misérables c.1888 and authentic Hugo letter
The Rules
There will be no stars—the poem has had enough of them. I think we
can agree we no longer believe there is anyone in any poem who is just now
realizing
they are dead, so let’s stop talking about it. The skies of this poem are teeming with winged things, and not a single innominate bird.
You’re welcome. Here, no monarchs, no moths, no cicadas doing
whatever they do in the trees. If this poem is in summer, punctuating the blue—
forgive me,
I forgot, there is no blue in this poem—you’ll find the occasional pelecinid wasp, proposals vaporized and exorbitant, angels looking
as they should. If winter, unsentimental sleet. This poem does not take
place at dawn or dusk or noon or the witching hour or the crescendoing
moment
of our own remarkable birth, it is 2:53 in this poem, a Tuesday, and everyone in it is still at work. This poem has no children; it is trying
to be taken seriously. This poem has no shards, no kittens, no myths or
fairy tales,
no pomegranates or rainbows, no ex-boyfriends or manifest lovers, no mothers—God,
no mothers—no God, about which the poem must admit it’s relieved, there is no heart in this poem, no bodily secretions, no
body
referred to as the body, no one dies or is dead in this poem, everyone in this poem is alive and pretty
okay with it. This poem will not use the word beautiful for it resists calling a thing what it is. So what
if I’d like to tell you how I walked last night, glad, truly glad, for the
first time in a year, to be breathing, in the cold dark, to see them. The stars, I
mean. Oh hell, before
something stops me—I nearly wept on the sidewalk at the sight of them
all. - Leila Chatti
wait for what draws near. for what draws the lips to drip. when the sea swallows us whole—which will be soon—i will learn to swallow the whole sea.
— Marlin M. Jenkins, from “poem without desire,” published in The Offing
Show me the window I keep looking for. Trust me, I can open it myself. I will rend open the sun & eat its core, if that’s what it takes to escape the cold that creeps
at a glacial pace up out of my pores and in to yours.
— Faizan Syed, from “Sepsis,” published in Cosmonauts Avenue
There are times when everything evaporates and we are left in a desert of pearly grey, rose, and dead silver.
At night our flesh aches from so many stars, and we grow drunk on breeze and water.
Federico García Lorca, from a letter of Adolfo Salazar
Halina Poświatowska, tr. by Maya Peretz, from “I Am Full Of Your Secrets,”