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Description:

The 3 posters portray three different versions of the Mandalas.

The Mandalas represent the three originations of all suffering in life - Desire, Ignorance, and Anger. By Giving, Wisdom, and Compassion respectively, we can overcomes the 3 poisons which lead to all suffering.

#d&ad #final #3 poisons

Final looks

Description:

The 3 posters portray the three different version of the Mandalas.

The Mandalas represent the three originations of all suffering as well as the three different human natures - Desire, Ignorance, and Anger respectively. By giving, with wisdom, and compassion, everyone can overcomes suffer.

#d&ad #adobe

Desire & Ignorance

#D&AD

Ignorant reference images.

#desire

Ignorance

Advice 01: Don’t Greed

#d&ad

3d mandala in maya

This online course tutorial will assist researchers in locating resources about today's social issues.

#issues

#bhavachakra mandala

Some Notes：

The Bhavachakra Mandala is sophisticated portray so-called habitable pattern.

1. In Buddhist POV, everyone is nothing, but a habit.

2. Everyone is continuum of a habit

3. Habit continue, victim of habit, becomes Samsara being.

4. Cyclic Existent. (“The boat and the Shore”)

5. What is life instead of what is the purpose of life.

6. Study oneself, realise there is no oneself.

7. Everything comes from cause and condition, nothing comes randomly or accidentally.

8. The absolutely liberation of Nirvana:

9. The concept of Samsara and the Nirvana:

10. The process of “The spider and the dream” is The 12 Nidanas

Creator of all this perception called Life : “The 3 roots of poisons”

Ignorance

Desire

Anger

Ignorance:

Fundamental ignorance of not knowing the truth, of our existence.

Seeing things as whole, as independent, as timeless, then lead to next Nidana (origination) which is action; so on and so forth, lead until the Death. and again back to ignorance.

e.g. (We don’t think in term of part, but in term of whole units, this is ignorance.)

Once have ignorance, it will becomes two emotions - Hope & Fear.

Hope: it becomes greed and desire when it is strong, constructive, assertive.

Fear: It becomes aggression when it is becoming uncontrollable and very big.

Time:

Time makes everything changing, from the emotion, feeling, relationship, until the values, they are changing all the time; because of the ignorance, because of the assumption, therefore there are time and space. This is how buddhist interprets

Science:

In Buddhism, Subject & Object come simultaneously.

How to defines Good or Bad:

Everything take closer to the True is GOOD,

Everything take away from the True is BAD.

[THE GOOD & BAD IS WHAT TAKE YOU CLOSER TO THE TRUE]

IMPERMANENCE: (EVERYTHING WON’T LAST, WILL GOING DISINTEGRATE.)

The Beauty of Temporary:

“The Cherry Blossom”

The Buddhist ART : The Favourite Shape of “Circle”.

1. To portray something very deep in the form of art.

2. The Circle represents the Beginning less & Endless.

3.The elaborate Bhavachakra Mandala explains the ins and outs, and the logic of habit of mind, karmic effect, and the projection of our life. (To illiterate people in the past.)

4. In Buddhist ART, the motivation is always to telling the truth, but the only way to tell a truth is by telling a lie.

5. How to lie, the perfect way of telling a lie is an art.

#study case

French poet Franck André Jamme's selection of surprisingly modern Tantric artwork

A mandala based on my heritage, created with Batik pattern.

#malaysia #experimental #wisdom

Mandala is a diagram of showing the macro-cosmic and the microcosmic of the universe and the human mental world, both of these formed an indivisible concealed unity.

The purpose of the mandala is often aims to reach to the center of the Tantric painting through Tantra practice. The Tantra practice is simply a method to reach enlightenment quickly in one lifetime in Mahayana Buddhism. For instance, mandala was developed along by the Tantric texts between 4th and 10th centuries.

The image shows above is a basic outline of the Kalachakra Mandala (Time wheel), also the most common iconography in Buddhist art.

The three outer lines represents the ring of flames (Purging), Vajra Ring, and Lotus Ring(Purify). The squares with four entrances are the Courtyard Palaces. The circle in the end is the supreme god reside.