Ai Weiwei: According to What? Pérez Art Museum Miami
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Ai Weiwei: According to What? Pérez Art Museum Miami
"Americanize" Deane Allinson
pencil, marker, stamp, currency
autumn whisper #5 jeremy blake
Alison Foshee, Untitled, 2011. labels and acrylic on panel 18 x 24 in.
Georg (Egor) Kraft, State of Mine, 2008. Installation; 2700 badges; dim: 135×110 cm. http://egorkraft.com/
Georg (Egor) Kraft, Semiotic Collapse, 2012. Site-specific installation; 5 digital printed posters.
the purpose of text is to deliver message purposive message not delivered with text deliverance of message is the purpose of text a text message on deliverance of purpose textual message undelivered purposely
art appreciation. proper dosage is key.
Alex James, City Lights (Tomato Zero on Flickr)
Thomas Glassford, The Privilege to Contemplate Black Holes, 1997. looped VHS video, stainless steel and vinyl pillows, 47 x 26 x 26 in. (119.4 x 66 x 66 cm)
Sturtevant J. Hamblin, Adelaide Endora Smith, Waterville, Me., 1852. Oil on canvas, 38 x 28 inches.
Girl Running on a Balcony, Giacomo Balla, 1912
Arman, Accumulation of Razors. 15.5 x 15.5 x 9.87 in. (39.37 x 39.37 x 25.07 cm)
Jennifer Laura Palmer, Postcard from the Mail Art Project, 4 x 6 in. Mailed out June 2014.
Katherine Bernhardt Diet Coke and cigarettes, 2014 Acrylic and spray paint on canvas 48 x 60 inches
Adrian Ghenie (Romanian, b. 1977), The Fake Rothko, 2010. Oil on canvas, 200 x 200.6 cm.
El Lissitzky, Anxious People, 1923
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Pepa Prieto (b. 1973), While We Sleep, 6, 2012. Acrylic on wood panel.