BABYMETAL FOREVER THE ONE

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BABYMETAL FOREVER THE ONE
Documenting the Lives of South Asia’s African Diaspora in India and Pakistan by Luke Duggleby
Monster lookbooks: Corpse Bride
When I put my hands on your body, on your flesh, I feel the history of that body. Not just the beginning of its forming in that distant lake but all the way beyond its ending. I feel the warmth and texture and simultaneously I see the flesh unwrap from the layers of fat and disappear. I see the fat disappear from the muscle. I see the muscle disappearing from around the organs and detaching iself from the bones. I see the organs gradually fade into transparency leaving a gleaming skeleton gleaming like ivory that slowly resolves until it becomes dust. I am consumed in the sense of your weight the way your flesh occupies momentary space, the fullness of it beneath my palms. I am amazed at how perfectly your body fits to the curves of my hands. If I could attach our blood vessels so we could become each other, I would. If I could attach our blood vessels in order to anchor you to the earth to this present time, I would. If I could open up your body and slip inside your skin and look out your eyes and forever have my lips fused with yours, I would. It makes me weep to feel the history of your flesh beneath my hands in a time of so much loss. It makes me weep to feel the movement of your flesh beneath my palms as you twist and turn over to one side to create a series of gestures to reach up around my neck to draw me nearer. All these memories will be lost in time like tears in the rain.
when aly and aj said “you’re not living ‘til you’re living for me”
Timeless Cool: David Bowie in The Man Who Fell To Earth.
Illustration by Mariusz Lewandowski
BRENDAN GEORGE KO
During WWII, soldiers were known to take precious family photos and put them under clear grips on their 1911 pistols. They were called Sweetheart Grips.
The Apollo Necklace, Henry Wilson (1864-1934), 1904
Helter Skelter (2012) dir. Mika Ninagawa
by Butch Belair, from Studio Voice Vol.255 (1997)