L’uomo in più (Paolo Sorrentino, Italy 2001)
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Sweet Seals For You, Always

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Janaina Medeiros
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JBB: An Artblog!

Love Begins
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Aqua Utopia|海の底で記憶を紡ぐ
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2025 on Tumblr: Trends That Defined the Year
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@darklonelywater
L’uomo in più (Paolo Sorrentino, Italy 2001)
Claudia Cardinale, Il giorno della civetta (Damiano Damiani, Italy 1968)
L’amica (Alberto Lattuada, Italy 1969)
Argento’s Turin:
Piazza Solferino - Il gatto a nove code
Galleria Subalpina - Quattro mosche di velluto grigio (note: Cinema Romano is showing L’uccello dalle piume di cristallo - the cinema is still there today)
Piazza CLN - Profondo rosso
Mole Antonelliana (in background) - Nonhosonno.
Catwoman (Eartha KItt) and Batgirl (Yvonne Craig) - ‘Catwoman’s Dressed to Kill’, Batman Series 3 (1968).
July 6th 1956-December 5th 2014
Superargo contro Diabolikus (Nick Nostro, Italy/Spain 1967)
Il Maestro di Vigevano (Elio Petri, Italy 1963) - Alberto Sordi, Claire Bloom.
Comic-panel scene transitions (and finale) from Il marchio di Kriminal (Fernando Cerchio, Italy/Spain 1967). This is probably the first time this device was used.
Tutti defunti ... tranne i morti (Pupi Avati, Italy 1977)
I pugni in tasca (Marco Bellocchio, Italy 1965)
Giulietta degli spiriti (Federico Fellini, Italy/France 1965)
Bologna, September 2015
Kato (Bruce Lee) takes on Robin (Burt Ward) - ‘Batman’s Satisfaction’ (Batman, Series 2, 1967)
‘Codename Dragonfly’ in CQ (Roman Coppola, US 2001)
Satanik (Piero Vivarelli, Italy/Spain 1967) - the Diabolik striptease.
Lucha Libre, Royal Albert Hall, Saturday July 11th 2015