Cinéastes de notre temps (1964), dir. Luis Buñuel
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PUT YOUR BEARD IN MY MOUTH

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Lint Roller? I Barely Know Her
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@deadliftpoetry
Cinéastes de notre temps (1964), dir. Luis Buñuel
Mac Miller reflects on his journey's peaks and valleys in a boisterous set of songs from Swimming, featuring special guest Thundercat on "What's the Use?"
Mac would have been 30 on January 19th. What a soul. What a loss.
Zen master Puyuan of Nanquan was once on the mountain working. A monk came by and asked him, 'What is the way that leads to Nanquan?' The master raised his sickle and said, 'I bought this sickle for thirty cents.' The monk said, 'I am not asking about the sickle you bought for thirty cents. What is the way that leads to Nanquan?' The master said, 'It feels good when I use it.'
Dogen, Mountains and Waters Sutra (commentary)
“tell me about your island life”
in the morning, i first have a cup of tea, then sit for 30-40 minutes, and then have a cup of coffee while i scribble nonsense in a journal, and then ákos and i head out for our morning walk. this is around seven am and though the air still feels cool from the night, the humidity and sun are already doing their work and i can feel the day coming. it's odd living at generally constant temperatures between 73º and 82º as you somehow quickly adapt and develop a fine grained sense of what makes for a great day and what weather will be placed into the bin of "meh". all the same, i've adjusted to putting on sunscreen in the morning before i leave the house.
joining the set of morning dog walkers in hawaii means that you start to have a whole host of new faces and acquaintances in your life, people who smile and wave to you with recognition in the morning even as you listen to podcasts or albums and know that it will never go beyond that basic gesture. i expect a dynamic somewhat like this would exist outside of hawaii, but somehow i suspect this would not have been the case in colorado had i been in this routine. people are truly friendlier here. i now "know" at least three morning runners, four morning walkers, a set of twins who walk to school along my route, and one woman who is always on a bike ride right when ákos and i are finishing up. the military is everywhere, and although it is obnoxious in other parts of the island, my little pocket seems more local...which of course makes me the problem, but so it goes.
the birds are colorful and new. between them and the plant life, there's so much more red in the world. ákos has grown accustomed to seeing feral chickens, but he still wants to kill them and often points at them while looking plaintively at me for direction. school is kicking my ass and is wonderful at the same time, but i'm a nerd and there are no surprises there. of course i love the work; of course i desired it. i'm anticipating summering in japan to really push the language. i'm already mildly annoyed at my grad seminars in that the pedagogy sucks (seriously--they're just all bad teachers) and how discussion and conversation is dinted by the fact the professor either feels he has too much to say or that he's working on a paper based on the class and the discussion isn't going in the direction of his own questions. so, not even a quarter into my semester, i'm ready to be doing my own work and not theirs, but i suppose that is the point of a phd program.
i tend to surf on fridays, hike on saturdays, and then study all day sunday. i still have a few side study groups with friends off island, where we are presently reading a lot of shakespeare. my hhg finally arrives after two months this friday. i swim at the local outdoor pool twice a week and want to get up to distances far enough that i can be comfortable swimming to small islands up to a mile off the beach nearby; i run pillbox loops near sunset and purposely leave my phone at home and instead watch all the tourists take their photos for instagram while i wheeze by; i take ákos to the unofficial dog park on thursday nights; i found a pullup bar in a park near the beach and now almost always workout outside.
i don't see people much, generally at my grad seminars and a few random meet-ups in the evenings or after class. the people i do see are insane caricatures of the absurd: my barber is former navy and a hasidic jew who talks to me about the subtleties of hebrew and why jesus could have never been the messiah; my landlord, tuan, is a 5' 4" vietnamese import who waters his plants in the morning while smoking a cigarette and yells at his youngest son while i'm over for dinner telling him to come to the table, to talk to the adults "like a real man." i've gone mostly sober, "mostly" being that i only drink alone and never with other people...it makes for some nice 2-3 drink nights with a book at a bar nearby at the end of the week and then a quiet walk back to my house before part of a movie and then bed. there's something warm and lovely about nights in the tropics, like a blanket that folds over you and around you and which helps to convince you that you're completely alone, that your solitude is natural and real and worthy, all of which lasts in a beery haze before you walk back inside and the air conditioning ruins the moment.
even though water is the primary element here, i think more about air. i find myself wondering how quickly the things around me will rust, and if it will be fast enough that i will be able to see it happen. and if i could, would that somehow inspire me to try and stop it?
also--I eat far less fish than I imagined.
Masao Yamamoto
Paris, France 1982
Édouard Boubat
Fetus in womb, detail - da Vinci
In the end, man is an event which cannot judge itself, but, for better or worse, is left to the judgment of others.
C. G. Jung
Seven Samurai by Greg Ruth
Porco Rosso
He who awaits his time, who submits When his work is done, In his life there is no room For sorrow or for rejoicing.
The Way of Chuang Tzu, Thomas Merton
What is serious to men is often very trivial in the sight of God. What in God might appear to us as "play" is perhaps what He Himself takes most seriously. At any rate the Lord plays and diverts Himself in the garden of His creation, and if we could let go of our own obsession with what we think is the meaning of it all, we might be able to hear His call and follow Him in His mysterious, cosmic dance. We do not have to go very far to catch echoes of that game, and of that dancing. When we are alone on a starlit night; when by chance we see the migrating birds in autumn descending on a grove of junipers to rest and eat; when we see children in a moment when they are really children; when we know love in our own hearts; or when, like the Japanese poet Basho we hear an old frog land in a quiet pond with a solitary splash--at such times the awakening, the turning inside out of all values, the "newness," the emptiness and the purity of vision that make themselves evident, proud a glimpse of the cosmic dance. For the world and time are the dance of the Lord in emptiness. The silence of the spheres is the music of a wedding feast. The more we persist in misunderstanding the phenomena of life, the more we analyze them out into the strange finalities and complex purposes of our own, the more involve ourselves in sadness, absurdity, and despair. But it does not matter much, because no despair of ours can alter the reality of things, or stain the joy of the cosmic dance which is always there. Indeed, we are in the midst of it, and it is in the midst of us, for it beats in our very blood, whether we want it to or not. Yet the face remains that we are invited to forget ourselves on purpose, cast our awful solemnity to the winds and join in the general dance.
Thomas Merton, New Seeds of Contemplation
“Conception.” Synchromy (1915). Stanton MacDonald-Wright. Oil on canvas
“Rain” by Raymond Carver
Just this, just this, this room where we are. Pay attention to that. Pay attention to who’s there, pay attention to what isn’t known there, pay attention to what is known there, pay attention to what everyone is thinking and feeling, what you’re doing there, and pay attention. Pay attention.
W. S. Merwin
Modigliani