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Photography by John Angerson [HQ]
… but I’m pushing on for that horizon! [video]
Brandon on his childhood, 2017 (Hot Press)
Brandon on crying on stage during A Dustland Fairytale at Hyde Park, 2017
If you want to be successful, you’ve gotta give your fuckin’ toes and your stomach. And we’re givin’ it, and I can’t be ashamed because we want to be successful. It sounds dirty because I’m giving so much of myself but there’s no other way to survive right now. Only the fittest of the fit survive right now. I had a chip on my shoulder because people didn’t like the band - that lit my fire. That put me on the stage and got me in people’s faces, because I knew how good ‘Mr. Brightside’ was and I knew how good ‘Jenny was a Friend of Mine’ was. It was fun playing in those bars and thinking, ‘I know how good these songs are and eventually, everyone’s going to know.‘
Brandon Flowers (Dose, October 2006)
“We picked him up at the nursery”
😂
Among the 10 new tracks on ‘Day and Age,’ the tuns that cuts the deepest for Keuning doesn’t include the contributions of any rockstar mentors; the album’s final track, 'Goodnight, Travel Well’ was written after the death of Keuning’s mother, Sandy, who died in March from cancer at age 56.
“That song’s hard for me to talk about and even to listen to in a way,” he says. “It’s probably one of my favorite tracks on the album just for the music alone, regardless of the lyrics…the music itself is the saddest piece of music that we’ve ever written. But at the end it turns kind of optimistic, and we’ve never written anything like that.”
The song was born in sobering conversations between Keuning and Flowers; the lead singer’s own mother has battled with a brain tumor this year with chemotherapy and radiation. The opening lyrics to the tune: 'The unknown distance to the grave beyond stares back at my grieving frame/To cast my shadow by the holy sun my spirit moans with a sacred pain.’
“Originally I wasn’t sure that the whole world was going to know what that song was about,” says Keuning, who prefers to keep his songs shrouded in a bit more mystery. “Brandon writes all the lyrics, and I know that we like to have the lyrics be - we don’t really like to explain the lyrics to any song. Because I think it should be open to people’s interpretation. I think about my mom every day at one time or another. It’s just not really fair, and that’s all I really want to say about it.”
- Dave Keuning on the creation of 'Goodnight, Travel Well’, The Des Moines Register (January 2009)
@ brandonflowersshows
Sits down to talk to the crowd. Adjusts his pants. Realizes that sitting down in extra skinny jeans is not very comfortable. Gets back up.
This interview with Brandon is rife with ‘I have anxiety but I don’t know it’… ❤
"I was quite a porker when I was younger,“ says Flowers. "I never went swimming or anything like that because I didn’t want anyone to see my body. I always assumed that people were looking at me, and if I heard someone laughing while I was in a restaurant it would kill me.”
“I’m getting better at not being myself,” Flowers says. “Because I’m not the most secure person in the world, on a night when we play a bad gig I’m very conscious if someone walks out of the room or laughs. It’s strange, the bigger the place we play, the more comfortable I feel.”
“I always feel as though someone is staring at me,” says Flowers. “It means I won’t do certain things. I wouldn’t just sit here naked after a shower, for example. I guess being in a band is a way of trying to turn that paranoia into a positive thing.”
“I don’t know what I’m going to be like on the third album. A lot of it comes from insecurities that people have. I was never secure about myself. I still am not. But for some reason, when I’m a Killer, I lose it.”
- Brandon Flowers, Toronto Sun (October 2006)
The best part of this pic is the idea of Mark getting makeup done.
january 26. @thekillers — A boy’s gotta get to band practice.
08/27/2002
Their band’s first performance, in 2002, was in a small coffee shop just off the Vegas strip. “Probably lasted about ten minutes, but it felt like an eternity, it did!” Flowers laughed. “And when you left there, I mean, what were you saying?“ “I was totally open to looking for another singer, yeah. I didn’t think that I would do it again. We didn’t get a good vibe from Vegas crowds for a long time.” Vannucci added, “The vibe we got was that, ‘What the hell are these guys doing? What is this?‘” (x)
....say what now???
Dollar Bud Lights fueled the rest of the night, ending in a longitudinal hang-out with the band. Flowers was predictably, maybe intentionally, aloof, but still signed a bunch of stuff for us, including the back of a ticket stub that he inscribed in bibliographic style, “Flowers, Brandon”. I peppered bassist Mark Stoermer with questions about the band, but even this reached a strange conclusion after I complimented him on the bassline on ‘Jenny Was A Friend of Mine’. He replied, “Yeah, actually, Brandon wrote that,” before turning his attention to a modestly attractive 20-something girl who held more promise.
(Clash Magazine, May 2004)
“I’ve never actually said anything bad about anyone who didn’t deserve it,” he says mischievously, “but, occasionally, it is brought on by jealousy. When I hear a good song, it really does piss me off. But as far as the Bravery goes…” Here, he falters. “Look, I’m not supposed to be doing this any more but, well, you’re poking me and so I’ll say this: to me, The Bravery just aren’t real. I’ve heard that the keyboard parts are all pre-programmed, and that singer can’t reach the high notes on [recent single] An Honest Mistake. I can reach those high notes.”
- Brandon Flowers on The Bravery, July 2005