Art, like morality, consists of drawing the line somewhere.
Chesterton (via hipsterik)
No title available

oozey mess
Misplaced Lens Cap
🩵 avery cochrane 🩵
No title available

No title available
h
Doug Jones
art blog(derogatory)
The Bowery Presents
2025 on Tumblr: Trends That Defined the Year
Noah Kahan
Cosimo Galluzzi
Cosmic Funnies

titsay
official daine visual archive

Jar Jar Binks Fan Club

izzy's playlists!
Sweet Seals For You, Always

Kiana Khansmith

seen from United Kingdom

seen from India
seen from United States

seen from Germany
seen from Chile
seen from United Kingdom
seen from United States

seen from Germany

seen from Türkiye
seen from United States
seen from United States
seen from United Kingdom
seen from Poland

seen from United States
seen from United States

seen from Brazil

seen from Azerbaijan
seen from United States
seen from Bangladesh

seen from United States
@davismccardle-blog
Art, like morality, consists of drawing the line somewhere.
Chesterton (via hipsterik)
On College, Inc.
This previous semester I was enrolled in a political philosophy course, more aptly known as political theory: the different schools of thought on how and why government should be. Our first section was on, of course, Aristotle. He had an interesting way to describe humans, zoon politikon. Any basic understanding of language roots can lead someone to deduce this is translated somewhere around "political animal". Indeed, humans maintain political institutions, not only in government, but at home and in community. Naturally, Aristotle argued, we are creatures that seek political ends. "Politics" in this sense, and in our modern sense if one is at their most cynical hour of the day, is similar to "business". They are both a hierarchical pattern to maintain ends at the use (or expense) of means. It seemed apt to me, at hearing of this primal idea, that it seemed rather valid. What seemed even more apt is that we should try and prevent the nature of politics and business from permeating all facets of our lives. There is one key aspect I hold near the most important in its separation from our political nature. It's my university education. In actuality, it's education as a whole, but this remains my focus currently.
Earlier this year, I coined the term "perpetual sneak preview culture" to describe the kind of marketing overload that has started to take hold at some film websites. Every day there's a new teaser, or behind the scenes featurette, or five exclusive new stills. Each one comes with its own prediction-laden blog post; each builds up bigger expectations that are harder to match. We start to confuse good marketing with good moviemaking -- or worse, we assume bad marketing equals bad moviemaking. We form our opinions, then watch the movie as a sort of self-fulfilling prophecy. "John Carter" looks bad, hence "John Carter" is bad (or, for a 2013 example, how about "Hansel and Gretel: Witch Hunters?") The "Zero Dark Thirty" ads that run during NFL football sell it as a piece of macho, patriotic action, hence "Zero Dark Thirty" is a piece of macho, patriotic action.
Matt Singer, Criticwire,
http://blogs.indiewire.com/criticwire/my-movie-related-new-years-resolution
something anyone who digests cinema could heed.
A Look Back at the Last Decade of the Sundance Film Festival 2007 Sundance Film Festival: Once World Cinema Audience Award “Great music aside, what makes this film special is how little effort it seems to exert. If it’s possible to be blindsided by simplicity—a light touch, Once does it.” –Senior Programmer John Nein Revisit more films from the past decade: http://bit.ly/UkCmYB Photo by Fred Hayes
Things Andy Hull is
a vampire
a lid
a cage
a book, torn
so scared of dying
aware
not ready to forgive you
"At its best our age is an age of searchers and discoverers, and at its worst, an age that has domesticated despair and learned to live with it happily."
Flannery O'Connor, "Novelist and Believer"