Michael Graves Architecture & Design | Whitney Museum | New York | 1988 <clearly a bit of Chipperfield's King's Cross scheme here>
AnasAbdin
styofa doing anything
KIROKAZE
I'd rather be in outer space 🛸

PR's Tumblrdome
trying on a metaphor

titsay

JBB: An Artblog!
RMH
noise dept.
Today's Document
i don't do bad sauce passes
let's talk about Bridgerton tea, my ask is open
Keni

oozey mess
Lint Roller? I Barely Know Her
Sweet Seals For You, Always

Andulka
Misplaced Lens Cap

Product Placement
seen from United States
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seen from Australia

seen from United States

seen from Malaysia

seen from United States
seen from United States

seen from United States
seen from Morocco

seen from Australia

seen from Maldives
seen from Germany
seen from United Kingdom

seen from Australia

seen from Canada
seen from United States

seen from United States
seen from United States

seen from United States
seen from Türkiye
@designthroughcontext
Michael Graves Architecture & Design | Whitney Museum | New York | 1988 <clearly a bit of Chipperfield's King's Cross scheme here>
Oskar Schlemmer. Bauhaus 1-3 1927, 4 “diagramm zu ‘gestentanz’ - das diagramm, die lineare darstellung der bewegungs wege, die projektion der fortbewegung auf die grundfläche des schauplatzes, ist das eine hilfsmittel, einen bewegungsablauf grafisch zu fixieren”
at Sheffield City Centre
An accidental facade pattern #architecture #ducttape (at Parthenonas)
Goodbye happy orange, I feel so cut up (at Arts Tower)
Happy as an orange (at Arts Tower)
#mostsuperficialuseofmarble (at London Liverpool Street Station)
Oil Spill
This series is part of Fabian Oefner`s exploration of Iridescence. For this experiment, Oefner poured water into a black reservoir. With the aid of a syringe, he then added small drops of oil onto the water surface. Upon contact with the water, the oil started to expand and form into magnificent structures. Some of them seem to look like stars exploding, others look like a photograph of the iris.
The various colors result from the reflection and refraction of light, as it passes through the oil film and back into the camera lens. Depending on how thick the oil film is, the colors change from blue, green to red, until finally they disappear again.
„What I like about the series is that it is quite a simple phenomenon, yet strikingly magic and beautiful. It came to my mind when I was sitting outside my studio on a rainy day and observed a thin film of petrol on a water puddle. So I got inside again and started to recreate the setup in a more controlled environment. Finally, after many different setups and hundreds of images, the exploration resulted in these ten photographs.“
Images and text via
The Vikings Berthold Steinhilber
at Battersea Park
at Battersea Park
Staircase (at Tate Britain)
at Chelsea, London
Let's play hide the PoMo
Tried to take a picture...this looks better tbh
Build blocks.