christopher citro, âour beautiful life when itâs filled with shrieksâ / @inkskinnedâs poem about love between women
icyghini twinkie
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will byers stan first human second
Stranger Things
almost home

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The Stonewall Inn

blake kathryn
TVSTRANGERTHINGS

Discoholic đȘ©
ojovivo
Noah Kahan
The Bowery Presents
Cosmic Funnies
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trying on a metaphor
Monterey Bay Aquarium
noise dept.
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@desertvales
christopher citro, âour beautiful life when itâs filled with shrieksâ / @inkskinnedâs poem about love between women
Ph. Maisie Cousins
ben whishawâs aesthetic is what harry styles wishes his could be
âWhy does tragedy exist? Because you are full of rage. Why are you full of rage? Because you are full of griefâ - taken from Anne Carsonâs âTragedy: A Curious Art Formâ
Joel Ross, Be Gay, 2008
Photo by piariverola
The Woman Dies | Aoko Matsuda | Granta Magazine
Keira Knightley behind the scenes of Colette photographed by Charlie Gray (2018)
80s, 90s, 2010s
Samantha Dennison
emily bronte: âheâs more myself than i amâ / cixous: âwho are you who are so strangely me?â / pizarnik: âaccept the part of me that is youâ
Tell me what you need, oh, you look so freeâŠ
Lisbon, Portugal, 1998. Photos by Gueorgui Pinkhassov.
me, bursting through your bedroom wall in a shower of dust: bUT that hug before they go onstage is what weâve always wanted from One Direction, and thatâs what makes them unsustainable as a phenomenon. What we always wanted from them was what they did not give to us intentionally
you: wh
me, briskly removing my shoes and shaking fragments of rubble out of them: One Direction is perhaps the first band to exist entirely within the Panopticon, from the very beginning, and yet even that was not enough for us. Can you imagine how difficult it would become to hold onto a âselfâ when what people want most from you are the moments of your life that specifically are NOT FOR THEM? It wasnât just what they DID, we wanted to know what they FELT, constantly. We demanded to know but we did not want to be TOLD. The knowledge could only be âauthenticâ if it was not meant for us
you: why are you in my house
me, climbing into your bed and pulling your blankets up to my chin: The endless âdocumentaries,â the social media â we had an unprecedented, and unprecedentedly intimate, degree of access to these people, and still what we valued most were secrets and accidents. What we wanted was their interiority, and when we could not have that we invented it. Wouldnât you resent having to constantly be GRATEFUL for that grasping, rapacious love? I would
you: are you crying?
me: We wanted to love them by devouring them, and now we have nothing to eat but our own hearts. can you bring me a hot water bottle
âWanderâ. Chizoba @ Milk Model Management photographed by Katie Burdon for Metal Magazine
Vita Sackville-West to Harold Nicolson, 17 December 1925